203 of Aesop's most enduring and popular fables, translated into readable, modern American English and beautifully illustrated with 50 classic woodcuts by the great French artist J.J. Grandville.

When the award-winning poet David Bouchard first saw the artwork of First Nations artist Roy Henry Vickers, he was struck by Vickers's reverence for nature and the vibrancy of his colors. He saw in Vickers's images the perfect complement to his own lyrical, thoughtful poetry. Combining their artistry, The Elders Are Watching is a plea to respect the natural treasures of the environment and a message of concern from aboriginal leaders of the past. In this new edition, their vision is as fresh and relevant today as it was when the book was first published, and has both a timelessness and urgency that must be heard by the people of the new millennium.

If cliché leads us to believe that art is made out of suffering, there are few circumstances in which the language of art could be more direct, more profound, or more moving than art made in the European concentration camps of World War II.

While Auschwitz itself has come to represent the evil that is often considered a paradigm and example of modern barbarity, art and culture played significant roles there. In the extreme and physically threatening circumstances that would seem to thwart creativity, art functioned as a survival strategy, catharsis, documentation, and, at times, a means of psychological escape.
Auschwitz functions as a symbolic and historical focus for this exhibition and catalog. It serves as a thematic focal point and a common thread that touched so many victims of various nationalities and disparate backgrounds. While the exhibition presents art that was created at Auschwitz, as well as art produced at other sites, including Theresienstadt, Buchenwald, Gurs, and the Lódz Ghetto, all of the artists in The Last Expression: Art and Auschwitz were ultimately victims at Auschwitz.

The catalog includes reproductions of some 300 artworks; each tells a piece of an incredible history. Each remnant of these personal journeys and individual travails contributes to our understanding of the victims of the Holocaust, their experiences, the nature and function of the camps, the strategies of the perpetrators, as well as the will and need to create art.

The orphan Pip's terrifying encounter with an escaped convict on the Kent marshes, and his mysterious summons to the house of Miss Havisham and her cold, beautiful ward Estella, form the prelude to his “great expectations.” How Pip comes into a fortune, what he does with it, and what he discovers through his secret benefactor are the ingredients of his struggle for moral redemption.

@piMp The walk was a bad idea. I met a prisoner who demanded bread and a file. He looks like a pederast. And a murderer. Amber alert?

From Twitterature: The World's Greatest Books in Twenty Tweets or Less

In his lifetime, John Dryden gained fame at the cost first of gossip and scandal and then of suspicion and scorn. He wrote to order, currying favor with the Crown and repeatedly savaging its enemies. Yet the finest works of his political and spiritual imagination- 'Absalom and Achitophel' and 'The Hind and the Panther'-develop the themes of envy, ambition, and misdeed in ways that far transcend their era. During the Glorious Revolution, Dryden fell from patronage and favor: he then transformed himself into perhaps the greatest of English translators, a superb interpreter of Virgil and Horace, Juvenal and Persius, Boccaccio and Chaucer.

With a preface and annotations accompanying each poem, modernized spelling and punctuation, and an informative introduction and chronology, this Penguin Classics edition is the only paperback volume of its kind available.