In a work unlike anything she's written before, National Book Award winner Joyce Carol Oates unveils a poignant, intimate memoir about the unexpected death of her husband of forty-six years and its wrenching, surprising aftermath.

'My husband died, my life collapsed.'

On a February morning in 2008, Joyce Carol Oates drove her ailing husband, Raymond Smith, to the emergency room of the Princeton Medical Center where he was diagnosed with pneumonia. Both Joyce and Ray expected him to be released in a day or two. But in less than a week, even as Joyce was preparing for his discharge, Ray died from a virulent hospital-acquired infection, and Joyce was suddenly faced?totally unprepared?with the stunning reality of widowhood.

A Widow's Story illuminates one woman's struggle to comprehend a life without the partnership that had sustained and defined her for nearly half a century. As never before, Joyce Carol Oates shares the derangement of denial, the anguish of loss, the disorientation of the survivor amid a nightmare of 'death-duties,' and the solace of friendship. She writes unflinchingly of the experience of grief?the almost unbearable suspense of the hospital vigil, the treacherous 'pools' of memory that surround us, the vocabulary of illness, the absurdities of commercialized forms of mourning. Here is a frank acknowledgment of the widow's desperation?only gradually yielding to the recognition that 'this is my life now.'

Enlivened by the piercing vision, acute perception, and mordant humor that are the hallmarks of the work of Joyce Carol Oates, this moving tale of life and death, love and grief, offers a candid, never-before-glimpsed view of the acclaimed author and fiercely private woman.

Joyce Carol Oates is not only one of our most important novelists and literary critics, she is also an unparalleled master of the short story. Sourland?sixteen previously uncollected stories that explore the power of violence, loss, and grief to shape the psyche as well as the soul?shows us an author working at the height of her powers.

With lapidary precision and an unflinching eye, Oates maps the surprising contours of ?ordinary? life, from a desperate man who dons a jack-o'-lantern head as a prelude to a most curious sort of courtship to a beguiling young woman librarian whose amputee state attracts a married man and father; from a girl hopelessly in love with her renegade, incarcerated cousin to the concluding title story of an unexpectedly redemptive love rooted in radical aloneness and isolation. Each story in Sourland resonates beautifully with Oates's trademark fascination for the unpredictable amid the prosaic?the commingling of sexual love and violence, the tumult of family life?and shines with her predilection for dark humor and her gift for voice.

In a work unlike anything she's written before, National Book Award winner Joyce Carol Oates unveils a poignant, intimate memoir about the unexpected death of her husband of forty-six years and its wrenching, surprising aftermath.

'My husband died, my life collapsed.'

On a February morning in 2008, Joyce Carol Oates drove her ailing husband, Raymond Smith, to the emergency room of the Princeton Medical Center where he was diagnosed with pneumonia. Both Joyce and Ray expected him to be released in a day or two. But in less than a week, even as Joyce was preparing for his discharge, Ray died from a virulent hospital-acquired infection, and Joyce was suddenly faced?totally unprepared?with the stunning reality of widowhood.

A Widow's Story illuminates one woman's struggle to comprehend a life without the partnership that had sustained and defined her for nearly half a century. As never before, Joyce Carol Oates shares the derangement of denial, the anguish of loss, the disorientation of the survivor amid a nightmare of 'death-duties,' and the solace of friendship. She writes unflinchingly of the experience of grief?the almost unbearable suspense of the hospital vigil, the treacherous 'pools' of memory that surround us, the vocabulary of illness, the absurdities of commercialized forms of mourning. Here is a frank acknowledgment of the widow's desperation?only gradually yielding to the recognition that 'this is my life now.'

Enlivened by the piercing vision, acute perception, and mordant humor that are the hallmarks of the work of Joyce Carol Oates, this moving tale of life and death, love and grief, offers a candid, never-before-glimpsed view of the acclaimed author and fiercely private woman.

A searing exploration of the mysterious conjunction of erotic romance and tragic violence in late-twentieth-century America, Little Bird of Heaven returns to the emotional and geographical terrain of acclaimed author Joyce Carol Oates's previous bestsellers We Were the Mulvaneys and The Gravedigger's Daughter.

