Le diverse preoccupazioni artistiche di Bruce Weber trovano piena espressione nelle immagini iconiche di questo libro, molte delle quali inedite e meno conosciute. Aneddoti in prima persona del fotografo stesso offrono approfondimenti sui personaggi e sui contesti che stanno alla base dei suoi lavori più noti.

Life Is a Wheel chronicles the cross-country bicycle trip Bruce Weber made at the age of fifty-seven, an “entertaining travel story filled with insightful thoughts about life, family, and aging” (The Associated Press).

During the summer and fall of 2011, Bruce Weber, an obituary writer for The New York Times, bicycled across the country, alone, and wrote about it as it unfolded. Life Is a Wheel is the witty, inspiring, and reflective diary of his journey, in which the challenges and rewards of self-reliance and strenuous physical effort yield wry and incisive observations about cycling and America, not to mention the pleasures of a three-thousand-calorie breakfast.

The story begins on the Oregon coast, with Weber wondering what he’s gotten himself into, and ends in triumph on New York City’s George Washington Bridge. From Going-to-the-Sun Road in the northern Rockies to the headwaters of the Mississippi and through the cityscapes of Chicago and Pittsburgh, his encounters with people and places provide us with an intimate, two-wheeled perspective of America. And with thousands of miles to travel, Weber considers his past, his family, and the echo that a well-lived life leaves behind.

Part travelogue, part memoir, part romance, part paean to the bicycle—and part bemused and panicky account of a middle-aged man’s attempt to stave off, well, you know—Life Is a Wheel is “a book for cyclists, and for anyone who has ever dreamed of such transcontinental travels. But it also should prove enlightening, soul-stirring, even, to those who don’t care a whit about bikes but who care about the way people connect” (The Philadelphia Inquirer).

This book investigates the role of wealth in achieving sustainable rural economic development. The authors define wealth as all assets net of liabilities that can contribute to well-being, and they provide examples of many forms of capital – physical, financial, human, natural, social, and others. They propose a conceptual framework for rural wealth creation that considers how multiple forms of wealth provide opportunities for rural development, and how development strategies affect the dynamics of wealth. They also provide a new accounting framework for measuring wealth stocks and flows. These conceptual frameworks are employed in case study chapters on measuring rural wealth and on rural wealth creation strategies.

Rural Wealth Creation makes numerous contributions to research on sustainable rural development. Important distinctions are drawn to help guide wealth measurement, such as the difference between the wealth located within a region and the wealth owned by residents of a region, and privately owned versus publicly owned wealth. Case study chapters illustrate these distinctions and demonstrate how different forms of wealth can be measured. Several key hypotheses are proposed about the process of rural wealth creation, and these are investigated by case study chapters assessing common rural development strategies, such as promoting rural energy industries and amenity-based development. Based on these case studies, a typology of rural wealth creation strategies is proposed and an approach to mapping the potential of such strategies in different contexts is demonstrated.

This book will be relevant to students, researchers and policymakers looking at rural community development, sustainable economic development and wealth measurement.

Created by Kate Moss herself, in collaboration with creative director Fabien Baron, Jess Hallett, and Jefferson Hack, this book is a highly personal retrospective of Kate Moss’s career, tracing her evolution from “new girl with potential” to one of the most iconic models of all time.

KATE: The Kate Moss Book will be released with eight unique covers, shot by Mario Testino, Corinne Day, Inez & Vinoodh, Craig McDean, Mert & Marcus, David Sims, Mario Sorrenti, and Juergen Teller and will be shipped to customers at random.

Kate Moss began modeling as a teenager and achieved recognition when photographs of her shot by Corinne Day appeared in British magazine The Face. She made her so-called “waif” mark as a counterpoint in the 90s to then-dominant, Amazonian supermodels like Cindy Crawford, Claudia Schiffer, and Linda Evangelista, and, with countless international magazine covers and fashion features, and campaigns for brands including Calvin Klein, Chanel, Bulgari, Dolce & Gabbana, Gucci, and Longchamp, has remained one of fashion’s most enduring and influential forces.

