For the full course of his remarkable career, Gary Snyder has continued his study of Eastern culture and philosophies. From the Ainu to the Mongols, from Hokkaido to Kyoto, from the landscapes of China to the backcountry of contemporary Japan, from the temples of Daitokoji to the Yellow River Valley, it is now clear how this work has influenced his poetry, his stance as an environmental and political activist, and his long practice of Zen. Growing up in the Pacific Northwest, Asia became a vocation for Snyder. While most American writers looked to the capitals of Europe for their inspiration, Sndyer looked East. American letters is profoundly indebted to this geographical choice.

Long rumored to exist, The Great Clod collects more than a dozen chapters, several published in The Coevolution Quarterly almost forty years ago when Snyder briefly described this work as The China Book,” and several others, the majority, never before published in any form. Summer in Hokkaido,” Wild in China,” Ink and Charcoal, Stories to Save the World,” Walking the Great Ridge,” these essays turn from being memoirs of travel to prolonged considerations of art, culture, natural history and religion. Filled with Snyder’s remarkable insights and briskly beautiful descriptions, this collection adds enormously to the major corpus of his work, certain to delight and instruct his readers now and forever.

"This present moment
That lives on

To become

Long ago."

For his first collection of new poems since his celebrated Danger on Peaks, published in 2004, Gary Snyder finds himself ranging over the planet. Journeys to the Dolomites, to the north shore of Lake Tahoe, from Paris and Tuscany to the shrine at Delphi, from Santa Fe to Sella Pass, Snyder lays out these poems as a map of the last decade. Placed side-by-side, they become a path and a trail of complexity and lyrical regard, a sort of riprap of the poet’s eighth decade. And in the mix are some of the most beautiful domestic poems of his great career, poems about his work as a homesteader and householder, as a father and husband, as a friend and neighbor. A centerpiece in this collection is a long poem about the death of his beloved, Carole Koda, a rich poem of grief and sorrow, rare in its steady resolved focus on a dying wife, of a power unequaled in American poetry.

As a friend is quoted in one of these new poems:

"I met the other lately in the far back of a bar,
musicians playing near the window and he
sweetly told me listen to that music.

The self we hold so dear will soon be gone.”"

Gary Snyder is one of the greatest American poets of the last century, and This Present Moment shows his command, his broad range, and his remarkable courage.

Gary Snyder joined his old friend, novelist Jim Harrison, to discuss their loves and lives and what has become of them throughout the years. Set amidst the natural beauty of the Santa Lucia Mountains, their conversationsharnessing their ideas of all that is wild, sacred and intimate in this worldmove from the admission that Snyder’s mother was a devout atheist to his personal accounts of his initiation into Zen Buddhist culture, being literally dangled by the ankles over a cliff. After years of living in Japan, Snyder returns to the States to build a farmhouse in the remote foothills of the Sierras, a homestead he calls Kitkitdizze.

For all of the depth in these conversations, Jim Harrison and Gary Snyder are humorous and friendly, and with the artfully interspersed dialogue from old friends and loves like Scott Slovic, Michael McClure, Jack Shoemaker, and Joanne Kyger, the discussion reaches a level of not only the personal, but the global, redefining our idea of the Beat Generation and challenging the future directions of the environmental movement and its association with Deep Ecology.”

The Etiquette of Freedom is an all-encompassing companion to the film The Practice of the Wild.

In 1969 Gary Snyder returned from a long residence in Japan to northern California, to a homestead in the Sierra foothills where he intended to build a house and settle on the land with his wife and young sons. He had just published his first book of essays,Earth House Hold. A few years before, after a long absence, Wendell Berry left New York City to return to land near his grandfather’s farm in Port Royal, Kentucky, where he built a small studio and lived there with his wife as they restored an old house on their newly acquired homestead. In 1969 Berry had just published Long-Legged House. These two founding members of the counterculture and of the new environmental movement had yet to meet, but they knew each other’s work, and soon they began a correspondence. Neither man could have imagined the impact their work would have on American political and literary culture, nor could they have appreciated the impact they would have on one another.

