David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way, To Live with Herds, A Wife among Wives, Takeover, Photo Wallahs, and Tempus de Baristas. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer.

In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new.

The Life Application Bible Commentary series is the only commentary to offer sermon and lesson applications alongside stirring commentary. Each volume in the series provides in-depth explanation, background, and application for every verse in the text. Perfect for sermon preparation and lesson planning, this one-of-a-kind reference provides excellent quotes and a bibliography for additional commentary.

Additional features include

• Charts, diagrams, and maps on the same page as their related verses
• Quotes from various versions, such as the NIV, NRSV, and NLT
• Key information graphically highlighted

This book contains over 30 action-oriented case studies from leading companies operating in Europe, Asia, USA, Australia and Africa including Brother International, Nike Europe, Fiat Auto Spa, Pepsi Cola International, Zimbabwe Dairy Marketing Board, Almarai Ltd., Eastman Kodak Singapore and The US Department of Environment. It meets the growing demand for cases in logistics and supply chain management that bridge the gap between theory and practice. Each case takes a multi-disciplinary and cross-functional approach to business and will be highly relevant to students taking courses in logistics and supply chain management, distribution, purchasing and supplies management, marketing, manufacturing operations, business policy, international business and organisational behaviour.

Overwhelmingly, visitors agree that The Frick Collection in New York City is one of their favorite museums in the world. The elegant Fifth Avenue mansion, built in 1914 for Mr. and Mrs. Henry Clay Frick, houses a unique assemblage of some of the choicest art to be found anywhere.
In this book, Charles Ryskamp - the Director of The Frick Collection - introduces the reader to the world of Henry Clay Frick, to the evolution of his collection, as well as to the historical and aesthetic framework within which The Frick Collection attained its eminence.
Then, in separate sections devoted to paintings, sculpture, and the decorative arts, written by the curatorial staff, the pages of Art in The Frick Collection offer vibrant reproductions of the famous works, with information on every piece illustrated and magnificent views of the richly furnished room where they are installed. As Sir John Pope-Hennessy has observed: 'In The Frick Collection, alone of the great museums of the world, paintings and sculpture of comparable quality are shown side by side.'
Paintings by Rembrandt, Vermeer, Memling, Velazquez, Constable, and Renoir hang next to some of the finest of Renaissance bronzes, marble portrait busts by such sculptors as Verrocchio and Houdon, and eighteenth-century terracotta figures. Furniture of wood and marble, gilt bronze and porcelain - including pieces made for Marie-Antoinette - match these in importance. Readers will enjoy browsing through this selection of the treasures to be seen in the house built by Mr. Frick, offered here in the most extensive one-volume survey to be published on the renowned Collection.