In this bilingual story of faith, don Jacobo has a dream that, in the end, is a reminder that miracles do happen.
Don Jacobo is teaching his visiting grandson Andres how to become a santero. Christmas is coming, snow is falling in the village and the two are working on a carving of San Isidro, the patron saint of farmers.
The half-finished carving stands in the living room beside the two oxen and the angel that don Jacobo carved earlier in the month. The snow-covered mountains are beautiful, but the road to the village is impassable. Andres's parents will not be able to get to the house for the holiday, and don Jacobo's neighbor, don Leopoldo, is desperately ill and cannot get to the hospital.
Then comes don Jacobo's dream: San Isidro is plowing with the two oxen and the angel is helping. 'But we don't plow 'til April,' don Jacobo muses upon wakening. 'What does it mean?'

In this thoroughly revised and updated edition of the first book-length treatment of the subject, S. James Anaya incorporates references to all the latest treaties and recent developments in the international law of indigenous peoples. Anaya demonstrates that, while historical trends in international law largely facilitated colonization of indigenous peoples and their lands, modern international law's human rights program has been modestly responsive to indigenous peoples' aspirations to survive as distinct communities in control of their own destinies.

This book provides a theoretically grounded and practically oriented synthesis of the historical, contemporary and emerging international law related to indigenous peoples. It will be of great interest to scholars and lawyers in international law and human rights, as well as to those interested in the dynamics of indigenous and ethnic identity.

Rudolfo Anaya's personal journey to Tortuga began one desert-hot day when, as an adolescent, he and some friends were swimming in irrigation ditches. He dove in, sustaining an injury that put him in the hospital for an arduous recovery.
Tortuga is set in a hospital for crippled children and is based on Anaya's swimming accident. He explores the significance of pain and suffering in a young boy's life and the importance of spiritual recovery as well as medical. Tortuga, or Turtle, is the name of the oddly shaped mountain near the hospital, but 'Tortuga' also points toward the rigid cast that encases the young hero's body.
In celebration of the 25 years since the first edition of Tortuga was published, Rudolfo Anaya has provided an Afterword to share his memories of those days in the hospital and how they impacted the remainder of his life.

A poem eulogizing the Mexican American labor activist Cesar Chavez and his work helping organize migrant farm workers.

This important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. The films which resulted from the movement, from directors such as Ousmane Sembene, Satyajit Ray and Nelson Pereira dos Santos, are among the most culturally signficant, politically sophisticated and frequently studied films of the 1960s and 1970s. However, despite the contemporary popularity and critical attention enjoyed by films from Asia and Latin America in particular, Third Cinema and Third Cinema theory appears to have lost its momentum.
Rethinking Third Cinema seeks to bring Third Cinema and Third Cinema theory back into the critical spotlight. The contributors address the most difficult and challenging questions Third Cinema poses, suggesting new methodologies and redirections of existing ones. Crucially, they also re-examine the entire phenomenon of film-making in a fast-vanishing 'Third World', with case studies of the cinemas of India, Iran and Hong Kong, among others.

This book presents the nature and significance of Ashes of Time, and the reasons for its being regarded as a landmark in Hong Kong cinema.

Gli autori descrivono con grande chiarezza semplici metodi per entrare in contatto con il mondo delle guide spirituali.

A poem eulogizing the Mexican American labor activist Cesar Chavez and his work helping organize migrant farm workers.

Chronicles the story of an alienated New Mexico boy who seeks an answer to his questions about life in his relationship with Ultima, a magical healer

Stories filled with wonder and the haunting beauty of his culture have helped make Rudolfo Anaya the father of Chicano literature in English, and his tales fairly shimmer with the lyric richness of his prose. Acclaimed in both Spanish and English, Anaya is perhaps best loved for his classic bestseller ... Antonio Marez is six years old when Ultima comes to stay with his family in New Mexico. She is a curandera, one who cures with herbs and magic. Under her wise wing, Tony will test the bonds that tie him to his people, and discover himself in the pagan past, in his father's wisdom, and in his mother's Catholicism. And at each life turn there is Ultima, who delivered Tony into the world-and will nurture the birth of his soul.

This step-by-step guide to making soul contact and awakening your heart centers was given to Sanaya Roman by Orin, a wise and gentle spirit teacher.
As you read, you will be taking a wonderful journey of adventure and growth. You will prepare your personality, journey to the soul plane, and receive energy from the Enlightened Ones as you meet and blend with your soul. You will learn how to make your soul a part of your daily life, tapping into its strength, light, love, and other powers to assist you with daily living.
You will culminate your journey by creating wheels of love to transform your relationships with friends, family, colleagues, and groups you are a part of. You will join in a call to the Great Ones, to ask for love to be sent to awaken the heart centers of humanity, volunteering, if you choose, to become a shining light for others. You will experience the power of love, the most powerful energy in the universe.