Moss’s magic has been captured by the world’s leading photographers, and this volume spans the entirety of her unparalleled career, from model to fashion designer, and muse to icon. Told through images that Moss has personally selected, KATE shows the influence of her collaborations with top photographers and artists over the last two decades, and clearly demonstrates why her career has had, and continues to have, such incredible longevity.

Photography by Arthur Elgort, Corinne Day, Craig McDean, David Sims, Hedi Slimane, Inez & Vinoodh, Juergen Teller, Mario Sorrenti, Mario Testino, Mert & Marcus, Nick Knight, Patrick Demarchelier, Peter Lindbergh, Roxanne Lowit, Steven Klein, Terry Richardson and others

Including many ‘never-before-seen’ images from her own archives and those of the illustrious photographers with whom she has worked, KATE is a must-have for anyone interested in one of the most iconic models in the history of fashion media and modern culture.

Leo Fuchs is a Hollywood veteran who spent over 40 years shooting some of the most moving and memorable images ever made of 50s and 60s film icons. Fuchs' introduction to moviemaking came as one of the world's leading “special photographers” on movie sets in Europe and North America. Starting as a freelance magazine photographer, he was one of the rare outsiders invited onto movie sets, where he often befriended actors, actresses, and filmmakers and captured candid shots both during shooting and after hours while socializing with the stars. With the support of his dear friend Cary Grant, Fuchs gave up photography in 1964 and spent the next 20 years as a motion picture producer.

Fuchs' photographs of Hollywood's undisputed heyday are collected for the first time in Leo Fuchs: Special Photographer from the Golden Age of Hollywood, along with a rare essay by photography great, Bruce Weber. Film icons Rock Hudson, Audrey Hepburn, Paul Newman, Gregory Peck, Sean Connery, Shirley MacLaine, Frank Sinatra, Marlon Brando, Cary Grant, and never-before-published photographs of To Kill a Mockingbird's Harper Lee as well as such legendary directors as Billy Wilder, Otto Preminger, Fred Zinnemann, and Alfred Hitchcock
all appear unguarded—unlike any other photographs of the era. These images are complemented by pages of insider details taken from the recorded remembrances of Leo Fuchs himself.

Leo Fuchs: Special Photographer offers never-before-seen, behind-the-scenes photographs of the glamorous world of post-war Hollywood. It serves as a valuable piece of history and a reference for the style, attitudes, and personalities of the dream factory's elite that define modern-day celebrity. With a career spent steadily rising through the ranks of production, from outsider to boss, Leo Fuchs saw it all. Now his personal vision has been captured for the world to enjoy in Leo Fuchs: Special Photographer.

Free-market capitalism, hegemony, Western culture, peace, and democracy—the ideas that shaped world politics in the twentieth century and underpinned American foreign policy—have lost a good deal of their strength. Authority is now more contested and power more diffuse. Hegemony (benign or otherwise) is no longer a choice, not for the United States, for China, or for anyone else.

Steven Weber and Bruce Jentleson are not declinists, but they argue that the United States must take a different stance toward the rest of the world in this, the twenty-first century. Now that we can't dominate others, we must rely on strategy, making trade-offs and focusing our efforts. And they do not mean military strategy, such as “the global war on terror.” Rather, we must compete in the global marketplace of ideas—with state-directed capitalism, with charismatic authoritarian leaders, with jihadism. In politics, ideas and influence are now critical currency.

At the core of our efforts must be a new conception of the world order based on mutuality, and of a just society that inspires and embraces people around the world.

MILLIONS OF AMERICAN BASEBALL FANS KNOW, WITH ABSOLUTE CERTAINTY, that umpires are simply overpaid galoots who are doing an easy job badly. Millions of American baseball fans are wrong.

