Da trent'anni Michel Comte č uno dei grandi nomi della fotografia di moda, di ritratto e di nudo ed č inoltre l'autore di numerose immagini divenute celebri per campagne pubblicitarie e riviste quali Vogue o Vanity Fair. La spontaneitą del suo approccio gli permette di rivelare lati sempre nuovi e sorprendenti nei soggetti, anche quando si tratta di personaggi abituati a stare sotto i riflettori quali Sharon Stone, Sophia Loren o Gisele Błndchen. Ma quest'ampia retrospettiva mostra anche un altro Michel Comte, a suo agio in mondi completamente diversi: non lo si trova solamente al festival di Cannes o al Ritz di Parigi, ma anche nelle regioni pił tormentate della terra. I suoi reportage, cosģ come i suoi ritratti, si contraddistinguono per la sensibilitą e per lo sguardo obiettivo.

In 1999, a sensational discovery was made among the affects in the estate of Charlie Chaplin: an extensive photography archive consisting of thousands of of negatives and prints from the actor's life were discovered. Chaplin documented his life with a passionate enthusiasm: private photographs taken by his friends and family were collected and kept, along with more public photographs taken during the course of his career on movie sets and in studios. These are never-before-published images, and from this treasure trove the photographer Michel Comte has edited a sensitive photo album which shows a hitherto unknown Chaplin. Here, the trips around the world and the snapshots with colleagues, children, and grandchildren are brought to light; a new view of the iconic artist. The Unseen Chaplin presents an artist who was on stage throughout his life, whose private life as well as his public life was spent in the limelight. Opening in 1909, when he was 20 years old, and closing with a color photograph taken just prior to his death in 1977, this large-format volume, which includes an essay by Sophia Loren and statements by other friends from the film industry, will be a beautiful and fitting tribute to the life of one of the seminal entertainers in American history.