Sicuri di sé, compiaciuti, perennemente affascinati dal proprio riflesso nell'acqua; assetati di applausi; smaniosi di rendersi protagonisti con l'ennesimo selfie: le forme che può assumere il narcisismo sono tante, e tutte innegabilmente odiose. Ma l'amore di sé è sempre un deplorabile nemico e un male da cui tenersi alla larga? O potrebbe anche rivelarsi il punto di partenza per una vita più sana? Attingendo dai miti greci, dalla cultura popolare e dalla storia della filosofia e intrecciando una riflessione che spazia da Aristotele, Platone, Rousseau, Kant, Hume, Iris Murdoch alla chirurgia plastica, alle pubblicità patinate e alle tante forme di mercificazione sociale, Simon Blackburn esplora i complessi fenomeni che circondano il sé e il rispetto di sé, offrendo intuizioni profonde su concetti come orgoglio, ambizione, vanità, autenticità. Perché, fa notare Blackburn, a volte guardarsi allo specchio può essere anche indice di lodevole coraggio e di grande sincerità verso se stessi.

The Big Questions series is designed to let renowned experts address the 20 most fundamental and frequently asked questions of a major branch of science or philosophy. Each 3000-word essay simply and concisely examines a question that has eternally perplexed enquiring minds, and provides answers based on the latest research. This ambitious project is a unique distillation of humanity's best ideas.

In The Big Questions: God, Mark Vernon answers the 20 key questions:

Can reason prove the existence of God?
Why do people still have religious beliefs?
Can drugs induce religious experiences?
Have you seen a miracle?
If you're not religious, is nothing sacred?
Is religion inherently violent?
What is Buddhist enlightenment?
Is nature divine?
Does human suffering rule out God?
Are we living in the end times?
Will science bring the end of religion?
Is religion a mistake of evolution?
Can you be spiritual without being religious?
What is the literal meaning of Scripture?
Can an agnostic pray?
What is it like to be a fundamentalist?
Is Confucianism a religion?
Is there a perennial philosophy?
Can we be good without God?
Is there life after death?

Everyone deplores narcissism, especially in others. The vain are by turns annoying or absurd, offending us whether they are blissfully oblivious or proudly aware of their behavior. But are narcissism and vanity really as bad as they seem? Drawing on philosophy, psychology, literature, history, and popular culture, Simon Blackburn offers an enlightening exploration of self-love, ultimately suggesting that narcissism, vanity, pride, and self-esteem are more complex than they first appear and have innumerable good and bad forms.

Everyone deplores narcissism, especially in others. The vain are by turns annoying or absurd, offending us whether they are blissfully oblivious or proudly aware of their behavior. But are narcissism and vanity really as bad as they seem? Can we avoid them even if we try? In Mirror, Mirror, Simon Blackburn, the author of such best-selling philosophy books as Think, Being Good, and Lust, says that narcissism, vanity, pride, and self-esteem are more complex than they first appear and have innumerable good and bad forms. Drawing on philosophy, psychology, literature, history, and popular culture, Blackburn offers an enlightening and entertaining exploration of self-love, from the myth of Narcissus and the Christian story of the Fall to today's self-esteem industry.

A sparkling mixture of learning, humor, and style, Mirror, Mirror examines what great thinkers have said about self-love--from Aristotle, Cicero, and Erasmus to Rousseau, Adam Smith, Kant, and Iris Murdoch. It considers today's "me"-related obsessions, such as the "selfie," plastic surgery, and cosmetic enhancements, and reflects on connected phenomena such as the fatal commodification of social life and the tragic overconfidence of George W. Bush and Tony Blair. Ultimately, Mirror, Mirror shows why self-regard is a necessary and healthy part of life. But it also suggests that we have lost the ability to distinguish--let alone strike a balance--between good and bad forms of self-concern.

Anglo-Saxon England embraces all the main aspects of study of Anglo-Saxon history and culture.

Following the familiar, easy-to-use at a Glance format, and in full-colour, this new edition provides an accessible introduction and revision aid for medical, nursing and all health sciences students. Thoroughly updated and now fully supported by a set of web-based flashcards, Anatomy at a Glance provides a user-friendly overview of anatomy to encapsulate all that the student needs to know.

Anatomy at a Glance:

• Addresses the basic concepts of anatomy in an highly visual, easy-to-remember way
• Features two new chapters outlining anatomical terminology and basic embryology
• Includes more coverage of imaging techniques such as CT and MRI
• Offers free online flashcards for self-assessment and revision at www.wiley.com/go/anatomyataglance

To find out more about the at a Glance series, please visit www.ataglanceseries.com

In questo volume l'autore risponde a 20 domande cruciali per la comprensione di noi stessi e del mondo in cui viviamo.

Oxford Studies in Metaethics is the only publication devoted exclusively to original philosophical work in the foundations of ethics. It provides an annual selection of much of the best new scholarship being done in the field. Its broad purview includes work being done at the intersection of ethical theory and metaphysics, epistemology, philosophy of language, and philosophy of mind. The essays included in the series provide an excellent basis for understanding recent developments in the field; those who would like to acquaint themselves with the current state of play in metaethics would do well to start here.

Simon Blackburn explores the notion of truth, the philosophical wars that have been fought over it and whether such battles can ever be resolved. Both a compelling personal argument and a fascinating exploration of the way the concept has chang

Simon Blackburn puts forward a compelling and original philosophy of human motivation and morality. Why do we behave as we do? Can we improve? Is our ethics at war with our passions, or is it an upshot of those passions? Blackburn seeks the answers to such questions in an exploration of the nature of moral emotions and the structures of human motivation. He develops a naturalistic ethics, which integrates our understanding of ethics with the rest of our understanding of the world we live in. His theory does not debunk the ethical by reducing it to the non-ethical, and it banishes the spectres of scepticism and relativism that have haunted recent moral philosophy. Ruling Passions reveals how ethics can maintain its authority even though it is rooted in the very emotions and motivations that it exists to control.

This volume collects some influential essays in which Simon Blackburn, one of our leading philosophers, explores one of the most profound and fertile of philosophical problems: the way in which our judgments relate to the world. This debate has centered on realism, or the view that what we say is validated by the way things stand in the world, and a variety of oppositions to it. Prominent among the latter are expressive and projective theories, but also a relaxed pluralism that discourages the view that there are substantial issues at stake. The figure of the "quasi-realist" dramatizes the difficulty of conducting these debates. Typically philosophers thinking of themselves as realists will believe that they alone can give a proper or literal account of some of our attachments--to truth, to facts, to the independent world, to knowledge and certainty. The quasi-realist challenge, developed by Blackburn in this volume, is that we can have those attachments without any metaphysic that deserves to be called realism, so that the metaphysical picture that goes with our practices is quite idle. The cases treated here include the theories of value and knowledge, modality, probability, causation, intentionality and rule-following, and explanation. A substantial new introduction has been added, drawing together some of the central themes. The essays articulate a fresh alternative to a primitive realist/anti-realist opposition, and their cumulative effect is to yield a new appreciation of the delicacy of the debate in these central areas.

Provides a comprehensive introduction to the major philosophical theories attempting to explain the workings of language