How do we come to terms with loss? How do we find love after tragedy? How can art and language help us to cope with life, and honor the dead? How does one act responsibly in a world that is both beautiful, full of suffering, and balanced precariously on the edge of despair and ruin? With humor, anger and great tenderness, Richard Michelson’s poems explore the boundaries between the personal and the political, and the connections between history and memory. Growing up under the shadow of the Holocaust, in a Brooklyn neighborhood consumed with racial strife, Michelson’s experiences were far from ordinary, yet they remain too much a part of the greater circle of poverty and violence to be dismissed as merely private concerns, safely past. It is Michelson’s sense of humor and acute awareness of Jewish history, with its ancient emphasis on the fundamental worth of human existence that makes this accessible book, finally, celebratory and life-affirming.

Abe and Willie live across the alley from each other. Willie is black and Abe is Jewish, and during the day, they don't talk. But at night they open their windows and are best friends. Willie shows Abe how to throw a real big-league slider, and Abe gives Willie his violin to try out. Then one night, Abe's grandfather catches them—will Abe and Willie have the courage to cross the alley and reveal their friendship during the day?

Like the bestselling The Other Side, E. B. Lewis's striking, atmospheric watercolors bring to life a moving story of baseball and music, and how two young people try to bridge the divide of prejudice.

Annette Michelson's contributions to art and film criticism over the last three decades have been unparalleled. This volume honors her unique legacy with original essays by some of the many scholars who have been influenced by her work. Some continue her efforts to develop theoretical frameworks for understanding modernist art, while others practice her form of interdisciplinary criticism in relation to avant-garde and modernist art works and artists. Still others investigate and evaluate Michelson's work itself. All in some way pay homage to her extraordinary contribution.