Measuring and Monitoring Biological Diversity: Standard Methods for Mammals provides a comprehensive manual for designing and implementing inventories of mammalian biodiversity anywhere in the world and for any group, from rodents to open-country grazers. The book emphasizes formal estimation approaches, which supply data that can be compared across habitats and over time. Beginning with brief natural histories of the twenty-six orders of living mammals, the book details the field techniques—observation, capture, and sign interpretation—appropriate to different species. The contributors provide guidelines for study design, discuss survey planning, describe statistical techniques, and outline methods of translating field data into electronic formats. Extensive appendixes address such issues as the ethical treatment of animals in research, human health concerns, preserving voucher specimens, and assessing age, sex, and reproductive condition in mammals.

Useful in both developed and developing countries, this volume and the Biological Diversity Handbook Series as a whole establish essential standards for a key aspect of conservation biology and resource management.

This multidisciplinary collection underlines the importance of understanding the operations of human agency - defined here as the ability to exert power, specifically in resistance to ideological pressure. In particular, the contributors emphasize the historical and cultural conditions that facilitate the production of agency in an effort to gain a deeper understanding of the cultures of China, India, and Japan.
The contributors argue that traditional Western approaches to the study of these cultures have unduly focused on the pervasive influence of family and clan (China), caste and fatalism (India), and groupism (Japan), reminding us that members of a community have to make personal choices, struggle and interact with others, and confront new challenges, all of which involve intentionality and human agency.

The author of Alburquerque presents the story of young Antonio Marez, who has been raised under the protective wing of a mystic and herbal healer and seeks out his family heritage while learning the secrets of his mentor. Reprint.

€ 5,60

Exquisite prose and wondrous storytelling have helped make Rudolfo Anaya the father of Chicano literature in English. Indeed, Anaya's tales fairly shimmer with the haunting beauty and richness of his culture. The winner of the Pen Center West Award for Fiction for his unforgettable novel Alburquerque, Anaya is perhaps best loved for his classic bestseller, Bless Me, Ultima... Antonio Marez is six years old when Ultima comes to stay with his family in New Mexico. She is a curandera, one who cures with herbs and magic. Under her wise wing, Tony will probe the family ties that bind and rend him, and he will discover himself in the magical secrets of the pagan past-a mythic legacy as palpable as the Catholicism of Latin America. And at each life turn there is Ultima, who delivered Tony into the world...and will nurture the birth of his soul.

Every human society displays some form of behavior that can be called 'art,' and in most societies other than our own the arts play an integral part in social life. Those who wish to understand art in its broadest sense, as a universal human endowment, need to go beyond modern Western elitist notions that disregard other cultures and ignore the human species’ four-million-year evolutionary history.

This book offers a new and unprecedentedly comprehensive theory of the evolutionary significance of art. Art, meaning not only visual art, but music, poetic language, dance, and performance, is for the first time regarded from a biobehavioral or ethical viewpoint. It is shown to be a biological necessity in human existence and fundamental characteristic of the human species.

In this provocative study, Ellen Dissanayake examines art along with play and ritual as human behaviors that 'make special,' and proposes that making special is an inherited tendency as intrinsic to the human species as speech and toolmaking. She claims that the arts evolved as means of making socially important activities memorable and pleasurable, and thus have been essential to human survival.

Avoiding simplism and reductionism, this original synthetic approach permits a fresh look at old questions about the origins, nature, purpose, and value of art. It crosses disciplinary boundaries and integrates a number of divers fields: human ethology; evolutionary biology; the psychology and philosophy of art; physical and cultural anthropology; 'primitive' and prehistoric art; Western cultural history; and children’s art. The final chapter, 'From Tradition to Aestheticism,' explores some of the ways in which modern Western society has diverged from other societies--particularly the type of society in which human beings evolved--and considers the effects of the aberrance on our art and our attitudes toward art.

This book is addressed to readers who have a concerned interest in the arts or in human nature and the state of modern society.

Shares the wisdom of Orin, a spirit teacher, concerning how to express love, make use of one's psychic abilities, use telepathy, deal with one's emotions, and look into the future

The new revised edition of Gokulsing (U. of East London) and Dissanayake's (East-West Center, U. of Hawaii) 1998 text provides a general introduction to Indian popular cinema which is suitable for both film studies students and general readers. New materials include discussion of the effects of new technology and the new status of the Indian film industry itself during the past decade, women in Indian cinema, regional cinemas in India, critical reflections on recent developments in the industry and their implications for the future of Indian popular cinema, and a list of recommended reading on the topic. Distributed in the U.S. by Stylus. Annotation ©2004 Book News, Inc., Portland, OR (booknews.com)