Ranging from the shattered gentility of Edith Wharton's heroines to racial confrontation in the songs of Nina Simone,American Rhapsody presents a kaleidoscopic story of the creation of a culture. Here is a series of deeply involving portraits of American artists and innovators who have helped to shape the country in the modern age.

Claudia Roth Pierpont expertly mixes biography and criticism, history and reportage, to bring these portraits to life and to link them in surprising ways. It isn't far from Wharton's brave new women to F. Scott Fitzgerald's giddy flappers, and on to the big-screen command of Katharine Hepburn and the dangerous dames of Dashiell Hammett's hard-boiled world. The improvisatory jazziness of George Gershwin'sRhapsody in Blue has its counterpart in the great jazz baby of the New York skyline, the Chrysler Building. Questions of an American acting style are traced from Orson Welles to Marlon Brando, while the new American painting emerges in the gallery of Peggy Guggenheim. And we trace the arc of racial progress from Bert Williams's blackface performances to James Baldwin's warning of the fire next time, however slow and bitter and anguished this progress may be.

American Rhapsody offers a history of twentieth-century American invention and genius. It is about the joy and profit of being a heterogeneous people, and the immense difficulty of this human experiment.

"Roth scatenato" è la biografia di un peso massimo della letteratura americana contemporanea: il frutto di una collaborazione lunga dieci anni fra l'autrice, Claudia Roth Pierpont (che con lo scrittore non intrattiene alcun grado di parentela), e Philip Roth. La Pierpont ricostruisce - per la prima volta in modo tanto organico e documentato - la vita letteraria di Roth e la genesi delle oltre trenta opere da lui partorite in mezzo secolo di quasi ininterrotta attività. Importantissimo, qui, è proprio l'aggettivo "letteraria": se dal dato strettamente biografico non è infatti mai possibile prescindere del tutto quando si analizza la produzione artistica di uno scrittore, nel caso di Roth la contiguità dei due piani ha sempre rischiato di ingenerare, sia nel lettore comune sia nella critica, una pericolosa quanto feconda e ben sfruttata confusione. Una delle difficoltà di scrivere delle opere e della vita di Roth, dunque, sta proprio nello scoprire dove possono iniziare e finire queste maschere e cosa rivelano quando vengono sollevate. Non a caso, infatti, Nathan Zuckerman a un certo punto "dice" al suo autore: "la mia ipotesi è che tu abbia scritto così tante metamorfosi di te stesso da non sapere più né chi sei né chi sei mai stato. Ormai non sei altro che un testo ambulante". Ma ovviamente Philip Roth è molto di più di "un testo ambulante": sotto le tante maschere della letteratura c'è un uomo complesso, spesso ferito dalla vita ma che non ha mai smesso di cercarla, e amarla...

ROTH UNBOUND - PIERPONT CLAUDIA ROTH - Random UK

A critical evaluation of Philip Roth—the first of its kind—that takes on the man, the myth, and the work

Philip Roth is one of the most renowned writers of our time. From his debut, Goodbye, Columbus, which won the National Book Award in 1960, and the explosion of Portnoy’s Complaint in 1969 to his haunting reimagining of Anne Frank’s story in The Ghost Writer ten years later and the series of masterworks starting in the mid-eighties—The Counterlife, Patrimony, Operation Shylock, Sabbath’s Theater, American Pastoral, The Human Stain—Roth has produced some of the great American literature of the modern era. And yet there has been no major critical work about him until now.
Here, at last, is the story of Roth’s creative life. Roth Unbound is not a biography—though it contains a wealth of previously undisclosed biographical details and unpublished material—but something ultimately more rewarding: the exploration of a great writer through his art.
Claudia Roth Pierpont, a staff writer for The New Yorker, has known Roth for nearly a decade. Her carefully researched and gracefully written account is filled with remarks from Roth himself, drawn from their ongoing conversations. Here are insights and anecdotes that will change the way many readers perceive this most controversial and galvanizing writer: a young and unhappily married Roth struggling to write; a wildly successful Roth, after the uproar over Portnoy, working to help writers from Eastern Europe and to get their books known in the West; Roth responding to the early, Jewish—and the later, feminist—attacks on his work. Here are Roth’s family, his inspirations, his critics, the full range of his fiction, and his friendships with such figures as Saul Bellow and John Updike. Here is Roth at work and at play.
Roth Unbound is a major achievement—a highly readable story that helps us make sense of one of the most vital literary careers of the twentieth and twenty-first centuries.

With a masterful ability to connect their social contexts to well-chosen and telling details of their personal lives, Claudia Roth Pierpont gives us portraits of twelve amazingly diverse and influential literary women of the twentieth century, women who remade themselves and the world through their art.

Gertrude Stein, Mae West, Margaret Mitchell, Eudora Welty, Ayn Rand, Doris Lessing, Anais Nin, Zora Neale Hurston, Marina Tsvetaeva, Hannah Arendt and Mary Mccarthy, and Olive Schreiner: Pierpont is clear-eyed in her examination of each member of this varied group, connectng her subjects firmly to the issues of sexual freedom, race, and politics that bound them to their times, even as she exposes the roots of their uniqueness.

"Pierpont['s] graceful essays are at once erudite and personal in their focus." ?The Boston Globe

"One of the most ceaselessly interesting books I've read in some time." ?Lorrie Moore, The New York Review of Books