Questa raccolta di quindici saggi scritti tra il 1976 e il 1984 è considerata un classico del pensiero femminista contemporaneo. Sorella Outsider esplora l'evoluzione intellettuale di Audre Lorde toccando in modo intersezionale i temi dell'oppressione di classe, genere e razza. In questi scritti politici troverete i suoi più celebri e incendiari discorsi come: Gli strumenti del padrone non smantelleranno mai la casa del padrone; La poesia non è un lusso; Usi dell'erotico: l'erotico come potere; Gli usi della rabbia: le donne rispondono al razzismo. Tematiche che, sottolinea Lorde, è necessario passare alle prossime generazioni di femministe.

Per la prima volta in traduzione italiana, questa antologia dà spazio alle poesie di amore e di lotta di una poeta, Audre Lorde, che ha saputo intrecciare le storie del proprio vissuto personale con le voci collettive dei movimenti femminista, Lgbt e delle persone di colore. Con il suo potente linguaggio poetico, Lorde ci regala istantanee della realtà filtrate attraverso uno sguardo acuto e mai distaccato. Nei suoi versi erompe il racconto di una donna Nera, lesbica, madre, guerriera, poeta, il cui linguaggio è intriso di ognuna di queste parti e dell'intersezione di tutte. Per questo il canto di Audre Lorde arriva a tutte e tutti noi, abbracciando la realtà da un punto di vista situato e proiettandosi oltre, fino a cambiare il nostro modo di guardare il mondo. Introduzione di Loredana Magazzeni, postfazione di Rita Monticelli.

Zami, una parola carriacou per donne che lavorano insieme come amiche e amanti. Dai vividi ricordi dell'infanzia a Harlem alle lotte per i diritti civili agli incontri nei bar lesbo-gay degli anni Cinquanta, la prima vita della poeta e scrittrice afroamericana Audre Lorde (1934-1992) prende forma intrecciando racconti, sogni e storia con il sostrato mitico di culture afrocaraibiche. Il suo divenire complesso tra lingua e realtà mentre esplora criticamente i confini incerti, contestati e disciplinati tra genere, razza e sessualità, produce un manifesto per una politica dell'erotico di donne che si identificano con le donne. 'Zami' si offre come un antefatto autobiografico degli interventi politici, dei saggi e delle poesie prodotti da Lorde durante il suo percorso di attivista guerriera 'afro-caraibica-americana-lesbofemminista' negli anni Settanta e Ottanta.

Quale è il filo conduttore che lega le geo-bio-grafie di tre figure dissidenti e s-confinanti 'colorate', quali le scrittrici-docenti-femministe-attiviste-lesbiche Audre Lorde, africana-americana, Gloria Anzaldúa, chicana, Paula Gunn Allen, nativa-americana? E quale peso hanno esercitato sul femminismo e la cultura transnazionali? Questo libro prova a rispondere a questi interrogativi attraverso la lettura-traduzione-interpretazione trasversale di tre saggi inediti in lingua italiana prodotti dalle autrici tra gli anni '80 e '90.

Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, SISTER OUTSIDER celebrates an influential voice in twentieth-century literature. In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. This commemorative edition includes a new foreword by Lorde scholar and poet Cheryl Clarke, who celebrates the ways in which Lorde's philosophies resonate more than twenty years after they were first published. These landmark writings are, in Lorde's own words, a call to “never close our eyes to the terror, to the chaos which is Black which is creative which is female which is dark which is rejected which is messy which is. . . .”

 

 

 

 

 

 

 Reviews'...it's been almost a quarter of a century since Audre Lorde's essays and speeches in Sister Outsider made an indelible mark on 20th-century literature. But the words of the black lesbian feminist poet seem as lyrical and unforgettable, and, sadly, as relevant today as when she first tackled everything from racism and homophobia to ageism and class dichotomies. A must-have book that every lesbian should read.'—Curve Editor's Pick “Lorde was a brilliant feminist poet and intellectual whose theories on the power of embracing our internal contradictions as well as the differences between people and groups is the way to powerful coalition building and social progress.” —New York Post, Sunday “Poet and librarian Lorde collected 15 of her finest essays and speeches in this 1984 volume. With her poet's command of language, she addresses sexism, racism, black women, black lesbians, eroticism, and more. Still powerful.”—Library Journal, Starred Review“Audre Lorde is a passionate sage. I say 'is' and not 'was' because her keen insights continue to provoke and sustain us and give us courage. The reissue of this book is a gift to longtime admirers and to new readers who have yet to discover the power and grace and splendid audacity of Audre Lorde.”—Valerie Miner, author of After Eden and professor of feminist studies at Stanford University“[Lorde's] works will be important to those truly interested in growing up sensitive, intelligent, and aware.”—New York Times

Audre Lorde (1934Ð92), the author of eleven books of poetry, described herself as a 'Black feminist lesbian poet warrior mother,' but she added that this phrase was inadequate in capturing her full identity. The interviews in this collection portray the many additional sides of the Harlem-born author and activist. She was also a rebellious child of Caribbean parents, a mastectomy patient, a blue-collar worker, a college professor, a student of African mythology, an experimental autobiographer in her book titled Zami, a critic of imperialism, and a charismatic orator.

Despite her intense engagement with the major social movements of her time, Lorde told interviewers that she was always an outsider, a position of weakness and of strength.

Most of her schoolmates were white. She married a white legal-aid attorney, and after their divorce she was the partner of a white psychologist for many years. These intimate alliances with whites caused some African Americans of both genders to question the depth of her solidarity. Lorde expressed distrust of some white feminists and charged that they lacked real understanding of African American struggles.

Writing proved to be her powerful weapon against injustice. Painfully aware that differences could provoke prejudice and violence, she promoted the bridging of barriers. These interviews reveal the sense of displacement that made Lorde a champion of the outcast and the forgotten--whether in New York, Mississippi, Berlin, or Soweto.

Joan Wylie Hall, the author of Shirley Jackson: A Study of the Short Fiction, teaches English at the University of Mississippi. Her work has been published in the Faulkner Journal, Studies in Short Fiction, Mississippi Quarterly, and Legacy: A Journal of American Women Writers.

'These are poems which blaze and pulse on the page.'-Adrienne Rich 'The first declaration of a black, lesbian feminist identity took place in these poems, and set the terms-beautifully, forcefully-for contemporary multicultural and pluralist debate.'-Publishers Weekly 'This is an amazing collection of poetry by . . . one of our best contemporary poets. . . . Her poems are powerful, often political, always lyrical and profoundly moving.'-Chuckanut Reader Magazine 'What a deep pleasure to encounter Audre Lorde's most potent genius . . . you will welcome the sheer accessibility and the force and beauty of this volume.'-Out Magazine

Rich continues: 'Refusing to be circumscribed by any simple identity, Audre Lorde writes as a Black woman, a mother, a daughter, a Lesbian, a feminist, a visionary; poems of elemental wildness and healing, nightmare and lucidity. Her rhythms and accents have the timelessness of a poetry which extends beyond white Western politics, beyond the anger and wisdom of Black America, beyond the North American earth, to Abomey and the Dahomeyan Amazons. These are poems nourished in an oral tradition, which also blaze and pulse on the page, beneath the reader's eye.'

Features poems that affirm the conflicts, fears, and hopes of the poet in words conveying vision and courage