As They See 'Em is an insider's look at the largely unknown world of professional umpires, the small group of men (and the very occasional woman) who make sure America's favorite pastime is conducted in a manner that is clean, crisp, and true. Bruce Weber, a New York Times reporter, not only interviewed dozens of professional umpires but entered their world, trained to become an umpire, then spent a season working games from Little League to big league spring training. As They See 'Em is Weber's entertaining account of this experience as well as a lively exploration of what amounts to an eccentric secret society, with its own customs, its own rituals, its own colorful vocabulary. Writing with deep knowledge of and affection for baseball, he delves into such questions as: Why isn't every strike created equal? Is the ump part of the game or outside of it? Why doesn't a tie go to the runner? And what do umps and managers say to each other during an argument, really?

Packed with fascinating reportage that reveals the game as never before and answers the kinds of questions that fans, exasperated by the clichés of conventional sports commentary, pose to themselves around the television set, Bruce Weber's As They See 'Em is a towering grand slam.

The editors (professors of agricultural economics at Oregon State U.) present 14 essays that aim to expand knowledge about resource and rural economics by exploring the interdependencies between natural resource management and rural development as well as between rural and urban communities. After introductory reviews of the resource and rural economics literature, four papers explore economic and ecosystem relations; recent theoretical developments in rural economic research; modeling the influence of natural amenities on the location of economic activity; and empirical research on natural amenities, human capital investment, human migration, and economic growth in the Pacific Northwest. Five papers next address issues of public policy, including location-influenced poverty, rural education, property taxation and the distribution of rural resource rents, and the influence of rural-urban interdependence on political systems. The last two chapters consider future trends in research and policy. Distributed in the US by Johns Hopkins U. Press. Annotation ©2008 Book News, Inc., Portland, OR (booknews.com)

Herbert List s photography has become part of the classical canon of 20th-century pictorial art. By their metaphysical and visual presence, his pictures are as familiar to us and as influential as de Chirico's visions are in painting. This monograph on List's oeuvre presents for the first time all phases of his creativity: the early fotografia metafisica; his Greece photographs blending Antiquity, Mediterranean light and Eros in visions of Classical Hellas; his sensitive homoerotic pictures; his artist portraits of the 40s through to the 60s; and the human interest photography of his late work. Essays by noted authors explore List s particular interests and the photo-historic context of his oeuvre. A selection of List s own writings, a comprehensive chronology, a bibliography, a list of exhibitions, and a list of publications complete this lavish volume.

Get a comprehensive course in equity trading with this book and CD-ROM combination. Providing in-depth insight and practical knowledge, the authors walk you through the dynamics of this market and the mechanics of trading -- from entering a trade to following the market and profitably exiting a position. The companion TraderEx CD-ROM features a computer-driven trade simulator that offers hands-on experience in making tactical trading decisions in different market situations. Each chapter of the book works in combination with the simulation software so both novice and experienced traders learn to be versatile and successful in their purchasing and selling decisions.

In Paul Jasmin's hauntingly beautiful new book, Lost Angeles, the city takes on a quality of light and personality known only to someone who has experienced it first hand. Here are the 'tarnished angels' that hang out on Hollywood Boulevard or in local motel rooms, that have come to L.A. looking for the American dream, Hollywood style, and have quickly discovered it takes more than just desire to succeed. Jasmin combines formally fluid pictures of these youths languishing in dreamlike settings or in erotically charged compositions--clothed and unclothed. His images present the viewer with a personal survey of Los Angeles, of the place and the people who live there, some of whom have realized their dreams, some of whom are still searching. A major figure in the world of photography and an influence on many of today's young artists, Jasmin has included among his subjects his friends, including Sofia Coppola, who along with long-time friend and admirer Bruce Weber, have contributed essays that explore the depths of this truly rarefied vision. They add yet another dimension to his portrait of a town they all love.