I lati positivi di essere gemelle? Tutti. I lati negativi di essere gemelle? Nessuno. Così risponde Ruby, la gemella dominante. 'Lei è la più grande, la più brillante, la migliore, lei è la stella. È un peccato che sia frenata da me', così pensa di lei la timida, sottomessa, sensibile gemella Gran. I diari delle due gemelle scorrono paralleli, in un primo tempo con la voce di Ruby che emerge, vitale, sbruffona, irresistibile, poi con quella di Gran che un po' alla volta si fa spazio, si approfondisce, si impone. È splendido essere simili e unite, doloroso differenziarsi, è una vittoria essere se stessi. Età di lettura: da 9 anni.

A sequel to >The Werepuppy<, featuring the same array of well-loved characters. Readership level: 8 - 10.

James Q. Wilson is the former president of the American Political Science Association and adviser to four presidents on issues related to crime, drug abuse, education, and other crises of American cutlure. In this book, he has produced a provocative series of essays related to character development and character policy that sets this important area in perspective.

Designed to help build powerful community organizations, empower ordinary citizens to become leaders, and bring about major social and economic change, this book offers a coherent practice-based framework for understanding social action, with power and empowerment at the center of analysis. Topics include recruiting members, consensus building, leadership, publicity, and fundraising.

“Martin Luther King is dead and the millenarian integrationalism that he symbolized sleeps with him,” but messianic Christian rhetoric still characterizes black oratory both from the pulpit and on the hustings. Dead, too, are the chief American prophets of Pan-Islam, but the Ethiopian Hebrews and Moorish Science Temple are still active. “As black messianic myths die out,” this book argues, “new ones spring up to take their places.”

Dr. Moses views black messianism as “a powerful and, in many respects, a beautiful myth, permeating the thinking of both white and black Americans since the late 18th century.” But, he points out, black messianism was evident as early as 1788 in the writings of “Othello,” or 1791, when Benjamin Banneker wrote to Thomas Jefferson of the Negro’s divine right to share the new nation’s “peculiar blessing of the heaven.” The author carefully defines the concept of messianism, and considers “redemptive mission” as a key attribute of the conception—one with which Harriet Beecher Stowe endowed Uncle Tom (despite activists’ mistaken notion of him as servile).

The mythic black hero as messiah is a pervasive theme in literary and social expressions as disparate as the writings of Booker T. Washington, Marcus Garvey, W.E.B. Dubois, and Ralph Ellison, and the cults that developed around Joe Louis, Malcolm X, and others. Following the methodology used by Henry Nash Smith in Virgin Land: The American West as Symbol and Myth, Dr. Moses presents a “new angle of vision on many of the issues of black messianism and on the leading figures in the movement.” The author concludes that—despite the frequent excesses and even absurdities of black messianism—the American traditions of “evangelical reform, perfectionism, and the social gospel” offer more promise than today’s widespread “narcissistic anarchism.”

Reviewers commented that “[Dr. Moses’] analysis is as probing as anything “ and that the book “will stir controversy as well as praise by other scholars in the field.”

Lucan's great poem, Pharsalia, recounts events surrounding the decisive battle fought near Pharsalus in 48 B.C. during the civil war between the forces of Pompey and Julius Caesar. Though the subject of this unfinished masterpiece is historical, many of its features are characteristic of epic poetry: Rousing battle scenes; tales of witches, monsters, and miracle; detailed catalogues; intricate similes; and speeches with a high degree of rhetorical elegance. However, Lucan's deft mix of humor and horror, of political satire, literary parody, history, and epic is entirely his own.Jane Wilson Joyce's superb translation conveys the drama and poetry of the original. Her use of natural English rhythms in a loose six-beat line comes close to matching the original Latin hexameters, wile her language preserves Lucan's sequence of images. An enlightening introduction, notes, and a full glossary augment the translation.

Be prepared 'in season and out' with this handy reference book of faith. Timely and biblically based, Josh McDowell's work offers defenses in 60 of the most-challenged areas of faith. All in one easy-to-reference volume, this book will strengthen your commitment and help you stand firm against challenges to the truth.

