In 1910, the mystery novelist Gaston Leroux, working from scraps of history, theatrical lore, and his own fertile imagination, created a masterpiece in Le fantôme de l'opéra, the story of a disfigured composer who lives in the labyrinthine depths of the Paris Opera. After the breathtaking debut of Christine Daaé, the whispers of an Opera ghost seem to become reality as the young singer vanishes. As the Phantom strikes again and again, targeting foes from a jealous diva to a romantic rival, Leroux spins a thriller of obsession and violence with, at its center, a tormented murderer who awakens our deepest fears and sympathies. The inspiration for Andrew Lloyd Webber's long-running musical, Leroux's novel is still more riveting than anything Broadway could produce.

Erik, angelo della musica, artista sublime ma respinto da tutti per la sua ripugnante bruttezza, oscuro signore dei sottosuoli del teatro, trascina la sua vittima, la giovane cantante Christine, nella sua dimora sotterranea per imporle, con un orribile ricatto, la sua diversità e sfidare con la sua delirante grandezza l'umanità che lo ha emarginato. Riproduzione a richiesta dell'edizione: Tea, 1994 (Teadue 252) ISBN 88-7819-609-6

Nella Parigi della Belle Epoque il poeta Jean Mortimar succede in seno all'Accadeia di Francia al Monsignor d'Abbeville, noto per le sue virulente polemiche contro la scienza positivista. Al momento della prolusione, Mortimar riceve un biglietto di minacce e, non appena attaccato il discorso, crolla a terra cadavere. A sostituirlo sulla medesima poltrona viene designato il capitano di vascello Maxime d'Aulnay, cui viene recapitata un'altra missiva minacciosa pochi istanti prima che prenda la parola per il discorso inaugurale. Ma, appena finito di pronunciare le ultime parole, il poveretto porta le mani al viso con un gesto disperato e stramazza al suolo...

Tells the story of a demented musician who haunts the Paris Opera House and plays a terrifying role in the career of a beautiful young singer

'The story of the monster man whose horrible deformities cause fear and terror, his search for love and acceptance, and his haunting of the opera house in Paris is told in very simple language. Beautifully adapted, the story flows along so easily that readers will be immediately caught up in the tangle of events and emotions. McMullan conveys all of the anger, grief, joy, and love that make the phantom a truly believable character. Will attract reluctant readers.'-- School Library

A French reader for intermediate through advanced students

Le Fantôme de l'Opéra (Leroux) is an adaptation that captures the meaning and mood of the original 1910 Gaston Leroux novel and includes all major scenes. It is 152 pages in length.

Gaston Leroux is one of the originators of the detective story, and The Phantom of the Opera is his tour de force, as well as being the basis for the hit Broadway musical. A superb suspense story and a dark tale of obsession, The Phantom of the Opera has thrilled and entertained audiences in adaptations throughout the century.

This new translation—the first completely modern and Americanized translation—unfurls the full impact of this classic thriller for modern readers. It offers a more complete rendering of the terrifying figure who emerges from the depths of the glorious Paris Opera House to take us into the darkest regions of the human heart. After the breathtaking performance of the lovely Christine Daae and her sudden disappearance, the old legend of the “opera ghost” becomes a horrifying reality as the ghost strikes out with increasing frequency and violence—always with the young singer at the center of his powerful obsession. Leroux has created a masterwork of love and murder—and a tragic figure who awakens our deepest and most forbidden fears.

This is the only complete, unabridged modern Americanized translation available. Lowell Bair is the acclaimed translator of such Bantam Classics as Madame Bovary, Les Liaisons Dangereuses, and Candide.