When young wife and mother Zoe Kruller is found brutally murdered, the police target two suspects: her estranged husband, Delray Kruller, and her longtime lover, Eddy Diehl. In turn, the Krullers' son, Aaron, and Diehl's daughter, Krista, become obsessed with each other, each believing the other's father guilty. By novel's end, the fated lovers are at last ready to exorcise the ghosts of the past and come to terms with their legacy of guilt, misplaced love, and redemptive yearning.

Told in halves in the very different voices of Krista and Aaron, Little Bird of Heaven is classic Oates—where the lyricism of intense sexual love is intertwined with the anguish of loss, and tenderness is barely distinguishable from cruelty.

In twenty-nine provocative essays, Joyce Carol Oates maps the 'rough country' that is both the treacherous geographical and psychological terrain of the writers she so cogently analyzes—Flannery O'Connor, Cormac McCarthy, Philip Roth, E. L. Doctorow, and Margaret Atwood, among others—and the emotional terrain of Oates's own life following the unexpected death of her husband, Raymond Smith, after forty-eight years of marriage.

'As literature is a traditional solace to the bereft, so writing about literature can be a solace, as it was to me when the effort of writing fiction seemed beyond me, as if belonging to another lifetime,' Oates writes. 'Reading and taking notes, especially late at night when I can't sleep, has been the solace, for me, that saying the Rosary or reading The Book of Common Prayer might be for another.' The results of those meditations are the essays of In Rough Country—balanced and illuminating investigations that demonstrate an artist working at the top of her form.

Replete with the emotional intensity and pathos for which Joyce Carol Oates is lauded, these fourteen stories explore the intimate lives of contemporary American families: the tangled relationship between generations, the desperation of loving more than one is loved in return. In 'Cutty Sark' and 'Landfill,' the bond between adolescent son and mother reverberates with the force of an unspoken passion. The gripping title story finds Oates boldly reimagining the true-crime story of Andrea Yates, the Texas mother who drowned her children in 2001. Several stories offer a more lighthearted reprieve, examining with dark humor the shadowy intersection between self-awareness and delusion.

In this ambitious book, Joyce Carol Oates boldly reimagines the inner, poetic, and spiritual life of Norma Jeane Baker—the child, the woman, the fated celebrity and idolized blonde the world came to know as Marilyn Monroe. In a voice startling, intimate, and rich, Norma Jeane tells her own story, that of an emblematic American artist—intensely conflicted and driven—who has lost her way. A powerful portrait of Hollywood's myth and an extraordinary woman's heartbreaking reality, Blonde is a sweeping epic that pays tribute to the elusive magic and devastation behind the creation of the great twentieth-century American star.

Meet Quentin P.

He is a problem for his professor father and his loving mother, though of course they do not believe the charge (sexual molestation of a minor) that got him in that bit of trouble.

He is a challenge for his court-appointed psychiatrist, who nonetheless is encouraged by the increasingly affirmative quality of his dreams and his openness in discussing them.

He is a thoroughly sweet young man for his wealthy grandmother, who gives him more and more, and can deny him less and less.

He is the most believable and thoroughly terrifying sexual psychopath and killer ever to be brought to life in fiction, as Joyce Carol Oates achieves her boldest and most brilliant triumph yet—a dazzling work of art that extends the borders of the novel into the darkest heart of truth.

Herein is the unexpurgated first-person narrative of nineteen-year-old Skyler Rampike, the only surviving child of an 'infamous' American family destroyed a decade ago by the murder of Skyler?s six-year-old ice-skating champion sister, Bliss, and the media scrutiny that followed. Part investigation into the unsolved murder, part elegy for the lost Bliss and for his own lost childhood, Skyler?s narrative is an alternately harrowing and corrosively funny exposÉ of upper-middle-class American pretensions—and an unexpectedly subtle and sympathetic exploration of those who dwell in 'Tabloid Hell.'

Edgar Allan Poe, Emily Dickinson, Samuel Clemens ('Mark Twain'), Henry James, Ernest Hemingway—Joyce Carol Oates evokes each of these American literary icons in her newest work of prose fiction, poignantly and audaciously reinventing the climactic events of their lives. In subtly nuanced language suggestive of each of these writers, Oates explores the mysterious regions of the unknowable self that is 'genius.'

Darkly hilarious, brilliant, and brazen, Wild Nights! is Joyce Carol Oates's most original and haunting work of the imagination.