Texas, 1870. All'indomani della Guerra civile, l'anziano capitano Jefferson Kidd, veterano di tante battaglie e stampatore in pensione, si guadagna da vivere spostandosi da una città all'altra e leggendo ad alta voce i giornali a un pubblico pagante e affamato di notizie dal mondo. Un giorno, a Wichita Falls, Kidd viene avvicinato da Britt Johnson, un nero libero che fa il trasportatore. Sul suo carro c'è una bambina di una decina d'anni, vestita alla maniera Comanche. A quanto ne sa l'agente che l'ha riscattata, si tratta di Johanna Leonberger, catturata dagli indiani quattro anni prima, quando ne aveva sei. I genitori e la sorellina più piccola sono morti nell'assalto, ma ci sono dei parenti, uno zio e una zia, a San Antonio. Per cinquanta dollari, Kidd riuscirebbe ad affrontare un viaggio di tre settimane e riportarla alla sua famiglia? Uomo d'onore, il capitano accetta, sapendo che altrimenti nessun altro aiuterà la bambina. L'incarico, tuttavia, si rivela ben più arduo del previsto. Una volta avventuratisi nel deserto, in una terra ostile e crudele, popolata da ambigui e pericolosi personaggi, al capitano e alla bambina, per sopravvivere, non resta che imparare a conoscersi e fidarsi l'uno dell'altra.

Texas, 1865, guerra di Secessione, anno quinto. Grazie alla faccia e alla statura da bambino, e al violino Markneukirchen che incanta chiunque l'ascolti, Simon Boudlin è riuscito a sfuggire agli occhiuti reclutatori confederati. Ne ha visti tanti di orrori, il violinista itinerante, e sa soltanto che a nessun costo vuole imbracciare un'arma. Poi però arriva il giorno in cui, coinvolto in una rissa da saloon, viene arruolato a forza. Simon fa resistenza come può, prima all'addestramento, dopo sulle rive del Rio Grande, teatro di un'ultima, inutile vittoria sudista di una guerra ormai persa. Senza nemmeno aspettare il foglio di congedo dai vincitori, Simon prende il largo insieme ad altri tre musicisti che, come lui, sperano di trovare fortuna e soldi altrove: Damon, con la passione per Edgar Allan Poe e il flauto irlandese; Doroteo, tejano e chitarrista; il giovane Patrick, tamburino dell'esercito con il suo bodhràn. Comincia così un vagabondaggio del quartetto di musici attraverso il Texas devastato dalla furia degli eserciti e dalla febbre gialla, percorso da gente affamata e cenciosa, ma anche abitato da una natura intatta e primitiva. Un viaggio irto di difficoltà in cui la musica - quella che i quattro devono imparare a suonare insieme - è la stella polare di Simon, come lo è il pensiero di quella ragazza irlandese con i capelli corvini che gli ha rubato il cuore e che sente come un destino ad attenderlo in fondo a quel lungo cammino. Dopo 'Notizie dal mondo', da cui è stato tratto l'omonimo film con Tom Hanks, Paulette Jiles torna con un romanzo di grande atmosfera dov

In the aftermath of the Civil War, an aging itinerant news reader agrees to transport a young captive of the Kiowa back to her people in this exquisitely rendered, morally complex, multilayered novel of historical fiction from the author ofEnemy Women that explores the boundaries of family, responsibility, honor, and trust.

In the wake of the Civil War, Captain Jefferson Kyle Kidd travels through northern Texas, giving live readings from newspapers to paying audiences hungry for news of the world. An elderly widower who has lived through three wars and fought in two of them, the captain enjoys his rootless, solitary existence.

In Wichita Falls, he is offered a $50 gold piece to deliver a young orphan to her relatives in San Antonio. Four years earlier, a band of Kiowa raiders killed Johanna’s parents and sister; sparing the little girl, they raised her as one of their own. Recently rescued by the U.S. army, the ten-year-old has once again been torn away from the only home she knows.

Their 400-mile journey south through unsettled territory and unforgiving terrain proves difficult and at times dangerous. Johanna has forgotten the English language, tries to escape at every opportunity, throws away her shoes, and refuses to act “civilized.” Yet as the miles pass, the two lonely survivors tentatively begin to trust each other, forming a bond that marks the difference between life and death in this treacherous land.

