A new framework for helping nonprofit organizations maximize the effectiveness of their boards.

Written by noted consultants and researchers attuned to the needs of practitioners, Governance as Leadership redefines nonprofit governance. It provides a powerful framework for a new covenant between trustees and executives: more macrogovernance in exchange for less micromanagement.

Informed by theories that have transformed the practice of organizational leadership, this book sheds new light on the traditional fiduciary and strategic work of the board and introduces a critical third dimension of effective trusteeship: generative governance. It serves boards as both a resource of fresh approaches to familiar territory and a lucid guide to important new territory, and provides a road map that leads nonprofit trustees and executives to governance as leadership.

Governance as Leadership was developed in collaboration with BoardSource, the premier resource for practical information, tools and best practices, training, and leadership development for board members of nonprofit organizations. Through its highly acclaimed programs and services, BoardSource enables organizations to fulfill their missions by helping build effective nonprofit boards and offering credible support in solving tough problems. For the latest in nonprofit governance, visit www.boardsource.org, or call us at 1-800-883-6262.

A unique and accessible guide to the common symbols and meanings in church art and architecture. Aimed at a general, rather than Christian market. 8pp illus.

Cie biology AS level and A level. Per le Scuole superiori Loescher

In this modern classic, the author speals to the urgent need for discipline in today's culture. Without mincing words, Richard Taylor deals with the areas of living that hamper Christians from reaching their full potential- overeacting, moodiness, erratic emotuons, tardiness, lack of submission, weak priorities, and more. He then lays out a clear plan for how to become a disciplined person, starting with developing a personal philosophy of discipleship. Author Richard Foster calls The Disciplined Life 'A sharp, staccato plea for disciplined living in an age of self-indulgence.'

In this fresh evaluation of Western ethics, noted philosopher Richard Taylor argues that philosophy must return to the classical notion of virtue as the basis of ethics. To ancient Greek and Roman philosophers, ethics was chiefly the study of how individuals attain personal excellence, or ōvirtue,ö defined as intellectual sophistication, wisdom, strength of character, and creativity. With the ascendancy of the Judeo-Christian ethic, says Taylor, this emphasis on pride of personal worth was lost. Instead, philosophy became preoccupied with defining right and wrong in terms of a divine lawgiver, and the concept of virtue was debased to mean mere obedience to divine law. Even today, in the absence of religious belief, modern thinkers unwittingly continue this legacy by creating hairsplitting definitions of good and evil.

Taylor points out that the ancients rightly understood the ultimate concern of ethics to be the search for happiness, a concept that seems to have eluded contemporary society despite unprecedented prosperity and convenience. Extolling AristotleĘs Nicomachean Ethics, Taylor urges us to reread this brilliant and still relevant treatise, especially its emphasis on an ethic of aspiration.

Subtitled }Painting from Nature Made Easy{, with sketches, annotations and step-by-step demonstrations. 120 colour illus.

Two books in a new series for aspiring watercolour landscape painters. Spiral-bound. 300 colour illus.

Investment courses are in demand by 800,000 business majors and lifelong learners in non-degree programs every year. Schaum's Outline of Investments, Second Edition, presents this authoritative learning guide to the decade's hottest topic­­making money grow. Contains clear and concise explanations of investment principles, contemporary investment strategies, and international markets.

The discussion of good and evil must not be confined to the sterile lecture halls of academics but related instead to ordinary human feelings, needs, and desires, says noted philosopher Richard Taylor. Efforts to understand morality by exploring human reason will always fail because we are creatures of desire as well. All morality arises from our intense and inescapable longing. The distinction between good and evil is always clouded by rationalists who convert the real problems of ethics into complex philosophical puzzles.
In the first part of Good and Evil, Taylor looks for a more meaningful conception by reexamining and rejecting the whole rationalistic tradition that dominates philosophical ethics. The second part provides an empirical explanation of good and evil, noting that one does not have to look too far to find prime examples of the failure of fixed moral rules.
Including important commentary on Joseph Fletcher's groundbreaking situation ethics, and Aristotle's virtues (e.g., magnanimity and pride), Taylor rounds out the book by developing a philosophy of aspiration--personal worth as an ethical ideal--to replace the morality of duty. He offers a modified form of situation ethics to fit the contemporary problems we face.

Published in the }Oberon Modern Plays Series{ this is a dramatised reconstruction of the events of the Stephen Lawrence murder and subsequent enquiry.

This catalogue explores New York's superlative private collections of Japanese, Chinese and Korean art through a broad and diverse selection of paintings, calligraphy, sculpture, ceramics, and lacquerware that reflect the highest achievements of the classical traditions of East Asian culture. Leading authorities of Asian art discuss the objects within the dynamic context of East Asia as an enduring cultural sphere, offering an expanded view of the art of this region as it traversed national boundaries, transforming and being transformed in the process.

This highly literate account by the son of President Zachary Taylor follows the author's Confederate commands in all three major theatres of the war, and provides a unique view of the Reconstruction period. 'Taylor possessed literary art that approached the first rank.'-Douglas Southall Freeman.

