In this profound and moving journey into the heart of Christianity, the widely acclaimed author of The Disaster Artist explores the mysterious and often paradoxical lives and legacies of the Twelve Apostles—a book both for those of the Christian faith and those who want to understand it from the outside in.

Peter, Matthew, Thomas, John: Who were these men? What was their relationship to Jesus? Tom Bissell gives us rich and deeply informed answers to these ancient and surprisingly elusive questions. He examines not just who these men were (and weren't), but how their identities have taken shape over the course of two millennia. He makes clear that, ultimately, their story is the story of Christianity and its growth from an obscure Jewish sect to the global faith we know today. Bissell has visited holy sites from Rome and Jerusalem to Turkey, India, and Kyrgyzstan, and he vividly captures the rich diversity of Christianity's global reach. Written with warmth, humor, and rare acumen, Apostle is a brilliant synthesis of travel writing, biblical history, and a deep lifelong relationship with Christianity. The result is an unusual, erudite, at times hilarious book—a religious, intellectual, and personal adventure.

A gargantuan, mind-altering comedy about the Pursuit of Happiness in America set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction,Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. It is an exuberant, uniquely American exploration of the passions that make us human - and one of those rare books that renew the idea of what a novel can do.

From the actor who somehow lived through it all, a “sharply detailed…funny book about a cinematic comedy of errors” (The New York Times): the making of the cult film phenomenon The Room.

In 2003, an independent film called The Room—starring and written, produced, and directed by a mysteriously wealthy social misfit named Tommy Wiseau—made its disastrous debut in Los Angeles. Described by one reviewer as “like getting stabbed in the head,” the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Ten years later, it’s an international cult phenomenon, whose legions of fans attend screenings featuring costumes, audience rituals, merchandising, and thousands of plastic spoons.

Hailed by The Huffington Post as “possibly the most important piece of literature ever printed,” The Disaster Artist is the hilarious, behind-the-scenes story of a deliciously awful cinematic phenomenon as well as the story of an odd and inspiring Hollywood friendship. Greg Sestero, Tommy’s costar, recounts the film’s bizarre journey to infamy, explaining how the movie’s many nonsensical scenes and bits of dialogue came to be and unraveling the mystery of Tommy Wiseau himself. But more than just a riotously funny story about cinematic hubris, “The Disaster Artist is one of the most honest books about friendship I’ve read in years” (Los Angeles Times).

Nineteen-year-old Greg Sestero met Tommy Wiseau at an acting school in San Francisco. Wiseau's scenes were rivetingly wrong, yet Sestero, hypnotized by such uninhibited acting, thought, 'I have to do a scene with this guy.' That impulse changed both of their lives. Wiseau seemed never to have read the rule book on interpersonal relationships (or the instruc?tions on a bottle of black hair dye), yet he generously offered to put the aspiring actor up in his LA apart?ment. Sestero's nascent acting career first sizzled, then fizzled, resulting in Wiseau's last-second offer to Sestero of co-starring with him in The Room, a movie Wiseau wrote and planned to finance, produce, and direct—in the parking lot of a Hollywood equipment-rental shop.

Wiseau spent $6 million of his own money on his film, but despite the efforts of the disbelieving (and frequently fired) crew and embarrassed (and fre?quently fired) actors, the movie made no sense. Nevertheless, Wiseau rented a Hollywood billboard featuring his alarming headshot and staged a red carpet premiere. The Room made $1,800 at the box office and closed after two weeks. One reviewer said that watching The Room was like 'getting stabbed in the head'.

The Disaster Artist is Greg Sestero's laugh-out-loud funny account of how Tommy Wiseau defied every law of artistry, business, and friendship to make 'the Citizen Kane of bad movies' (Entertainment Weekly), which is now an international phenomenon, with Wiseau himself beloved as an oddball celebrity. Written with award-winning journalist Tom Bissell, The Disaster Artist is an inspiring tour de force that reads like a page-turning novel, an open-hearted portrait of an enigmatic man who will improbably capture your heart.

Nineteen-year-old Greg Sestero met Tommy Wiseau at an acting school in San Francisco. Wiseau's scenes were rivetingly wrong, yet Sestero, hypnotized by such uninhibited acting, thought, 'I have to do a scene with this guy.' That impulse changed both of their lives. Wiseau seemed never to have read the rule book on interpersonal relationships (or the instruc?tions on a bottle of black hair dye), yet he generously offered to put the aspiring actor up in his LA apart?ment. Sestero's nascent acting career first sizzled, then fizzled, resulting in Wiseau's last-second offer to Sestero of co-starring with him in The Room, a movie Wiseau wrote and planned to finance, produce, and direct—in the parking lot of a Hollywood equipment-rental shop.

