This book examines the relationship between police, media and the public and analyses the shifting techniques and technologies through which they communicate. In a critical discussion of contemporary and emerging modes of mediatized police work, Lee and McGovern demonstrate how the police engage with the public through a fluid and quickly expanding assemblage of communications and information technologies.

Policing and Media explores the rationalities that are driving police/media relations and asks; how these relationships differ (or not) from the ways they have operated historically; what new technologies are influencing and being deployed by policing organizations and police public relations professionals and why; how operational policing is shaping and being shaped by new technologies of communication; and what forms of resistance are evident to the manufacture of preferred images of police. The authors suggest that new forms of simulated and hyper real policing using platforms such as social media and reality television are increasingly positioning police organisations as media organisations, and in some cases enabling police to bypass the traditional media altogether. The book is informed by empirical research spanning 10 years in this field and includes chapters on journalism and police, policing and social media, policing and reality television, and policing resistances.

It will be of interest to those researching and teaching in the fields of Criminology, Policing and Media as well as police and media professionals.

Discusses the principles of proper accounting organization and techniques, explaining how to track accounts payable and receivable, profit and loss statements, balance sheets, costs of goods and services, and assets and expenses.

Revisiting the animal theme that kicked off the series more than twenty-five years ago, Draw 50 Baby Animals brings you an amazing array of the most adorable critters on earth. This latest installment in the Lee J. Ames illustration dynasty features darling baby animals from the wild, the barnyard, and even the backyard that will delight children and parents alike, making it an ideal tool for mastering drawing skills either at home or at school.
Lee J. Ames's signature step-by-step method shows you how to draw the cutest offspring in the animal kingdom with ease —from a fluffy chick and a shaky-legged fawn to playful puppies and sweet-faced kittens. His clear instructions help budding artists to explore their interests in a fun, familiar (and loveable!) way.
With over three million copies in print, the Draw 50 series has successfully shown children how to create everything from a robin to a spaceship, Tyrannosaurus Rex to skyscrapers, and UFOs to racing cars. Draw 50 Baby Animals is sure to captivate a new generation of artists and keep them endlessly entertained, sketching their newfound friends.

Gain a thorough understanding of the principles of biochemistry and molecular biology as they relate to modern medicine

Includes 16 case histories

Clear, concise, and in full color, Harper's Illustrated Biochemistry is unrivaled in its ability to clarify the link between biochemistry and the molecular basis of disease. Combining outstanding full-color illustrations with integrated coverage of biochemical diseases and clinical information, Harper's offers an organization and careful balance of detail and brevity not found in any other text on the subject.

Following two introductory chapters, the text is divided into six main sections:
Section I addresses the structures and functions of proteins and enzymes.
Section II explains how various cellular reactions utilize or release energy and traces the pathways by which carbohydrates and lipids are synthesized and degraded.
Section III covers the amino acids, their metabolic fates, certain features of protein catabolism, and the biochemistry of the porphyrins and bile pigments.
Section IV describes the structure and function of nucleotides and nucleic acids, DNA replication and repair, RNA synthesis and modification, protein synthesis, the principles of recombinant DNA technology, and new understanding of how gene expression is regulated. Section V deals with aspects of extracellular and intracellular communication.
Section VI includes fifteen special topics, ranging from nutrition, digestion and absorption to the biochemistry of aging

New to this edition:

• New chapters on Aging, Cancer, and Clinical Chemistry
• Every chapter has been updated to reflect the latest advances in knowledge and technology
• Each chapter now begins with a statement of objectives, followed by a brief discussion of the biomedical importance of topics discussed within the chapter
• 250 multiple-choice questions to test your knowledge and comprehension
• Increased number of tables that encapsulate important information, such as vitamin and mineral requirements

Melvin Baxter is convinced now more than ever that his new teacher, Miss Martin, is a martian.

"True to the Spirit shifts the terms of the moribund debate about fidelity and adaptation. It presents a series of revelatory investigations on the productivity of adaptation across the history of cinema that trace also a history of intermediality, of the mingling of media forms, as such practices become ever more central to the current digital mediascape. It is not too much to say that this book is simply groundbreaking, easily and by far the best book on this important subject, and one that should be required reading for all film and literature students."---Lee Grieveson, University College London

"True to the Spirit revives adaptation as a key conceptual framework for understanding cinema's intricate political and aesthetic dialogues---and disagreements---with works in other media. This is a generous book: it addresses a surprising range of films and texts, and will foster the creativity of its readers through its expansive, historically detailed case studies."---Karia Oeler, Emory University

Fifty percent of Hollywood productions each year are adaptations---films that use an already published book, dramatic work, or comic as their source material. If the original is well known, then for most spectators the question of whether these adaptations are "true to the spirit" of the original is central. The recent wave of adaptation studies dismisses the question of fidelity as irrelevant, mistaken, or an affront to the unstable nature of meaning itself. The essays gathered here, mixing the field's top authorities (Andrew, Gunning, Jameson, Mulvey, and Naremore) with fresh new voices, take the question of correspondence between source and adaptation as seriously as do producers and audiences. Spanning examples from Shakespeare to Ghost World, and addressing such notable directors as Welles, Kubrick, Hawks, Tarkovsky, and Ophuls, the contributors write against the grain of recent adaptation studies by investigating the question of what fidelity might mean in its broadest and truest sense, what it might reveal of the adaptive process, and why it is still one of the richest veins of investigation in the study of cinema.

As the world deals with increasing complexity in issues of sustainability, finance, culture and technology business and governments are searching for a form of problem solving that can deal with the unprecedented levels of ambiguity and chaos. Traditional "linear thinking" has been disparaged by the popular media as being inadequate for dealing with the global economic crisis. Standard forms of marketing and product development have been rejected by businesses who need to find a way to stay competitive in a global economy. Yet little has been offered as an alternative. It is not enough to demand that someone "be more innovative" without giving him the tools to succeed.

Design synthesis is a way of thinking about complicated, multifaceted problems of this scale with a repeatable degree of success. Design synthesis methods can be applied in business, with the goal of producing new and compelling products and services, and they can be applied in government, with the goal of changing culture and bettering society. In both contexts, however, there is a need for speed and for aggressive action. This text is immediately relevant, and is more relevant than ever, as we acknowledge and continually reference a feeling of an impending and massive change. Simply, this text is intended to act as a practitioner's guide to exposing the magic of design.

There are three simple goals for this text.

The first goal is to present a theory of design synthesis in a simple and concise manner. This theory is based on academic research and discourse, but presented in a way that is clear and valuable to a practicing design manager, designer or design researcher. This theory of design synthesis can then be used to substantiate single methods of synthesis.

The second goal is to offer a rationalization of why design synthesis is important, both in a general sense ("why should I care about this at all?") as well as in a more immediate sense ("why should I care about this right now?").

The final goal is to present a set of actionable, learnable methods for design synthesis that can be applied to any design problem. Practicing industrial designers, interaction designers, interface designers, and designers of other disciplines can use these methods to make sense of complicated design problems and to move seamlessly from various forms of research to design. The methods can add a systematic sense of rigor to an otherwise subjective, often introspective process.