'The reports of my death are greatly exaggerated.' -- Mark Twain

Mark Twain (1835-1910) was the first American writer to capture the unique and colorful vernacular of his country's populace. Instead of striving to perfect any particular literary form, Twain strove to precisely imprint on paper the colloquial speech, mannerisms and experiences of the American people.

Twain's books earned him an enduring reputation as a satirist and humorist, but he also wrote great short stories. These stories, with their wonderful characters and witty turns-of-phrase, have defined in Americans' minds what it means to have been at a time in our country which was at once optimistic, exploratory and recklessly exploitative.

Listeners can still benefit today from hearing Mark Twain's stories and selections from his novels as they become again what they originally were: the oral history of our uniquely American consciousness.

Includes selections from Life on the Mississippi, The Adventures of Huckleberry Finn, Roughing It, and The Autobiography of Mark Twain, and the short stories The Notorious Jumping Frog of Calaveras County, The £1,000,000 Bank-Note, The Joke That Made Ed's Fortune, A Dog's Tale, A Story Without an End and many more.

Performed by Ed Begley, Sr., Walter Brennan, Brandon de Wilde, Will Geer, and David Wayne

Karl Blossfeldt (1865-1932) achieved overnight fame in the late 1920s with the first publication of his photographs of plants. Those photographs, which revealed the inner structures of the organic forms, immediately made him a pioneer of New Objectivity -- an innovative movement in art and photography of the 1920s and 1930s. Blossfeldt, however, was neither a trained photographer nor a botanist. He was a sculptor and art professor who did his photographic work to generate teaching material for his students.The publication of this book is the result of an extraordinary event -- the 1997 discovery in Blossfeldt's estate of sixty-one previously unknown collages, in virtually mint condition, of photographic contact prints arranged on large cardboard sheets. Blossfeldt apparently used these to study the relation and similarity of the photographs and to compare them graphically and aesthetically. On some, Blossfeldt had made marks or handwritten notations. Others show lines for cropping. The collages, published here for the first time, unveil a hidden treasure of modern photography and cast fresh light on the systematic approach Blossfeldt used in his photographic studies. All collages are reproduced in four colors.Introducing the book is an essay by Swiss art historian Ulrike Meyer-Stump, a contributing curator to the exhibitions at the Kunsthaus in Zurich.Not for sale in France, Germany, Switzerland, Belgium, and Austria