Arriving in San Antonio, the reunion is neither happy nor welcome. The captain must hand Johanna over to an aunt and uncle she does not remember—strangers who regard her as an unwanted burden. A respectable man, Captain Kidd is faced with a terrible choice: abandon the girl to her fate or become—in the eyes of the law—a kidnapper himself.

NEWS OF THE WORLD - JILES PAULETTE - Harper USA

Paulette Jiles, the bestselling author of the highly praised novels The Color of Lightning, Stormy Weather, and Enemy Women, pushes into new territory with Lighthouse Island—a captivating and atmospheric story set in the far future—a literary dystopian tale resonant with love and hope.

In the coming centuries the world's population has exploded. The earth is crowded with cities, animals are nearly all extinct, and drought is so widespread that water is rationed. There are no maps, no borders, no numbered years, and no freedom, except for an elite few.

It is a harsh world for an orphan like Nadia Stepan. Growing up, she dreams of a green vacation spot called Lighthouse Island, in a place called the Pacific Northwest.

When an opportunity for escape arises, Nadia embarks on a dangerous and sometimes comic adventure. Along the way she meets a man who changes the course of her life: James Orotov, a mapmaker and demolition expert. Together, they evade arrest and head north toward a place of wild beauty that lies beyond the megapolis—Lighthouse Island.

Paulette Jiles, the bestselling author of the highly praised novels The Color of Lightning, Stormy Weather, and Enemy Women, pushes into new territory with Lighthouse Island—a captivating and atmospheric story set in the far future—a literary dystopian tale resonant with love and hope.

In the coming centuries the world's population has exploded. The earth is crowded with cities, animals are nearly all extinct, and drought is so widespread that water is rationed. There are no maps, no borders, no numbered years, and no freedom, except for an elite few.

It is a harsh world for an orphan like Nadia Stepan. Growing up, she dreams of a green vacation spot called Lighthouse Island, in a place called the Pacific Northwest.

When an opportunity for escape arises, Nadia embarks on a dangerous and sometimes comic adventure. Along the way she meets a man who changes the course of her life: James Orotov, a mapmaker and demolition expert. Together, they evade arrest and head north toward a place of wild beauty that lies beyond the megapolis—Lighthouse Island.

Paulette Jiles, the bestselling author of the highly praised novels The Color of Lightning, Stormy Weather, and Enemy Women, pushes into new territory with Lighthouse Island—a captivating and atmospheric story set in the far future—a literary dystopian tale resonant with love and hope.

In the coming centuries the world's population has exploded. The earth is crowded with cities, animals are nearly all extinct, and drought is so widespread that water is rationed. There are no maps, no borders, no numbered years, and no freedom, except for an elite few.

It is a harsh world for an orphan like Nadia Stepan. Growing up, she dreams of a green vacation spot called Lighthouse Island, in a place called the Pacific Northwest.

When an opportunity for escape arises, Nadia embarks on a dangerous and sometimes comic adventure. Along the way she meets a man who changes the course of her life: James Orotov, a mapmaker and demolition expert. Together, they evade arrest and head north toward a place of wild beauty that lies beyond the megapolis—Lighthouse Island.

In 1863, as the War Between the States creeps inevitably toward its bloody conclusion, former Kentucky slave Britt Johnson ventures west into unknown territory with his wife, Mary, and their three children, searching for a life and a future. But their dreams are abruptly shattered by a brutal Indian raid upon the Johnsons' settlement while Britt is away establishing a business. Returning to find his friends and neighbors slain or captured, his eldest son dead, his beloved and severely damaged Mary enslaved, and his remaining children absorbed into an alien society that will never relinquish its hold on them, the heartsick freedman vows not to rest until his family is whole again.

A soaring work of the imagination based on oral histories of the post-Civil War years in North Texas, Paulette Jiles's The Color of Lightning is at once an intimate look into the hearts and hopes of tragically flawed human beings and a courageous reexamination of a dark American history.

In 1863, the War Between the States creeps slowly yet inevitably toward its bloody conclusion—and eastern thoughts are already turning to different wars and enemies.