Fortune telling by means of the lines of the palm.  An age-old occult science.  An entertaining accomplishment to amuse you and your friends-with the promise of a developed skill that could win you fame and money.  Palmistry is all these things, but most of all it is a guide to help you understand your destiny. . .to know yourself--and others.  Once you understanding your destiny, perhaps you can control it--or change it for the better.

Up north ath the cabin,
I am a great gray dolphin.
The lake is my ocean...

Up north at the cabin,
I am a fearless voyageur,
guiding our canoe through the wilderness...

Up north at the cabin
I am always brave --
even in the dark woods,
when blood thumps through my head
like old Ojiway drums.

The magic of summer, the call of the north woods, and the exuberance of childhood imagination combine here to create a book that will be treasured long after the last autumn leaf has fallen.

The grammar, syntax, and technical vocabulary of classical Tibetan used in Buddhist works.

Welcome to Louisiana! & Welcome to Homegrown! Let Justin Wilson introduce you to the bounty of Louisiana and the food of friendship and family. In Justin Wilson's Homegrown Louisiana Cookin' Justin serves up all the recipes from his 'Homegrown' television series in addition to hundreds more for:
* Appetizers
* Salads and Dressings Gumbos and Soups
* Sauces and Gravies Rice, Pasta, and Stuffings
* Seafood Poultry and Eggs
* Meats
* Game Vegetables
* Breads
* Desserts Beverages
* Preserves
So, come to Louisiana and enjoy some good cookin' and eatin' --I garontee!

The 'golden age' of black nationalism began in response to the passage of the Fugitive Slave Act of 1850 and extended to the time of Marcus Garvey's imprisonment in 1925. During these seventy-five years, an upsurge of back-to-Africa schemes stimulated a burst of literary output and nurtured the growth of a tradition that flourished until the end of the century. This tradition then underwent a powerful revitalization with the rise of Marcus Garvey and the ideological Pan-Africanism of W.E.B. Du Bois.
In this controversial volume, The Golden Age of Black Nationalism, Wilson Jeremiah Moses argues that by adopting European and American nationalist and separatist doctrines, black nationalism became, ironically, a vehicle for the assimilationist values among black American intellectuals. First providing the historical background to black nationalism and Pan-Africanism, he then explores the specific manifestations of the tradition in the intellectual and institutional history of black Americans. He describes the work of Alexander Crummell, W.E.B. Du Bois, Frederick Douglass, Booker T. Washington--specifically challenging the traditional interpretation of Washington as a betrayer of Douglass' vision--and the National Association of Colored Women.
Moses also examines the tradition of genteel black nationalism in literature, concentrating on the novels of Martin Delany and Sutton Griggs, as well as the early poetry of W.E.B. Du Bois. Using literary history instead of literary criticism, he identifies the particularly Anglo-African qualities in these works. He concludes with a description of those trends that led to the decline of classical black nationalism at the time of the Harlem Renaissance and the 'New Negro Movement,' which attempted to redefine the cultural and spiritual goals of Afro-Americans. Offering both a critical and sympathetic treatment of the black nationalist movement in the United States, Moses' study will stimulate further debate concerning the nature of the assimilationist tendencies dominating black nationalist ideology in the 'golden age.'

In his preface Mr Wilson writes 'I feel that a great many adults ... would do better to spend less time in simply accepting the concepts of others uncritically, and more time in learning how to analyse concepts in general'. Mr Wilson starts by describing the techniques of conceptual analysis. He then gives examples of them in action by composing answers to specific questions and by criticism of quoted passages of argument. Chapter 3 sums up the importance of this kind of mental activity. Chapter 4 presents selections for the reader to analyse, followed by questions of university entrance/scholarship type. This is a book to be worked through, in a sense a text-book.

John Dover Wilson's What Happens in Hamlet is a classic of Shakespeare criticism. First published in 1935, it is still being read throughout the English-speaking world and has been widely translated. Hamlet has excited more curiosity and aroused more debate than any other play ever written. Is Hamlet really mad? Does he really see his father's ghost, or is it an illusion? Is the ghost good or bad? What does it all mean? Dover Wilson brings out the significance of each part of the complex action, against the background. His analysis of the play emphasises Shakespeare's dramatic art and shows how the play must be seen and heard to be understood. This is a readable, entertaining and scholarly book.