They are voices that have been silent for centuries: those of captives and refugees, widows and orphans, the blind and infirm, and the underclass of the 'working poor.' Now, for the first time, the voices of the poor in the Middle Ages come to life in this moving book by historian Mark Cohen. A companion to Cohen's other volume, Poverty and Charity in the Jewish Community of Medieval Egypt, the book presents more than ninety letters, alms lists, donor lists, and other related documents from the Geniza, a hidden chamber for discarded papers, situated inside a wall in a Cairo synagogue. Cohen has translated these documents, providing the historical context for each.

In the past, most of what we knew of the poor in the Middle Ages came from records and observations compiled by their literate social superiors, from tax collectors to the inquisitor's clerk, from criminal judges to the benefactors of the helpless, from makers of Islamic waqf deeds to authors of Arabic chronicles, and in Judaism, from Rabbis who wrote responsa to compilers of Jewish-law codes.

What distinguishes this book is that it contains the voices of the poor themselves, found in documents heretofore largely ignored. Because an ancient custom in Judaism prohibited the destruction of pages of sacred writing, the documents were preserved, largely unharmed, for as many as nine centuries.

The Voice of the Poor in the Middle Ages provides access to the attitudes and philanthropic activities of the charitable, alongside the dramatic writings of the poor themselves, whether penned in their own hands or dictated to a scribe or family member. The book also allows a rare glimpse into the women of the Middle Ages, as well as into the world of private charity--an area long elusive to the medieval historian. For researchers and students alike, this book will be an invaluable social history source for years to come.

This beautiful and comprehensive text covers all aspects of Jooss' The Green Table from the choreography and music to the reminiscences of his daughter, Anna Markard. The entire dance is represented in Labanotation and the musical score is presented with annotations. The volume includes the historical background, performance and production history, the story of the ballet's composition, rehearsal notes and well documented photographs from 65 years of performances. Markard has also incorporated technical information, biographies of Jooss' composer and collaborator, and a complete list of Jooss' works. The accompanying CD contains 35 minutes of rehearsal music. Annotation ©2004 Book News, Inc., Portland, OR (booknews.com)

A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.

Sparkling new illustrations refresh this Thanksgiving classic based on the true experience of a member of Barbara Cohen's family. The touching story tells how recent immigrant Molly leads her third-grade class to discover that it takes all kinds of pilgrims to make a Thanksgiving. Originally published in 1983, Molly's Pilgrim inspired the 1986 Academy Award winning live-action short film.

Sparkling new illustrations refresh this Thanksgiving classic based on the true experience of a member of Barbara Cohen's family. The touching story tells how recent immigrant Molly leads her third-grade class to discover that it takes all kinds of pilgrims to make a Thanksgiving. Originally published in 1983, Molly's Pilgrim inspired the 1986 Academy Award winning live-action short film.

Leon (Judah Aryeh) Modena was a major intellectual figure of the early modern Italian Jewish community--a complex and intriguing personality who was famous among contemporary European Christians as well as Jews. Modena (1571-1648) produced an autobiography that documents in poignant detail the turbulent life of his family in the Jewish ghetto of Venice. The text of this work is well known to Jewish scholars but has never before been translated from the original Hebrew, except in brief excerpts. This complete translation, based on Modena's autograph manuscript, makes available in English a wealth of historical material about Jewish family life of the period, religion in daily life, the plague of 1630-1631, crime and punishment, the influence of kabbalistic mysticism, and a host of other subjects. The translator, Mark R. Cohen, and four other distinguished scholars add commentary that places the work in historical and literary context. Modena describes his fascination with the astrology and alchemy that were important parts of the Jewish and general culture of the seventeenth century. He also portrays his struggle against poverty and against compulsive gambling, which, cleverly punning on a biblical verse, he called the 'sin of Judah.' In addition, the book contains accounts of Modena's sorrow over his three sons: the death of the eldest from the poisonous fumes of his own alchemical laboratory, the brutal murder of the youngest, and the exile of the remaining son. The introductory essay by Mark R. Cohen and Theodore K. Rabb highlights the significance of the work for early modern Jewish and general European history. Howard E. Adelman presents an up-to-date biographical sketch of the author and points the way toward a new assessment of his place in Jewish history. Natalie Z. Davis places Modena's work in the context of European autobiography, both Christian and Jewish, and especially explores the implications of the Jewish status as outsider for the privileged exploration of the self. A set of historical notes, compiled by Howard Adelman and Benjamin C. I. Ravid, elucidates the text.