George Gissing's best-known novel shows us the literary underbelly of Victorian England, and the writers striving to forge their reputations in 'the street of no shame'.

WITH AN INTRODUCTION BY ANTHONY QUINN

Grub Street -- where would-be writers aim high, publishers plumb the depths and literature is a trade, never a calling. In a literary world disfigured by greed and explotation, two very different writers rise and fall: Edward Reardon, a novelist whose high standards prevent him from pandering to the common taste, and Jasper Milvain, who possesses no such scruples. Gissing's dark and darkly funny novel presents a little-seen but richly absorbing slice of nineteeth-century society.

In order to become an ophthalmologist it is necessary to learn the skill of refractionand retinoscopy which requires a great deal of skill and practice.This full-colour, comprehensive revision guide has been specifically tailored forcandidates of the mandatory Refraction Certificate Examination assessed by theRoyal College of Ophthalmologists.‘Trainees will welcome this book and experienced practitioners will also find manypearls inside. I commend this book to you.’Anthony Quinn, in the Foreword

A Catholic detective in a Protestant nation, Celcius Daly knows too well the agonies of sectarian strife. To solve this string of murders, he must reach decades into the past, confronting a painful history that Ireland would prefer to forget.

Over the last few years Jack Vettriano has risen to fame meteorically. Emerging from the unlikely background of the Scottish coalfields, unknown and untutored, he has become Scotland's most successful and controversial contemporary artist. Appearing on posters and cards, mugs and umbrellas, prints of his work outsell van Gogh, Dali and Monet and his paintings have been acquired by celebrities around the world.
Vettriano himself describes his paintings as akin to pulp fiction novel covers and railway posters of the 1950s. His images have an often mysterious narrative and are a gateway to an alluring yet sinister world. Daylight scenes of heady optimism, painted against backdrops of beaches and racetracks, are counterbalanced by more disquieting canvases of complex night-time liaisons in bars, clubs, bedrooms and ballrooms.
Jack Vettriano publishes for the first time over thirty new images, exhibited in his 2004 exhibition, as well as some recently discovered works, plus the best of the paintings previously published in Lovers and Other Strangers and Fallen Angels, also published by Pavilion.