The Italian philosopher Giorgio Agamben has always been an original reader of texts, understanding their many rich and multiple historical, aesthetic, and political meanings and effects. In Profanations, Agamben has assembled for the first time some of his most pivotal essays on photography, the novel, and film. A meditation on memory and oblivion, on what is lost and what remains, Profanations proves yet again that Agamben is one of the most provocative writers of our time. In ten essays, Agamben ponders a series of literary and philosophical problems: the relation among genius, ego, and theories of subjectivity; the problem of messianic time as explicated in both images and lived experience; parody as a literary paradigm; and the potential of magic to provide an ethical canon. The range of topics and themes addressed here attest to the creativity of Agamben's singular mode of thought and his persistent concern with the act of witnessing, sometimes futile, sometimes earth-shattering: the talking cricket in Pinocchio; "helpers" in Kafka's novels; pictorial representations of the Last Judgment, of anonymous female faces, and of "Rosebud," the infamous object of obsession in Citizen Kane. "In Praise of Profanity," the central essay of this small but dense book, confronts the question of profanity as the crucial political task of the moment. An act of resistance to every form of separation, the concept of profanation reorients perceptions of how power, consumption, and use interweave to produce an urgent political modality and desire: to profane the unprofanable. Agamben not only provides a new and potent theoretical model but describes it with a writerly style that itself forges inescapable links among literature, politics, and philosophy.Giorgio Agamben is Professor of Aesthetics at the University of Venice. His many publications include Homo Sacer: Sovereign Power and Bare Life, Remnants of Auschwitz: The Witness and the Archive (Zone Books), The Coming Community, and State of Exception.

How andwhy did experience and knowledge become separated? Is it possible totalk of an infancy of experience, a "dumb" experience? For WalterBenjamin, the "poverty of experience" was a characteristic ofmodernity, originating in the catastrophe of the First World War. ForGiorgio Agamben, the Italian editor of Benjamin's complete works, thedestruction of experience no longer needs catastrophes: daily life inany modern city will suffice.

Agamben'sprofound and radical exploration of language, infancy, and everydaylife traces concepts of experience through Kant, Hegel, Husserl andBenveniste. In doing so he elaborates a theory of infancy that throwsnew light on a number of major themes in contemporary thought: theanthropological opposition between nature and culture; the linguisticopposition between speech and language; the birth of the subject andthe appearance of the unconscious. Agamben goes on to consider time andhistory; the Marxist notion of base and superstructure (via a carefulreading of the famous Adorno-Benjamin correspondence on Baudelaire'sParis); and the difference between rituals and games.

Beautifullywritten, erudite and provocative, these essays will be of greatinterest to students of philosophy, linguistics, anthropology andpolitics.