(Music Sales America). Toccata and Fugue in D minor (565), Prelude and Fugue in D major (532), Prelude and Fugue in F minor (534), Prelude and 'St Anne' Fugue in E flat (552). Edited by Sir Frederick Bridge and James Higgs.

Most of the English-speaking choral singers who make up their country's thriving choirs and choral societies will have sung Bach's great Passions in English at some time or other. This edition is in both English and German, giving the individual choir the option of which language to perform in. This book contains a preface by the editor, Neil Jenkins, and a suggested 'on the day' rehearsal schedule by Sir David Willcocks. St. Matthew Passion was written for solo voices, ripieno choir, 2 SATB choirs and 2 orchestras. The vocal score contains all voice parts and a piano accompaniment.

Music Sales America

First Published in 2003

As with all Alfred Masterwork Editions, the 13 selections of this book appear in their original, unsimplified forms. Menuets, marches, musettes and preludes comprise this carefully edited volume for early-intermediate pianists. Background material describes dance forms, ornamentation and dotted rhythms. Editorial indications for tempi, dynamics and articulations appear in gray print, and are based on scholarly research. It provides a valuable introduction to the keyboard works of this master composer.

Pianist Scott Price has beautifully recorded all the pieces in the book, included on Compact Disc. He is the chair of the Piano Department at the University of South Carolina and holds a doctorate in piano performance from the University of Oklahoma. He has given master classes and recitals throughout the United States and Southeast Asia. His recordings are featured in Alfred's Premier Piano Course.

Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Six English Suites is based on Bischoff's analysis of the autograph, along with several manuscripts, copies, and fragments. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.

These preludes and fugues were originally composed for the organ, and Liszt transcribed them for piano solo. Included are two in C major, one in C minor, A minor, B minor, and E minor.

Here's a newly engraved edition of this famous book used by teachers and students for centuries. Includes Arias, Chorales, Marches, Menuets, Partitas, Polonaises, Suites, a Rondeau, Musette, Sarabande, Prelude, and several pieces for voice. This edition, which follows the Callwey edition of 1935, contains the music J. S. Bach presented to his wife, Anna Magdalena, in an ornate book in 1725 as a birthday present. 140 pages.

Total 371, Nos. 199-371 in this volume. Volume 2 of Bach's historic settings of the chorales. C. P. E. Bach said of these chorales: "Those connoisseurs of the art of harmonizing and composing settings will likewise not withhold their praise when they observe with appropriate attentiveness the very unusual manner my father uses to set up harmony in these settings, the natural flow of the inner voices as well as the bass, factors which set these chorale settings apart from any others."

Features 24 beloved selections from Bach, arranged for classical guitar with tablature. Includes an explanation of ornaments used in the book, historical notes, performance suggestions, and a glossary of terms.

This edition of the 48 preludes and fugues, Volume I for piano was edited by the noted Bach expert Dr. Hans Bischoff. It includes a table of embellishments and a preface from Dr. Bischoff. It was re-engraved by Warner Bros. Publications in 1999. KALMUS EDITIONS are primarily reprints of urtext editions, reasonably priced and readily available.

A fascinating anthology of the great solo piano versions of J.S. Bach's most beloved works. 26 transcriptions by celebrated pianist/composers including Brahms, Liszt, Busoni, Rachmaninoff and others.

A newly engraved edition of the 48 preludes and fugues, Volume II for piano was edited by the noted Bach expert Dr. Hans Bischoff. It includes a table of embellishments and a preface from Dr. Bischoff. KALMUS EDITIONS are primarily reprints of Urtext Editions, reasonably priced and readily available.

Manuel Barrueco, famous international guitar virtuoso, has transcribed three of Bach's solo violin sonatas for guitar. This edition corresponds to his new EMI Classics recording on CD.

Sonaten 1-4 BWV 525-528. Per organo. Spartito

Nine transcriptions edited and fingered by Parkening: Preludes I, VI & IX * Gavottes I & II * Jesu, Joy of Man's Desiring * Sheep May Safely Graze * Wachet Auf, Ruft Uns Die Stemme * Be Thou with Me * Sleepers Awake (2 guitars).

Toccaten, fantasien und fugen. Vol. A: BWV 564, 570, 573, 562 (spartito)

In this volume, which contains six suites and seven supplementary pieces for intermediate to advanced level pianists, Judith Schneider has provided detailed biographical and historical information about the pieces, as well as suggestions to achieve a proper interpretation of these works. Bach's table of ornaments is also discussed. This volume beautifully prepares students to perform Bach's more advanced English Suites. 144 pages.

17 well-known pieces by one of the world's greatest composers arranged for guitar in standard music notation and TAB. The accompanying CD offers outstanding performances of each piece.

inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire of•Bach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.