A bold and successful scheme to outwit the biggest players in publishing and film animates this novel by the bestselling author of The Judge--a suspenseful thriller in which the price of fame becomes terror. Gable Cooper has penned a novel to kill for. Six million dollars in book and film rights are looming just off the table for this unknown author. But there is a problem: Gable Cooper doesn't exist. Abby Chandlis is an attorney turned novelist and the creator of Gable Cooper. In an age when glamour, not grammar, is often the secret to selling books, Abby has an intriguing plan to keep her writing career alive: find a charismatic male face to pose as the phantom author for the knock-dead thriller she has written. Jack Jermaine is a man with dangerous good looks and a shadowy past. Trained by the military to kill, his obsession is to pen a blockbuster book. He has a trunk filled with rejected manuscripts and a gnawing problem that has turned him bitter: Jack can't write. Desperate to find a man to play the role of Gable Cooper, Abby is about to give up when Jack forces his way into her life. Reluctantly she is convinced that Jack's humor and looks will clinch success for her novel. She uses her legal wits and makes a deal with the devil. Jack becomes Gable Cooper. When Jack is propelled into the orbit of celebrity, Abby finds herself at once seduced and trapped by her own creation. Success turns to terror. The story careens from the Pacific Northwest to New York City and finally through the islands of the Caribbean as Abby races for her life to the one person she can trust--the one person who can prove to the world that she wrote the novel, and put an end to the nightmare that was once her dream, the dream of making The List.

In the wake of the highly fractious Culture Wars, conservatives in science have launched a backlash against feminist, multiculturalist, and social critics in science studies. Paul Gross and Norman Levitt's book Higher Superstition, presented as a wake-up call to scientists unaware of the dangers posed by the “science-bashers,” set the shrill tone of this reaction and led to the appearance of a growing number of scare stories about an “antiscience” movement in the op-ed sections of newspapers across the country. Unwilling to be political scapegoats for the decline in the public funding of science and the erosion of the public authority of scientists, many of these critics—natural scientists, sociologists, anthropologists, historians, and scholars in cultural studies and literary studies—have taken the opportunity to respond to the backlash in Science Wars.
At a time when scientific knowledge is systematically whisked out of the domain of education and converted into private capital, the essays in this volume are sharply critical of the conservative defense of a value-free science. They suggest that in a world steeped in nuclear, biogenic, and chemical overdevelopment, those who are skeptical of technology are more than entitled to ask for evidence of rationality in those versions of scientific progress that respond only to the managerial needs of state, corporate, and military elites. Whether uncovering the gender-laden assumptions built into the Western scientific method, redefining the scientific claim to objectivity, showing the relationship between science's empirical worldview and that of mercantile capitalism, or showing how the powerful language of science exercises its daily cultural authority in our society, the essays in Science Wars announce their own powerful message. Analyzing the antidemocratic tendencies within science and its institutions, they insist on a more accountable relationship between scientists and the communities and environments affected by their research.
Revised and expanded from a recent issue of Social Text, Science Wars will provoke thought and controversy among scholars and general readers interested in science studies and current cultural politics.

Contributors. Stanley Aronowitz, Sarah Franklin, Steve Fuller, Sandra Harding, Roger Hart, N. Katherine Hayles, Ruth Hubbard, Joel Kovel, Les Levidow, George Levine, Richard Levins, Richard C. Lewontin, Michael Lynch, Emily Martin, Dorothy Nelkin, Hilary Rose, Andrew Ross, Sharon Traweek, Langdon Winner

When Judge Armando Acosta is charged with soliciting a prostitute, attorney Paul Madriani is less than sympathetic. Nevertheless, Madriani is forced to defend his old nemesis.

And when the policewoman who snared Acosta is brutally murdered, Madriani wonders if the judge is also the executioner.

The most explosive thriller yet by New York Times bestselling author Steve Martini -- The Judge.

Lawyer Sam Bogardus's client believed her natural father died years ago in a bizarre accident. But now, she's received word that he's still alive and tied to a hidden fortune. Sam's investigation uncovers a web of conspiracy so shocking that it's enough to make the lawyer take the law into his own hands.