Questa narrazione emozionante della storia di Lazzaro aiuta i bambini a comprendere che Gesù è venuto per dire addio agli addii, per sempre e li rassicura mediante l'incredibile verità per cui Gesù dona ai propri amici la vita dopo la morte. Età di lettura: da 6 anni.

Gesù disse: 'Verrà il giorno in cui diremo per sempre addio agli addii. Tu ci credi?'. Godetevi la storia lieta... e triste... e (alla fine) molto lieta, che accadde quando Gesù visitò i suoi amici Maria, Marta e Lazzaro e trasformò la loro tristezza in gioia. Età di lettura: da 6 anni.

Mike the mouse isn't like other mice. He just won't eat cheese. Fortunately, Ashley, the little human girl who lives in the house, feeds him lots of tasty treats: like pizza and tacos. But, hold on, don't those have cheese in them?

This delightful picture book explores how even the fussiest eaters can be tempted to try new flavors. And, if you're anything like Mike, you might find you develop quite a taste for international cuisine along the way! Written by Hannah Chandler when she was just 11 years old, I Don't Like Cheese is hopefully the first of several adventures featuring Mike; now 12, Hannah is already planning the sequel.

The work that goes into managing a home can sometimes feel boring and insignificant. Furman reminds women of the gospel’s extraordinary power over ordinary life, helping homemakers see and savor the miraculous in the mundane.

In Rehearsal is a clear and accessible how-to approach to the rehearsal process. Author Gary Sloan brings more than thirty years' worth of acting experience to bear on the question of how to rehearse both as an individual actor and as part of the team of professionals that underpins any successful production. Interviews with acclaimed actors, directors, playwrights, and designers share a wealth of knowledge on dynamic collaboration.

The book is divided in to three main stages, helping the reader to refine their craft in as straightforward and accessible manner as possible:

• In the world: A flexible rehearsal program that can be employed daily, as well as over a typical four week production rehearsal.
• In the room: Advice on working independently and productively with other members of a company, such as directors, playwrights, designers and technical crew; how your personal creative process varies depending on the role, be it Shakespeare, musicals, film, television or understudying.
• On your own: Creating your own rehearsal process, exploring original and famous rehearsal techniques, breaking through actor's block and how to practice every day.

In Rehearsal breaks down the rehearsal process from the actor’s perspective and equips its reader with the tools to become a generous and resourceful performer both inside and outside the studio. Its independent, creative and daily rehearsal techniques are essential for any modern actor.