Road Rage unites Richard Matheson's classic Duel and the contemporary work it inspired—two power-packed short stories by three of the genre's most acclaimed authors. Duel, an unforgettable tale about a driver menaced by a semi truck, was the source for Stephen Spielberg's acclaimed first film of the same name. Throttle, by Stephen King and Joe Hill, is a duel of a different kind, pitting a faceless trucker against a tribe of motorcycle outlaws, in the simmering Nevada desert. Their battle is fought out on twenty miles of the most lonely road in the country, a place where the only thing worse than not knowing what you're up against, is slowing down . . .

Imogene è giovane e bella. Bacia come una diva del cinema e sa tutto di tutto su qualsiasi film. È morta, ma aspetta Alec Sheldon nel Rosebud Theater in un pomeriggio del 1945... Arthur Roth è un tipo solitario con grandi idee e un talento per attirare i guai. Non è semplice farsi degli amici quando sei l'unico 'ragazzo gonfiabile' in città... Francis non è felice. Un tempo era umano... un tempo, appunto. Adesso invece è un insetto gigante di un metro e mezzo e tutti a Calliphora tremano quando lo sentono cantare... John Finney è rinchiuso in un seminterrato macchiato del sangue di altri ragazzini assassinati. Lì con lui c'è un vecchio telefono che, nonostante sia stato scollegato da un bel pezzo, squilla sempre di notte. E all'altro capo del filo c'è... la voce agghiacciante dei morti. Una raccolta di racconti dell'orrore che mescolano il soprannaturale alla vita quotidiana, l'incubo alla normalità, il panico allo humour senza disdegnare un pizzico di romanticismo.

Imogene is young, beautiful . . . and dead, waiting in the Rosebud Theater one afternoon in 1945. . . .

Francis was human once, but now he's an eight-foot-tall locust, and everyone in Calliphora will tremble when they hear him sing. . . .

John is locked in a basement stained with the blood of half a dozen murdered children, and an antique telephone, long since disconnected, rings at night with calls from the dead. . . .

Nolan knows but can never tell what really happened in the summer of '77, when his idiot savant younger brother built a vast cardboard fort with secret doors leading into other worlds. . . .

The past isn't dead. It isn't even past. . . .

A dazzlingly original, award-winning collection of visions and nightmares from the New York Times bestselling author of Heart-Shaped Box.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon on an afternoon in 1945 . . . Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town . . . Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot tall locust and everyone in Calliphora will tremble when they hear him sing . . . John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead . . .

The past isn't dead. It isn't even past . . .

Presents the story of Keyhouse, an unlikely New England mansion with fantastic doors that transform all who dare to walk through them--and home to a hate-filled creature that will not rest until it forces open the most terrible door of them all.

A collection of short stories about zombies includes contributions by Clive Barker, Laurell K. Hamilton, Stephen King, and Neil Gaiman.

superb, high-concept, claustrophobic supernatural thriller, which has received huge international critical acclaim from writers including Harlan Coben, Neil Gaiman and Otto Penzler. Jude is a hard rock star, and collects spooky paraphernalia

Collects the adventures and mishaps of Speed Racer and his friends, Trixie, Pops, Spritle, Racer X, as Speed tries to become the fastest automobile racer in the world.

Judas Coyne is a collector of the macabre: a cookbook for cannibals . . . a used hangman's noose . . . a snuff film. An aging death-metal rock god, his taste for the unnatural is as widely known to his legions of fans as the notorious excesses of his youth. But nothing he possesses is as unlikely or as dreadful as his latest discovery, an item for sale on the Internet, a thing so terribly strange, Jude can't help but reach for his wallet.

I will 'sell' my stepfather's ghost to the highest bidder. . . .

For a thousand dollars, Jude will become the proud owner of a dead man's suit, said to be haunted by a restless spirit. He isn't afraid. He has spent a lifetime coping with ghosts—of an abusive father, of the lovers he callously abandoned, of the bandmates he betrayed. What's one more?

But what UPS delivers to his door in a black heart-shaped box is no imaginary or metaphorical ghost, no benign conversation piece. It's the real thing.

And suddenly the suit's previous owner is everywhere: behind the bedroom door . . . seated in Jude's restored vintage Mustang . . . standing outside his window . . . staring out from his widescreen TV. Waiting—with a gleaming razor blade on a chain dangling from one bony hand. . . .

A multiple-award winner for his short fiction, author Joe Hill immediately vaults into the top echelon of dark fantasists with a blood-chilling roller-coaster ride of a novel, a masterwork brimming with relentless thrills and acid terror.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon on an afternoon in 1945 . . .

Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town . . .

Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing . . .

John Finney is locked in a basement that's stained with the blood of half a dozen murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead . . .

The past isn't dead. It isn't even past . . .

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .

Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . .

Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .

John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

Judas Coyne is a collector of the macabre: a cookbook for cannibals . . . a used hangman's noose . . . a snuff film. An aging death-metal rock god, his taste for the unnatural is as widely known to his legions of fans as the notorious excesses of his youth. But nothing he possesses is as unlikely or as dreadful as his latest purchase, an item he discovered on the Internet:

I will sell my stepfather's ghost to the highest bidder . . .

For a thousand dollars, Jude has become the owner of a dead man's suit, said to be haunted by a restless spirit. But what UPS delivers to his door in a black heart-shaped box is no metaphorical ghost, no benign conversation piece. Suddenly the suit's previous owner is everywhere: behind the bedroom door . . . seated in Jude's restored Mustang . . . staring out from his widescreen TV. Waiting—with a gleaming razor blade on a chain dangling from one hand . . .

Philips is on a roll with his second installment of the fabled House of Morecock series featuring his loveable Joe Boys on their latest erotic 'sexcapades'. His near cult-like following ensures this and the accompanying postcard book will top the holiday seasons' best-seller list.

A Chinese-American boy and his family prepare for Chinese New Year.

Explains the meaning behind Mother's Day and lists objects symbolizing a mother's love.

Explains the meaning behind Cinco De Mayo, the Mexican independence day.

(Piano Solo Personality). This unique collection includes easy piano solo arrangements of 17 of Billy Joel's best songs: Allentown * Don't Ask Me Why * Honesty * It's Still Rock and Roll to Me * Leave a Tender Moment Alone * The Longest Time * Movin' Out (Anthony's Song) * My Life * Piano Man * Roberta * She's Got a Way * Uptown Girl * more.

Introduces the concept of family cooperation and being helpful.