Beginning with July, this reference provides a month-to-month checklist of tasks that if properly addressed, will make the school year run smoothly from opening to end.

Seinfeld as a contemporary adaptation of Etherege's Restoration comedy of manners The Man of Mode?
Friends as a reworking of Shakespeare's romantic comedy Much Ado About Nothing?
Star Wars as an adaptation of Spenser's epic poem, The Faerie Queene?
The popular culture that surrounds us in our daily lives bears a striking similarity to some of the great works of literature of the past. In television, movies, magazines, and advertisements we are exposed to many of the same stories as those critics who study the great books of Western literature, but we have simply been encouraged to look at those stories differently.
In Trash Culture, Richard K. Simon examines the ways in which the great literature and cultural work of the past has been rewritten for today's consumer society, with supermarket tabloids such as The National Enquirer and celebrity gossip magazines like People serving as contemporary versions of the great dramatic tragedies of the past. Today's advertising repeats the tale of the Golden Age, but inverts the value system of a classic utopia; the shopping mall combines bits and pieces of the great garden styles of Western history, and now adds consumer goods; Playboy magazine revises Castiglione's Renaissance courtesy book, The Book of the Courtier; and Cosmopolitan magazine revises the women's coming-of-age novels of Jane Austen, Gustave Flaubert, and Edith Wharton.
Trash Culture concludes that the great books are alive and well, but simply hidden from the critics. It argues for the linking of high and low for the study and appreciation of each form of literature, and the importance of teaching popular culture alongside books of the great tradition in order to understand the critical context in which the books appear.

Organ Solo

Born in the slums of Buenos Aires in the last decades of the nineteenth century, the tango--the most erotic, most passionate, most melancholy of dances--has remained spectacularly alive for more than a hundred years. Today it is the focus of a new cult, casting its spell throughout the Americas, Europe, the Pacific basin, and Japan. What is the secret of the tango's appeal? In Tango!, four experts from Europe, North America, and Latin America explore its fascinating history from the earliest beginnings to the present. Historian Simon Collier traces the tango's roots in Argentina and charts its rise from the brothels of Buenos Aires to become the quintessential expression of Argentine popular culture. The writer Artemis Cooper discusses the amazing tango craze of the 1910s in Europe and North America, while anthropologist Maria Susana Azzi looks at the tango's peak years in Argentina, the period from 1920 to 1950. Finally, Richard Martin, Curator at the Costume Institute at the Metropolitan Museum of Art in New York, charts the international boom in the tango's popularity in recent times. He looks, too, at the relationship of woman to man and man to woman in the tango. To match the spectacle of the tango, the book is illustrated with more than 250 photographs and drawings in color and black and white. Special features are built around the brilliant color photography of Ken Haas, recognized worldwide for his fidelity to the spirit of the dance. And as an evocative reminder of the rhythms of the dance, some of the most celebrated tango songs are discussed and quoted.

The early Romans were only one of a number of peoples that inhabited Iron Age central Italy. From the 8th to the 3rd century BC, the Romans undertook territorial expansion, and conflict with neighbouring tribes and cultures resulted in open war, most notably with the Samnites. Alliances were created, too, but the rise of Rome was unstoppable. This title covers the equipment, weaponry and dress of the early Romans, from the traditional foundation in 753 BC to the third century BC, where the dominance of Rome was beyond challenge. It also deals with developments in warfare, covering the early cavalry, the pre-Hoplite Army, the Hoplite Army and the Manipular Army. Etruscan, Latin, and Samnite warfare is also discussed.