Per Bick Benedict, il Texas è padre e madre. A Reata, il suo sconfinato ranch, Bick rispetta soltanto le leggi della tradizione, i ritmi della natura. Ascolta il respiro di quel luogo selvaggio, delle mandrie di bisonti, del sole e della polvere, e obbedisce. Perché, per lui, nulla è più importante della terra. Per Leslie Lynnton, il Texas è un enigma. Colta ed elegante, abbandona la verdissima Virginia dopo aver sposato Bick e si ritrova in un mondo ostile, in cui i ricchi possidenti terrieri hanno potere di vita e di morte sugli uomini e sulle donne che lavorano per loro, in cui la dignità umana viene calpestata ogni giorno, in cui conta soltanto quanti capi di bestiame si possiedono. Ma Leslie non è fragile e indifesa come credono i texani... Per Jett Rink, il Texas è una maledizione. Alle dipendenze dei Benedict sin da ragazzo, riserva a loro lo stesso disprezzo con cui viene trattato. Poi, però, dal fazzoletto di terra che Bick gli ha concesso sgorga il petrolio, e Jett diventa l'uomo più ricco del Texas, quello davanti al quale tutti si devono inchinare. E adesso è in grado di portare via a Bick ogni cosa, tranne forse ciò che più desidera: la misteriosa, seducente, bellissima Leslie... È il Texas a legare i destini di Bick, Leslie e Jett dagli anni '20 al dopoguerra. È lui il vero, colossale protagonista di questa storia epica: è il gigante, forte e orgoglioso come le persone che lo abitano. E, proprio come loro, sarà costretto a fare i conti con la forza inarrestabile della modernità, in un racconto che, esplorando le radici dell'America di allora, rivela lo spirito

Bringing to life the adventurous world of Mississippi show boats, the grittiness of turn-of-the-century Chicago, and the majesty of 1920s Broadway, Pulitzer Prize winner Edna Ferber’s Show Boat is a classic. Magnolia Hawks spends her childhood aboard the Cotton Blossom, growing up amid simmering racial tension and struggling to survive life on the Mississippi. When she falls in love with the dashing Gaylord Ravenal and moves with him to Chicago, the joy of giving birth to their beautiful daughter, Kim, is offset by Gaylord’s gambling addiction and distrustful ways. Only when Kim sets off on her own to pursue success on the New York stage does Magnolia return to the Cotton Blossom, reflecting on her own life and all who once called the show boat their home.

Originally published in 1926, adapted for the stage as a musical a year later and filmed three times over three decades, Show Boat brilliantly explores a nation going pivotal change through the lens of its popular culture.

With a new introduction by Foster Hirsch.

This vivid and sweeping tale of the Oklahoma Land Rush, from Pulitzer Prize winner Edna Ferber, traces the stunning challenges of settling an untamed frontier. Staking claim to their new home in Osage, Yancey Cravat, a spellbinding criminal lawyer, and his wife, well-bred Sabra, work against seemingly overwhelming odds to create a prosperous life for themselves. And as they establish themselves in this lawless land, Sabra displays a brilliant business sense and makes a success of their local newspaper, the Oklahoma Wigwam, all amidst border and land disputes, outlaws, and the discovery of oil.

Originally published in 1929, and twice made into a motion picture, Cimarron brings history alive, capturing the settling of the American West in vivid detail.

With a new introduction by Julie Gilbert.

Winner of the Pulitzer Prize and widely considered to be Edna Ferber's greatest achievement, So Big is a classic novel of turn-of-the-century Chicago. It is the unforgettable story of Selina Peake DeJong, a gambler's daughter, and her struggles to stay afloat and maintain her dignity and her sanity in the face of marriage, widowhood, and single parenthood. A brilliant literary masterwork from one of the twentieth century's most accomplished and admired writers, the remarkable So Big still resonates with its unflinching view of poverty, sexism, and the drive for success.

Here, in the most comprehensive collection of George S. Kaufman's plays ever assembled, are nine classics: his 'backstage' play The Royal Family (1927, written with Edna Ferber); the Marx Brothers-inspired mayhem of Animal Crackers (1928, with Morrie Ryskind), in a version discovered in Groucho Marx's papers and published here for the first time; June Moon (1929, with Ring Lardner), a hilarious look at a young composer trying to make it big on Tin Pan Alley; Once in a Lifetime (1930, with Moss Hart), one of the first and best satires of Hollywood; Pulitzer Prize winners Of Thee I Sing (1931, with Morrie Ryskind and Ira Gershwin) and You Can't Take It With You (1936, with Moss Hart); Dinner at Eight (1932, with Edna Ferber), a tart ensemble piece that mixes comedy and melodrama; Stage Door (1936, with Edna Ferber), his much-loved story about young actresses trying to make it big in New York City; and The Man Who Came to Dinner (1939, with Moss Hart), an unforgettable burlesque of America's cult of celebrity.

Fanny Herself is the intensely personal chronicle of a young girl growing up Jewish in a small midwestern town. The novel charts Fanny's emotional growth through her relationship with her mother, the shrewd, sympathetic Molly Brandeis.
'You could not have lived a week in Winnebago without being aware of Mrs. Brandeis,' Ferber begins, and likewise the story of Fanny Brandeis is inextricable from that of her vigorous, enterprising mother. As Fanny strives to carve out her own sense of herself, Molly becomes the standard by which she measures her intellectual and spiritual progress.
Fanny's ambivalent feelings about being Jewish, her self-deprecating attitude toward her gift for sketching and drawing, and her inspired success as a businesswoman all contribute to the flesh-and-blood complexity of Ferber's youthful, eminently believable protagonist. She is accompanied on her journey by impeccably drawn characters such as Father Fitzpatrick, the Catholic priest in Winnebago; Ella Monahan, buyer for the glove department of the Haynes-Cooper mail order house; and Clarence Heyl, the scrappy columnist who never forgot how Fanny rescued him from the school bullies.
Through Fanny's honest struggle with conflicting values - financial security and corporate success versus altruism and artistic integrity - Ferber grapples with some of the most deeply embedded contradictions of the American spirit.

This sweeping tale captures the essence of Texas on a staggering scale as it chronicles the life and times of cattleman Jordan 'Bick' Benedict, his naive young society wife, Leslie, and three generations of land-rich sons. A sensational story of power, love, cattle barons, and oil tycoons, Giant was the basis of the classic film starring James Dean, Elizabeth Taylor, and Rock Hudson.

The basis for the classic film starring Gary Cooper and Ingrid Bergman, Saratoga Trunk unfolds the story of Clio Dulaine, an ambitious Creole beauty who more than meets her match in Clint Maroon, a handsome Texan with a head for business -- and an eye for beautiful young women. Together they do battle with Southern gentry and Eastern society, but in their obsession to acquire all they've ever wanted, they fail to realize they already have all they'll ever need -- each other.

Edna Ferber and George S. Kaufman inebriated America during the Prohibition Twenties, then made everyone forget the Depression in the Thiries via gales of sophisticated laughter. The dynamic playwriting duo created three smash hits together: The Royal Family (1927) * Dinner at Eight (1932) * and Stage Door (1936. All three plays were promptly made by Hollywood into equally famous films - Dinner at Eight with Jean Harlow; Stage Door with a young Katharine Hepburn and Lucille Ball; and the Royal Family of Broadway with Frederic March.