DAVID BOWIE: THE LIFE - JONES DYLAN - Random UK

06.07.72. 7.30pm. BBC1. Top of the Pops. David Bowie performs 'Starman'. Dylan Jones tells the story of a moment in music history that changed a generation.

And then there was David Bowie, the uber-freak with the mismatched pupils, the low-tech space face from the planet Sparkle. This was Bowie's third appearance on TOTP but this was the one that properly resonated with its audience, the one that would go on to cause a seismic shift in the Zeitgeist. This is the performance that turned Bowie into a star, embedding his Ziggy Stardust persona into the nation's consciousness.

With a tall, flame-orange cockade quiff (stolen from a Kansai Yamamoto model on the cover of Honey), lavishly applied make-up, white nail polish, and wearing a multi-coloured jump-suit that looked as though it were made from fluorescent fish skin (chosen by Ziggy co-shaper, the designer Freddie Buretti), and carrying a brand spanking new blue acoustic guitar, a bone thin Bowie appeared not so much as a pop singer, but rather as some sort of benevolent alien, a concept helped along by the provocative appearance of his guitarist, the chicken-headed Mick Ronson, with both of them unapologetically sporting knee-length patent leather wrestler's boots (Bowie's were red). 'Most people are scared of colour,' Bowie said later. 'Their lives are built up in shades of grey. It doesn't matter how straight the style is, make it brightly coloured material and everyone starts acting weird.'

Suddenly Bowie -- a man called alias -- had the world at his nail-varnished fingertips, and in no time at all he would be the biggest star in the world.

The Biographical Dictionary of Popular Music is an incredible and opinionated collection of celebrated cultural critic Dylan Jones’s thoughts on more than 350 of the most important artists around the world—alive and dead, big and small, at length and in brief. This A to Z reference is the true musical heir to David Thomson’s seminal The New Biographical Dictionary of Popular Film. Jones writes entertainingly about bands that have inspired, bedeviled, and fascinated him over the years.

U2 360° BY NUMBERS
7,100,000 fans saw the show; 10 million people watched a live stream of U2 360° at the Rose Bowl on YouTube; 320,000 fans saw 360° in Mexico City; 9,760 guitar strings utilized; 7,100 miles – approximate distance travelled by space station while talking with U2; 5,200 years – collective touring experience of U2 tour personnel; 400 tons – weight of the fully loaded claw; 134 crew members; 126 truck drivers; 110 concerts; 53 gigs attended by a single fan; 7 astronauts attended.

U2 360°, the most successful concert tour of all time, came to an end in Moncton, Atlantic Canada on July 30, 2011. The massive 26 month undertaking by Live Nation Global Touring saw U2 play 110 concerts in front of more than 7.1 million fans in 30 countries across five continents.

From the Ground Up is the inside story of U2 360° with exclusive contributions from the band, manager Paul McGuinness, world-renowned set designer Willie Williams and exclusive photographs from photographer Ralph Larmann and written by Dylan Jones who was given complete access, including behind the scenes at Glastonbury 2011.

This volume shows the state-of-the-art in both theoretical development and application of multiple objective and goal programming. Applications from the fields of supply chain management, financial portfolio selection, financial risk management, insurance, medical imaging, sustainability, nurse scheduling, project management, water resource management, and the interface with data envelopment analysis give a good reflection of current usage. A pleasing variety of techniques are used including models with fuzzy, group-decision, stochastic, interactive, and binary aspects. Additionally, two papers from the upcoming area of multi-objective evolutionary algorithms are included. The book is based on the papers of the 8th International Conference on Multi-Objective and Goal Programming (MOPGP08) which was held in Portsmouth, UK, in September 2008.

Durante un anno straordinario David Cameron si è incontrato regolarmente con Dylan Jones, il giornalista. Il leader conservatore ha affrontato ogni genere di argomento: dalle guerre in Afghanistan e Iraq fino alla sua missione di mettere punti fermi circa le sue convinzioni su quella che egli crede sia la società britannica in crisi. In queste pagine, Cameron parla (come mai ha fatto fino ad oggi) circa il suo retroterra, la sua educazione e la sua carriera e si dilunga approfonditamente, per la prima volta, sulla sua vita familiare - compreso l'impegno per prendersi cura di Ivan, il suo primogenito affetto da una grave disabilità- e del perché sua moglie, Samantha, che era stata una vera dura, abbia pianto durante il loro matrimonio. Si scopre cosa Cameron pensi sulle tasse, l'ambiente, il clima insieme con il Servizio Sanitario Nazionale, le scuole e l'immigrazione. Con una Prefazione di Gianfranco Fini.

This new, revised edition of The Poems of Dylan Thomas is based on the collection edited by Thomas's life-long friend and fellow poet, Daniel Jones, first published by New Directions in 1971. Jones started with the ninety poems Thomas selected for his Collected Poems in 1952 (at a time when the poet expected that many years of work still lay ahead of him) and, after exhaustive research and consideration, added one hundred previously finished, though uncollected, poems (including twenty-six juvenile works), and two unfinished poems, and arranged them all in chronological order of composition, creating the most complete edition of Thomas's poems ever published. This revised edition contains all the original material and incorporates textual corrections. Also included are an introduction and concise notes by Daniel Jones, a brief chronology of the poet's life, and a compact disc containing vintage recordings of Thomas reading eight of his poems in his famous "Welsh-singing" style, making this edition of The Poems of Dylan Thomas a truly remarkable collection.