Legendary director Sergei Eisenstein has unquestionably emerged as cinema's most influential theorist and author of some of the most important aesthetic writings of the twentieth century. For the first time in one volume, The Eisenstein Reader presents in concise, chronological form his most significant work--including his famous theories of montage and articles on subjects as diverse as sound, film language, and Russian history. The selections range from early writings on his great silent masterpieces The Strike, October and The Battleship Potemkin, to later works, hatched in the increasingly hostile and paranoid environment of Stalin's Soviet Union.
Drawn from the acclaimed four-volume Selected Works, this collection, which includes a new introduction and explanatory notes by Richard Taylor as well as many illustrations, further illuminates the startling originality, diversity, and power of the greatest and most flamboyant of all Russian filmmakers.

Overwhelmingly, visitors agree that The Frick Collection in New York City is one of their favorite museums in the world. The elegant Fifth Avenue mansion, built in 1914 for Mr. and Mrs. Henry Clay Frick, houses a unique assemblage of some of the choicest art to be found anywhere.
In this book, Charles Ryskamp - the Director of The Frick Collection - introduces the reader to the world of Henry Clay Frick, to the evolution of his collection, as well as to the historical and aesthetic framework within which The Frick Collection attained its eminence.
Then, in separate sections devoted to paintings, sculpture, and the decorative arts, written by the curatorial staff, the pages of Art in The Frick Collection offer vibrant reproductions of the famous works, with information on every piece illustrated and magnificent views of the richly furnished room where they are installed. As Sir John Pope-Hennessy has observed: 'In The Frick Collection, alone of the great museums of the world, paintings and sculpture of comparable quality are shown side by side.'
Paintings by Rembrandt, Vermeer, Memling, Velazquez, Constable, and Renoir hang next to some of the finest of Renaissance bronzes, marble portrait busts by such sculptors as Verrocchio and Houdon, and eighteenth-century terracotta figures. Furniture of wood and marble, gilt bronze and porcelain - including pieces made for Marie-Antoinette - match these in importance. Readers will enjoy browsing through this selection of the treasures to be seen in the house built by Mr. Frick, offered here in the most extensive one-volume survey to be published on the renowned Collection.

The Book of Causes, highly influential in the medieval university, was commonly but incorrectly understood to be the completion of Aristotle's metaphysics. It was Thomas Aquinas who first judged it to have been abstracted from Proclus's Elements of Theology, presumably by an unknown Arabic author, who added to it ideas of his own.
The Book of Causes is of particular interest because themes that appear in it are echoed in the metaphysics of Aquinas: its treatment of being (esse) as proceeding from the First Creating Cause; the triadic scheme of being, living, and knowing; and the general scheme of participation in which 'all is in all.' Thus, the Book of Causes provides a historical backdrop for understanding and appreciating Aquinas's development of these themes in his metaphysics.
Thomas's Commentary on the Book of Causes, composed during the first half of 1272, offers an extended view of his approach to Neoplatonic thought and functions as a guide to his metaphysics. Though long neglected and, until now, never translated into English, it deserves an equal place alongside his commentaries on Aristotle and Boethius.
In addition to the extensive annotation, bibliography, and thorough introduction, this translation is accompanied by two valuable appendices. The first provides a translation of another version of proposition 29 of the Book of Causes, which was not known to St. Thomas. The second lists citations of the Book of Causes found in the works of St. Thomas and cross-references these to a list showing the works, and the exact location within them, where the citations can be found.

Rejecting the popular notion that everyone is equal and, therefore, ought to be equally proud, Richard Taylor defines pride as justified love of oneself. What justifies this self-love is personal excellence, that is, actual achievement of the kind that sets a proud person apart from the rest. Examples of the justifiably proud include Socrates, Ludwig van Beethoven, Malcolm X, Willa Cather, Pablo Picasso, and Amelia Earhart. However, pride is not a virtue reserved only for the famous. People unknown to the world often possess a greatness equal to that of the most renowned heroes. The truly proud are those who excel in some worthwhile area, be it literature, science, or good parenting. Their excellence is based on some ability or strength that they exploit to its fullest potential.
Restoring Pride is 'elitist' in that it acknowledges that some people are better as human beings than others, and that they have made themselves so by perfecting their natural talents. The idea of the Sermon on the Mount, that the poor and the meek are blessed, is repudiated. Instead, Taylor embraces the classical Greek ideal of virtue as personal excellence without any suggestion that everyone is equal in worth.
The proud, setting the rules and standards for themselves, are apt to be looked on as unconventional. However, one invariable rule guides their behavior toward others: considerateness. The same egalitarian standard applies to their treatment under the law in a democratic society.
While concerned with the rules of manners, Restoring Pride is not a book of etiquette. Making no effort at 'political correctness,' it espouses, in a straightforward and jargon-free style, an ideal of life, exhorting us all to explore and cultivate the gifts within us, and thus to enjoy the fruits of genuine pride.

First published in 1988 by Routledge & Kegan Paul Ltd., London. A chronological history presenting material drawn from newspapers, film reviews, speeches, manifestos, Party proclamations, government decrees, and other sources concerning the work of diverse film writers. Fine b&w photographs and stills. Annotation copyright Book News, Inc. Portland, Or.