Londra, 1914. Alfie ha cinque anni quando in Europa si alzano i venti della Grande Guerra, e il suo papà, come molti altri giovani compatrioti, parte per il fronte. La guerra però la combatte anche chi rimane a casa, nelle difficoltà quotidiane di trovare il cibo e i soldi per l'affitto, con il terrore che un ufficiale bussi alla porta per riferire che un papà, un fratello o un figlio non torneranno più a casa. Alfie non vuole credere che sia questo il destino di suo padre, ma le lettere che l'uomo spedisce dal fronte, prima regolari e cariche di speranze, si fanno saltuarie e cupe, fino a smettere del tutto. Deciso a fare la sua parte, Alfie marina la scuola e inizia a lavorare come lustrascarpe in stazione. Ed è grazie a uno dei suoi clienti che scopre dov'è il suo papà... Età di lettura: da 12 anni.

The day the First World War broke out, Alfie Summerfield's father promised he wouldn't go away to fight--but he broke that promise the following day. Four years later, Alfie doesn't know where his father might be, other than that he's away on a special, secret mission. Then, while shining shoes at King's Cross Station, Alfie unexpectedly sees his father's name on a sheaf of papers belonging to a military doctor. Bewildered and confused, Alfie realizes his father is in a hospital close by--a hospital treating soldiers with shell shock. Alfie isn't sure what shell shock is, but he is determined to rescue his father from this strange, unnerving place. . . .

In a powerful collection, eleven internationally acclaimed fiction writers draw on personal objects to bring the First World War to life for listeners of all ages.

A toy soldier. A butter dish. A compass. Mundane objects, perhaps, but to the remarkable authors in this collection, artifacts such as these have inspired stories that go to the heart of the human experience of World War I. Each author was invited to choose an object that had a connection to the war—a writing kit for David Almond, a helmet for Michael Morpurgo—and use it as the inspiration for an original short story. What results is an extraordinary collection, illustrated throughout by the award-winning Jim Kay and featuring photographs of the objects with accounts of their history and the authors' reasons for selecting them. A blend of fiction and real-life events, this unique anthology provides young readers with a personal window into the Great War and the people affected by it, and serves as an invaulable resource for families and teachers alike.

In a powerful collection, eleven internationally acclaimed fiction writers draw on personal objects to bring the First World War to life for listeners of all ages.

A toy soldier. A butter dish. A compass. Mundane objects, perhaps, but to the remarkable authors in this collection, artifacts such as these have inspired stories that go to the heart of the human experience of World War I. Each author was invited to choose an object that had a connection to the war—a writing kit for David Almond, a helmet for Michael Morpurgo—and use it as the inspiration for an original short story. What results is an extraordinary collection, illustrated throughout by the award-winning Jim Kay and featuring photographs of the objects with accounts of their history and the authors' reasons for selecting them. A blend of fiction and real-life events, this unique anthology provides young readers with a personal window into the Great War and the people affected by it, and serves as an invaulable resource for families and teachers alike.

In a powerful collection, eleven internationally acclaimed writers draw on personal objects to bring the First World War to life for readers young and old.

A toy soldier. A butter dish. A compass. Mundane objects, perhaps, but to the remarkable authors in this collection, artifacts such as these have inspired stories that go to the heart of the human experience of World War I. Each author was invited to choose an object that had a connection to the war—a writing kit for David Almond, a helmet for Michael Morpurgo—and use it as the inspiration for an original short story. What results is an extraordinary collection, illustrated throughout by award-winning Jim Kay and featuring photographs of the objects with accounts of their history and the authors’ reasons for selecting them. This unique anthology provides young readers with a personal window into the Great War and the people affected by it, and serves as an invaluable resource for families and teachers alike.

The riveting narrative of an honorable Irish priest who finds the church collapsing around him at a pivotal moment in its history.

Propelled into the priesthood by a family tragedy, Odran Yates is full of hope and ambition. When he arrives at Clonliffe Seminary in the 1970s, it is a time in Ireland when priests are highly respected, and Odran believes that he is pledging his life to “the good.”

Forty years later, Odran’s devotion is caught in revelations that shatter the Irish people’s faith in the Catholic Church. He sees his friends stand trial, colleagues jailed, the lives of young parishioners destroyed, and he grows wary of venturing out in public for fear of disapproving stares and insults. At one point, he is even arrested when he takes the hand of a young boy and leads him out of a department store while looking for the boy''s mother.

