England, 1905. Lord Robert and Lady Isobel Dilberne, as well as their entire regal estate, with its hundred rooms, are busy planning for a lavish visit from King Edward VII and his mistress just a few months away. Preparations are elaborate and exhaustive: the menus and fashions must be just so. But even amidst the excitement, not everyone is happy.

Lady Rosina—now widowed and wealthy— insists on publishing a scandalous book despite her mother’s objections. Arthur Dilberne and Chicago Heiress Minnie O’Brien’s two young sons—the eldest of whom is heir to the estate—are being reared to Lady Isobel's tastes, not Minnie's. After making a shocking discovery, Minnie will take drastic measures for the sake of her children. And when fate deals a hand in the middle of the royal shooting party, the entire Dilberne estate will face upheaval once again.

The New Countess is the final novel in Fay Weldon's outstanding trilogy that began withHabits of the House and Long Live the King. As the bestselling novelist and award-winning writer for the pilot episode of the originalUpstairs Downstairs, Weldon magnificently lifts the curtain on early twentieth-century British society, upstairs and downstairs, under one stately roof.

From the award-winning novelist and writer of Upstairs Downstairs, the launch of a brilliant new trilogy about what life was really like for masters and servants before the world of Downton Abbey

As the Season of 1899 comes to an end, the world is poised on the brink of profound, irrevocable change. The Earl of Dilberne is facing serious financial concerns. The ripple effects spread to everyone in the household: Lord Robert, who has gambled unwisely on the stock market and seeks a place in the Cabinet; his unmarried children, Arthur, who keeps a courtesan, and Rosina, who keeps a parrot in her bedroom; Lord Robert’s wife Isobel, who orders the affairs of the household in Belgrave Square; and Grace, the lady’s maid who orders the life of her mistress.

Lord Robert can see no financial relief to an already mortgaged estate, and, though the Season is over, his thoughts turn to securing a suitable wife (and dowry) for his son. The arrival on the London scene of Minnie, a beautiful Chicago heiress with a reputation to mend, seems the answer to all their prayers.

As the writer of the pilot episode of the original Upstairs, Downstairs—Fay Weldon brings a deserved reputation for magnificent storytelling. With wit and sympathy—and no small measure of mischief—Habits of the House plots the interplay of restraint and desire, manners and morals, reason and instinct.

From the award-winning writer of the original Upstairs Downstairs—the second novel in an irresistible trilogy about an Earl's family and his servants at the turn of the twentieth century.

As 1901 comes to an end, there is much to be grateful for: The Dilberne fortune has been restored, and the grand Dilberne Court, with its one hundred rooms, has been saved. Lord Robert's son, Arthur, is happily married to Chicago heiress, Minnie, who is pregnant and trying to come to terms with her new role as lady of the manor, and her charming but controlling mother-in-law, Lady Isobel. As Lord Robert and Lady Isobel get caught up in the preparations of the coronation of Edward VII, they debate the future of their recently orphaned niece, Adela. Isobel and Minnie want to take her in; Robert and Arthur do not. While they argue, Adela runs away and joins a travelling group of spiritualists and has a life-saving run-in with the king.

From the award-winning novelist and writer of Upstairs Downstairs, the launch of a brilliant new trilogy about what life was really like for masters and servants before the world of Downton Abbey

As the Season of 1899 comes to an end, the world is poised on the brink of profound, irrevocable change. The Earl of Dilberne is facing serious financial concerns. The ripple effects spread to everyone in the household: Lord Robert, who has gambled unwisely on the stock market and seeks a place in the Cabinet; his unmarried children, Arthur, who keeps a courtesan, and Rosina, who keeps a parrot in her bedroom; Lord Robert’s wife Isobel, who orders the affairs of the household in Belgrave Square; and Grace, the lady’s maid who orders the life of her mistress.

Lord Robert can see no financial relief to an already mortgaged estate, and, though the Season is over, his thoughts turn to securing a suitable wife (and dowry) for his son. The arrival on the London scene of Minnie, a beautiful Chicago heiress with a reputation to mend, seems the answer to all their prayers.

As the writer of the pilot episode of the original Upstairs, Downstairs—Fay Weldon brings a deserved reputation for magnificent storytelling. With wit and sympathy—and no small measure of mischief—Habits of the House plots the interplay of restraint and desire, manners and morals, reason and instinct.

From the award-winning novelist and writer of Upstairs Downstairs, the launch of a brilliant new trilogy about what life was really like for masters and servants before the world of Downton Abbey

As the Season of 1899 comes to an end, the world is poised on the brink of profound, irrevocable change. The Earl of Dilberne is facing serious financial concerns. The ripple effects spread to everyone in the household: Lord Robert, who has gambled unwisely on the stock market and seeks a place in the Cabinet; his unmarried children, Arthur, who keeps a courtesan, and Rosina, who keeps a parrot in her bedroom; Lord Robert’s wife Isobel, who orders the affairs of the household in Belgrave Square; and Grace, the lady’s maid who orders the life of her mistress.

Lord Robert can see no financial relief to an already mortgaged estate, and, though the Season is over, his thoughts turn to securing a suitable wife (and dowry) for his son. The arrival on the London scene of Minnie, a beautiful Chicago heiress with a reputation to mend, seems the answer to all their prayers.

As the writer of the pilot episode of the original Upstairs, Downstairs—Fay Weldon brings a deserved reputation for magnificent storytelling. With wit and sympathy—and no small measure of mischief—Habits of the House plots the interplay of restraint and desire, manners and morals, reason and instinct.