Searching for a life and future, former Kentucky slave Britt Johnson is venturing west into unknown territory with his wife, Mary, and their three children—wary but undeterred by sobering tales of atrocities inflicted upon those who trespass against the Comanche and the Kiowa. Settling on the Texas plains, the Johnson family hopes to build on the dreams that carried them from the Confederate South to this new land of possibility—dreams that are abruptly shattered by a brutal Indian raid upon the settlement while Britt is away establishing a business. Returning to face the unthinkable—his friends and neighbors slain or captured, his eldest son dead, his beloved Mary severely damaged and enslaved, and his remaining children absorbed into an alien society that will never relinquish its hold on them—the heartsick freedman vows not to rest until his family is whole again.

Samuel Hammond follows a different road west. A Quaker whose fortune is destroyed by a capricious act of an inscrutable God, he has resigned himself to the role the Deity has chosen for him. As a new agent for the Office of Indian Affairs, it is Hammond's goal to ferret out corruption and win justice for the noble natives now in his charge. But the proud, stubborn people refuse to cease their raids, free their prisoners, and accept the farming implements and lifestyle the white man would foist upon them, adding fuel to smoldering tensions that threaten to turn a man of peace, faith, and reason onto a course of terrible retribution.

A soaring work of the imagination based on oral histories of the post?Civil War years in North Texas, Paulette Jiles's The Color of Lightning is at once an intimate look into the hearts and hopes of tragically flawed human beings and a courageous reexamination of a dark American history.

In 1863, the War Between the States creeps slowly yet inevitably toward its bloody conclusion—and eastern thoughts are already turning to different wars and enemies.

Searching for a life and future, former Kentucky slave Britt Johnson is venturing west into unknown territory with his wife, Mary, and their three children—wary but undeterred by sobering tales of atrocities inflicted upon those who trespass against the Comanche and the Kiowa. Settling on the Texas plains, the Johnson family hopes to build on the dreams that carried them from the Confederate South to this new land of possibility—dreams that are abruptly shattered by a brutal Indian raid upon the settlement while Britt is away establishing a business. Returning to face the unthinkable—his friends and neighbors slain or captured, his eldest son dead, his beloved Mary severely damaged and enslaved, and his remaining children absorbed into an alien society that will never relinquish its hold on them—the heartsick freedman vows not to rest until his family is whole again.

Samuel Hammond follows a different road west. A Quaker whose fortune is destroyed by a capricious act of an inscrutable God, he has resigned himself to the role the Deity has chosen for him. As a new agent for the Office of Indian Affairs, it is Hammond's goal to ferret out corruption and win justice for the noble natives now in his charge. But the proud, stubborn people refuse to cease their raids, free their prisoners, and accept the farming implements and lifestyle the white man would foist upon them, adding fuel to smoldering tensions that threaten to turn a man of peace, faith, and reason onto a course of terrible retribution.

A soaring work of the imagination based on oral histories of the post?Civil War years in North Texas, Paulette Jiles's The Color of Lightning is at once an intimate look into the hearts and hopes of tragically flawed human beings and a courageous reexamination of a dark American history.

Oil is king of East Texas during the darkest years of the Great Depression. The Stoddard girls—responsible Mayme, whip-smart tomboy Jeanine, and bookish Bea—know no life but an itinerant one, trailing their father from town to town as he searches for work on the pipelines and derricks. But in a year of devastating drought and dust storms, the family's fortunes sink further than they ever anticipated when a questionable 'accident' leaves the girls and their mother, Elizabeth, alone to confront the cruelest hardships of these hardest of times.

Returning to their previously abandoned family farm, the resilient Stoddard women must now place their last hopes for salvation in a wildcat oil well that eats up what little they have left . . . and on the back of late patriarch Jack's one true legacy, a dangerous racehorse named Smoky Joe.

For the Colleys of southeastern Missouri, the War between the States is a plague that threatens devastation, despite the family?s avowed neutrality. For eighteen-year-old Adair Colley, it is a nightmare that tears apart her family and forces her and her sisters to flee. The treachery of a fellow traveler, however, brings about her arrest, and she is caged with the criminal and deranged in a filthy women?s prison.

But young Adair finds that love can live even in a place of horror and despair. Her interrogator, a Union major, falls in love with her and vows to return for her when the fighting is over. Before he leaves for battle, he bestows upon her a precious gift: freedom.

Now an escaped 'enemy woman,' Adair must make her harrowing way south buoyed by a promise . . . seeking a home and a family that may be nothing more than a memory.