Wiseau spent $6 million of his own money on his film, but despite the efforts of the disbelieving (and frequently fired) crew and embarrassed (and fre?quently fired) actors, the movie made no sense. Nevertheless, Wiseau rented a Hollywood billboard featuring his alarming headshot and staged a red carpet premiere. The Room made $1,800 at the box office and closed after two weeks. One reviewer said that watching The Room was like 'getting stabbed in the head'.

The Disaster Artist is Greg Sestero's laugh-out-loud funny account of how Tommy Wiseau defied every law of artistry, business, and friendship to make 'the Citizen Kane of bad movies' (Entertainment Weekly), which is now an international phenomenon, with Wiseau himself beloved as an oddball celebrity. Written with award-winning journalist Tom Bissell, The Disaster Artist is an inspiring tour de force that reads like a page-turning novel, an open-hearted portrait of an enigmatic man who will improbably capture your heart.

Giocare ai videogiochi può creare dipendenza. Un'adorabile, frustrante dipendenza. Questo perché ormai non sono più 'solo giochi', ma opere artistiche di altissimo livello, oggetti d'intrattenimento a tutto tondo, esperienze sensoriali ed estetiche totalizzanti. Tom Bissell lo sa bene, dal momento che ha trascorso tre anni della sua vita incollato alla console per scrivere questo libro. E in queste pagine spiega perché i videogiochi oggi sono davvero importanti, ma soprattutto perché hanno così tanti fan in ogni angolo del pianeta. Da 'Resident Evil' a 'Fallout', passando per 'Call of Duty' e 'Mass Effect' fino allo spettacolare 'Grand Theft Auto', Tom Bissell ci racconta in prima persona e da una prospettiva inedita la sua dipendenza da videogiochi (per un periodo combinata a quella da cocaina).

In Extra Lives, acclaimed writer and life-long video game enthusiast Tom Bissell takes the reader on an insightful and entertaining tour of the art and meaning of video games.
 
In just a few decades, video games have grown increasingly complex and sophisticated, and the companies that produce them are now among the most profitable in the entertainment industry. Yet few outside this world have thought deeply about how these games work, why they are so appealing, and what they are capable of artistically. Blending memoir, criticism, and first-rate reportage, Extra Lives is a milestone work about what might be the dominant popular art form of our time.

The Father of All Things is a riveting, haunting, and often hilarious account of a veteran and his son's journey through Vietnam. As his father recounts his experiences as a soldier, including a near fatal injury, Tom Bissell weaves a larger history of the war and explores the controversies that still spark furious debate today. Blending history, memoir, and travelogue, The Father of All Things is a portrait of the war's personal, political, and cultural impact from the perspective of the generation that grew up in the wake of the conflict. It is also a wise and revelatory book about the bond between fathers and sons.

Due giornalisti bloccati in Afghanistan vengono catturati da un signore della guerra che diventa l'arbitro del loro destino. Una scienziata che indaga sul disastro ecologico del lago AraI incontra un ex ufficiale del Kgb che vuole aprirle gli occhi, su se stessa e sull'America. Una coppia di escursionisti attraversa il Kazakistan mentre il loro matrimonio si sfalda e la guida sembra interessarsi più alla donna che alle difficoltà del viaggio, il figlio di un ambasciatore americano è coinvolto nella vita violenta e illegale di una città dell'Asia centrale. Un missionario in incognito cerca di conciliare le proprie pulsioni sessuali con l'urgenza della propria fede. Storie che oscillano tra un crudele e acuto umorismo e una profonda, drammatica partecipazione.

In 1996, Tom Bissell went to Uzbekistan as a na•ve Peace Corps volunteer. Though he lasted only a few months before illness and personal crisis forced him home, Bissell found himself entranced by this remote land. Five years later he returned to explore the shrinking Aral Sea, destroyed by Soviet irrigation policies. Joining up with an exuberant translator named Rustam, Bissell slips more than once through the clutches of the Uzbek police as he makes his often wild way to the devastated sea.

In Chasing the Sea, Bissell combines the story of his travels with a beguiling chronicle of Uzbekistan's striking culture and long history of violent subjugation by despots from Jenghiz Khan to Joseph Stalin. Alternately amusing and sobering, this is a gripping portrait of a fascinating place, and the debut of a singularly gifted young writer.