As Naples prepares for its holiday celebrations, behind the facade of order and happiness imposed by the fascist regime, lurks terrible poverty and blinding desperation. In a luxurious apartment on the Mergellina beach the bodies of a fascist militia officer and his wife have been found. The woman has had her throat cut while the man has been stabbed over sixty times. Seemingly, the hands of two separate killers have been at work. A statuette of San Giuseppe, patron saint of workers, lies in pieces on the floor. At the scene of the crime, Ricciardi, who has the dubious gift of being able to see and hear the last seconds in the lives of those who have suffered a violent death, listens to the enigmatic last words of the couple. Accompanied by his faithful partner Brigadier Raffaele Maione, and once more troubled by two women who compete for his attentions, the Commissario will have to trace a wide and frenetic arc through the streets of Naples in order to uncover the truth.

In this fourth installment of the internationally successful Commissario Ricciardi series, the Commissario is investigating the death of Matteo, one of the many street urchins who live hand-to-mouth in the dark alleys of 1930s Naples. While at first the death seems provoked by natural causes, it quickly emerges that there’s more to the tragedy than meets the eye.

Commissario Ricciardi is the undisputed wizard of Neapolitan crime scenes. He solves every crime with an uncanny swiftness that leaves his colleagues dumbfounded. Indeed, there are those who think his abilities are the work of the devil, and unnatural and ungodly gift to be exorcised.

And maybe they’re right. Ricciardi sees the dead. He sees and hears the final moments in the lives of those who have suffered violent deaths. It may be a talent or it may be a curse, but it is nonetheless a kind of black magic. Sometimes, however, even black magic isn’t enough. It’s a rainy autumn in Naples and the fog lays thick over the city as its inhabitants celebrate the week of the dead. Ricciardi’s instincts tell him that the dead boy is the victim of a murder, but investigating the homicide is not going to be easy. The authorities want to avoid any trouble, any sign that things are not as they ought to be in Naples, for they are preparing for the state visit of Benito Musolini. Ricciardi will have to conduct his investigation hidden from the eyes of his superiors. What’s worse, his sixth sense is no help to him this time; the scene of the crime is silent, still, not a word or a sign, or even a scream from the dead. Has his unwelcome gift finally faded? Or is something more sinister at work?

Ricciardi has visions. He sees and hears the final seconds in the lives of victims of violent deaths. It is both a gift and a curse. It has helped him become one of the most acute and successful homicide detectives in the Naples police force. But all that horror and suffering has hollowed him out emotionally. He drinks and doesn’t sleep. Other than his loyal partner Brigadier Maione he has no friends.

Naples, 1931. In a working class apartment in the Sanita’ neighborhood an elderly woman by the name of Carmela Calise has been beaten to death. When Ricciardi and Maione arrive at the scene they start asking the neighbors questions. No one wants to talk but slowly a few interesting facts slip out. Carmela Calise was moonlighting as a fortuneteller and moneylender. In her decrepit apartment she would receive clients, among them some of the city’s rich and powerful, predicting their futures in such a way as to manipulate and deceive. If economic ruin lurked in their futures, Calise was happy to help. For a price, of course. She had many enemies, those indebted to her, manipulated by her lies, disappointed by her prophesies or destroyed by her machinations. Murder suspects in this atmospheric thriller abound and Commissario Ricciardi, one of the most original and intriguing investigators in contemporary crime fiction, will have his work cut out for him.