Snyder had thrown over all vestiges of Christianity in favor of becoming a devoted Buddhist and Zen practitioner, and had lived in Japan for a prolonged period to develop this practice. Berry’s discomfort with the Christianity of his native land caused him to become something of a renegade Christian, troubled by the church and organized religion, but grounded in its vocabulary and its narrative. Religion and spirituality seemed like a natural topic for the two men to discuss, and discuss they did.

They exchanged more than 240 letters from 1973 to 2013, remarkable letters of insight and argument. The two bring out the best in each other, as they grapple with issues of faith and reason, discuss ideas of home and family, worry over the disintegration of community and commonwealth, and share the details of the lives they’ve chosen to live with their wives and children. Contemporary American culture is the landscape they reside on. Environmentalism, sustainability, global politics and American involvement, literature, poetry and progressive ideals, these two public intellectuals address issues as broad as are found in any exchange in literature.

No one can be unaffected by the complexity of their relationship, the subtlety of their arguments, and the grace of their friendship. This is a book for the ages.

"This present moment
That lives on

To become

Long ago."

For his first collection of new poems since his celebrated Danger on Peaks, published in 2004, Gary Snyder finds himself ranging over the planet. Journeys to the Dolomites, to the north shore of Lake Tahoe, from Paris and Tuscany to the shrine at Delphi, from Santa Fe to Sella Pass, Snyder lays out these poems as a map of the last decade. Placed side-by-side, they become a path and a trail of complexity and lyrical regard, a sort of riprap of the poet’s eighth decade. And in the mix are some of the most beautiful domestic poems of his great career, poems about his work as a homesteader and householder, as a father and husband, as a friend and neighbor. A centerpiece in this collection is a long poem about the death of his beloved, Carole Koda, a rich poem of grief and sorrow, rare in its steady resolved focus on a dying wife, of a power unequaled in American poetry.

As a friend is quoted in one of these new poems:

"I met the other lately in the far back of a bar,
musicians playing near the window and he
sweetly told me listen to that music.

The self we hold so dear will soon be gone.”"

Gary Snyder is one of the greatest American poets of the last century, and This Present Moment shows his command, his broad range, and his remarkable courage.

In this thoughtful, affectionate collection of interviews and letters spanning three decades, beloved poet Gary Snyder talks with South African writer and scholar Julia Martin. Over this period many things changed decisively?globally, locally, and in their personal lives?and these changing conditions provide the back story for a long conversation. It begins in the early 1980s as an intellectual exchange between an earnest graduate student and a generous distinguished writer, and becomes a long-distance friendship and an exploration of spiritual practice.

At the project’s heart is Snyder’s understanding of Buddhism. Again and again, the conversations return to an explication of the teachings. Snyder’s characteristic approach is to articulate a direct experience of Buddhist practice rather than any kind of abstract philosophy. In the version he describes here, this practice finds expression not primarily as an Asian import or a monastic ideal, but in the specificities of a householder’s life as lived creatively in a particular location at a particular moment in history. This means that whatever ?topic” a dialogue explores, there is a sense that all of it is about practice?the spiritual-social practice of a contemporary poet.

We are proud to continue our project of publishing Deluxe Audio Editions of the poems of Gary Snyder, read by him. When first published in 2004, it was the poet’s first new collection of poems in twenty years. Perhaps his most personal, autobiographical collection, it begins with the young poet ascending Mt. St. Helens in 1945, a climb accidentally timed with the bombing of Hiroshima and Nagasaki. He was 15 years old. Almost sixty years later, after the great Buddhas at Bamiyan Valley were bombed and with the victims of the World Trade Center also ?turned to dust,” the poet composed a prayer while at Short Grass Temple in Senso-ji, a pilgrim on the path of Kannon, Goddess of Mercy.

This remarkable collection was greeted with broad praise, and as Julia Martin proclaimed, ?Moving between relative and absolute ways of seeing, [Snyder] responds to the experience of global conflict and personal pain by reminding readers of the continuity of wildness, affirming the value of art, and invoking an ancient practice of wisdom and compassion.”