But when a family event opens wounds from his past, he is forced to confront the demons that have raged within the church and to recognize his own complicity in their propagation, within both the institution and his own family.

A novel as intimate as it is universal, A History of Loneliness is about the stories we tell ourselves to make peace with our lives. It confirms John Boyne as one of the most searching storytellers of his generation.

'Se mio padre è morto la colpa è di Charles Dickens.' La vita cambia all'improvviso nell'arco di una settimana per Eliza Caine, giovane donna beneducata ma di carattere, amante dei buoni libri e di famiglia modesta ma rispettabile. Un'infreddatura le porta via il padre che, a dispetto di una brutta tosse, ha voluto ad ogni costo assistere a una lettura pubblica del grande scrittore inglese in una sera di pioggia londinese. Disperata per la morte del genitore, Eliza risponde d'impulso a un annuncio misterioso che la conduce nel Norfolk, a Gaudlin Hall, dove diventa l'istitutrice di Isabella ed Eustace, due bambini deliziosi ma elusivi. Nella grande casa sembra che non ci siano adulti, i genitori dei piccoli Westerley sono di fatto assenti in seguito al terribile epilogo di una storia di abusi, ossessioni e gelosie. Ma contrariamente a quel che sembra, nei grandi ambienti della villa non è il silenzio a regnare: in quelle stanze vuote spadroneggia un'entità feroce e spietata, decisa a imporsi sulla donna per impedirle di occuparsi dei bambini.

Barnaby Brocket is an ordinary 8-year-old boy in most ways, but he was born different in one important way: he floats. Unlike everyone else, Barnaby does not obey the law of gravity. His parents, who have a horror of being noticed, want desperately for Barnaby to be normal, but he can't help who he is. And when the unthinkable happens, Barnaby finds himself on a journey that takes him all over the world. From Brazil to New York, Canada to Ireland, and even to space, the floating boy meets all sorts of different people—and discovers who he really is along the way.

This whimsical novel will delight middle graders, and make readers of all ages question the meaning of normal.

Four years after his father goes missing while fighting in World War I, Alfie, a young shoe-shine boy at King's Cross Station, unexpectedly discovers his father in a nearby hospital and is introduced to the phenomenon of shell shock. By the author of The Boy in the Striped Pajamas. Simultaneous.

€ 26,80

Adventure and peril abound in a classic tale of shipwreck and survival

Ralph, Jack, and Peterkin find themselves the sole survivors of a shipwreck on a deserted coral island in the South Pacific. Although fate has led them to temporary safety, the three marooned boys are forced to carve out a life for themselves from what nature provides. They rapidly learn which fruit to eat, which animals to hunt, and which lagoons are best for bathing. Resourceful as they are, their desert island idyll is often disturbed and they face numerous terrifying threats—pirates, sharks, cannibalism, and local tribes among them. Amid all the chaos, the trio still face the riddle of how to engineer their rescue from their tropical exile. Following in Robinson Crusoe's footsteps, and yet with added adventure, Ballantyne's writing is a classic adored by previous generations of children and deserves to be discovered all over again by a modern audience.

Written in Dickensian prose, This House Is Haunted is a striking homage to the classic nineteenth century ghost story. Set in Norfolk in 1867, Eliza Caine responds to an ad for a governess position at Gaudlin Hall. When she arrives at the hall, shaken by an unsettling disturbance that occurred during her travels, she is greeted by the two children now in her care, Isabella and Eustace. There is no adult present to represent her mysterious employer, and the children offer no explanation. Later that night in her room, another terrifying experience further reinforces the sense that something is very wrong.

From the moment Eliza rises the following morning, her every step seems dogged by a malign presence that lives within Gaudlin’s walls. Eliza realizes that if she and the children are to survive its violent attentions, she must first uncover the hall’s long-buried secrets and confront the demons of its past. Clever, captivating, and witty, This House Is Haunted is pure entertainment with a catch.

An octogenarian haunted by his past makes one last journey to Russia where he remembers his youth in St. Petersburg at the czar's Winter Palace and the bloody revolution that caused sweeping changes in his country and in his life.