In 1969 Gary Snyder returned from a long residence in Japan to northern California, to a homestead in the Sierra foothills where he intended to build a house and settle on the land with his wife and young sons. He had just published his first book of essays, Earth House Hold. A few years before, after a long absence, Wendell Berry left New York City to return to land near his grandfather’s farm in Port Royal, Kentucky, where he built a small studio and lived there with his wife as they restored an old house on their newly acquired homestead. In 1969 Berry had just published Long-Legged House. These two founding members of the counterculture and of the new environmental movement had yet to meet, but they knew each other’s work, and soon they began a correspondence. Neither man could have imagined the impact their work would have on American political and literary culture, nor could they have appreciated the impact they would have on one another.

Snyder had thrown over all vestiges of Christianity in favor of becoming a devoted Buddhist and Zen practitioner, and had lived in Japan for a prolonged period to develop this practice. Berry’s discomfort

Begun in Berkeley on April 8, 1956, Gary Snyder's Mountains and Rivers Without End is an epic of geology, prehistory, and mythology. The poems travel beyond Western traditions to encompass Asian art and drama, Native American performance and storytelling, and the practice of Zen Buddhism. It is a moving celebration of earth and sky, rock and water, nature and humanity from one of America's finest poets.

When the first edition of this landmark work was published in 1996, Gary Snyder was honored with the Bollingen Poetry Prize, the Robert Kirsch Lifetime Achievement Award from the The Los Angeles Times, the Orion Society's John Hay Award, and many other awards. In this new edition, we celebrate again the brilliant of one of our most important poets.

In 1953, Gary Snyder returned to the Bay Area and, at age 23, enrolled in graduate school at the University of California, Berkeley, to study Asian languages and culture. He intensified his study of Chinese and Japanese, and taking up the challenge of one of his professors, Chen Shih-hsiang, he began to work on translating a largely unknown poet by the name of Han Shan, a writer with whom the professor thought Snyder might feel a special affinity. The results were magical. As Patrick Murphy noted, 'These poems are something more than translations precisely because Snyder renders them as a melding of Han Shan's Chinese Ch'an Buddhist mountain spirit trickster mentality and Snyder's own mountain wilderness meditation and labor activities.' The suite of 24 poems was published in the 1958 issue of The Evergreen Review, and the career of one of America's greatest poets was launched.

In 1972, Press-22 issued a beautiful edition of these poems written out by hand in italic by Michael McPherson. We are doing a new augments edition based on the old, with a new design, a preface by Lu Ch'iu-yin, and an afterword by Mr. Snyder where he discusses how he came to this work and what it meant to his development as a writer and Buddhist.

On May 11, 2012, for the Stronach Memorial Lecture at The University of California, more than fifty years after his days there as a student, Snyder offered a public lecture reflecting on Chinese poetry, Han Shan, and his continuing work as a poet and translator. This remarkable occasion was recorded and we are including a CD of it in our edition, making this the most definitive edition of Cold Mountain Poems ever published.

Gary Snyder has been a major cultural force in America for five decades?prize-winning poet, environmental activist, Zen Buddhist, earth-householder, and reluctant counterculture guru. Having expanded far beyond the Beat scene that first brought his work to the public ear and eye, Snyder has produced a broad-ranging body of work that encompasses his fluency in Eastern literature and culture, his commitment to the environment, and his concepts of humanity’s place in the cosmos.

Prose selections include journals from his travels to Saigon, Singapore, Kyoto, Ceylon, New Delhi, and Dharamshala; key interviews from the East West Journal and The Paris Review, meditations on Buddhism and the surrender of self; a cultural survey of communal living; and notes from the lookout tower on Sourdough Mountain, where in stark isolation Snyder once watched for forest fires.

The Reader gathers poems from each phase of Snyder’s long career?from his fist collection, Riprap, to the Pulitzer Prize-winning Turtle Island, through his epic poem cycle that was forty years in the making, Mountains and Rivers Without End.

From freighter to firetower, Zendo to Himalayan mountain ridge, Snyder’s writings reflect a lifetime of study, journey, and the practice of everyday mindfulness. Gary Snyder has witnessed and captured our culture at the hinge of change and?time and again?his work has transformed us just as it has altered our understanding of literature and place in a purposeful life.