Londra non è una città. I suoi vicoli sono vene, i suoi parchi polmoni. Nella nebbia, le strade di ciottoli brillano di sudore, mentre le bocche degli idranti gettano acqua come sangue da un'arteria. Le sue vecchie mura sembrano spalle enormi. I ponti che traversano il Tamigi gambe tozze e arcuate, e le luci di Westminster o le insegne di Trafalgar Square occhi sempre aperti. Negli anni c'è chi l'ha raffigurata come un giovane che sgranchisce le braccia, quasi si fosse appena svegliato, e altri che l'hanno paragonata a un mostro dalla testa enorme e dalle membra sottili. Comunque la si guardi, una cosa è certa: Londra non è una città, è un animale in costante mutazione. Partendo da questa irrefutabile verità, Peter Ackroyd, londinese di East Acton, ha concepito il più ambizioso e originale dei progetti: ricostruire il corpo di una terra che ha quasi cinquanta milioni di anni. La sua 'Londra' è un saggio storico, un romanzo, un racconto gotico e, insieme, un incredibile trattato erudito.

VENEDIG - ACKROYD PETER - Random Germania

In this vividly descriptive short study, Peter Ackroyd tunnels down through the geological layers of London, meeting the creatures that dwell in darkness and excavating the lore and mythology beneath the surface.

There is a Bronze Age trackway below the Isle of Dogs, Anglo-Saxon graves rest under St. Pauls, and the monastery of Whitefriars lies beneath Fleet Street. To go under London is to penetrate history, and Ackroyd's book is filled with the stories unique to this underworld: the hydraulic device used to lower bodies into the catacombs in Kensal Green cemetery; the door in the plinth of the statue of Boadicea on Westminster Bridge that leads to a huge tunnel packed with cables for gas, water, and telephone; the sulphurous fumes on the Underground's Metropolitan Line. Highly imaginative and delightfully entertaining, London Under is Ackroyd at his best.

Peter Ackroyd at his most magical and magisterial—a glittering, evocative, fascinating, story-filled portrait of Venice, the ultimate city.

The Venetians’ language and way of thinking set them aside from the rest of Italy. They are an island people, linked to the sea and to the tides rather than the land. This lat­est work from the incomparable Peter Ackroyd, like a magic gondola, transports its readers to that sensual and surprising city.

His account embraces facts and romance, conjuring up the atmosphere of the canals, bridges, and sunlit squares, the churches and the markets, the festivals and the flowers. He leads us through the history of the city, from the first refugees arriving in the mists of the lagoon in the fourth century to the rise of a great mercantile state and its trading empire, the wars against Napoleon, and the tourist invasions of today. Everything is here: the merchants on the Rialto and the Jews in the ghetto; the glassblowers of Murano; the carnival masks and the sad colonies of lepers; the artists—Bellini, Titian, Tintoretto, Tiepolo. And the ever-present undertone of Venice’s shadowy corners and dead ends, of prisons and punishment, wars and sieges, scandals and seductions.

Ackroyd’s Venice: Pure City is a study of Venice much in the vein of his lauded London: The Biography. Like London, Venice is a fluid, writerly exploration organized around a num­ber of themes. History and context are provided in each chap­ter, but Ackroyd’s portrait of Venice is a particularly novelistic one, both beautiful and rapturous. We could have no better guide—reading Venice: Pure City is, in itself, a glorious journey to the ultimate city.


From the Hardcover edition.

Richard Bryant's London is a fitting love letter to a city with an unparalleled history and an inimitable and tangible soul. Following the path of the river, the reader travels across London, from the bucolic West to the postmodern East—from the beautiful villas and gardens of Notting Hill through Bedford Square and Georgian London to Roman ruins, the historic monuments of Greenwich, and the new city rising in the docklands. Richard Bryant's spectacular photographs capture every aspect of London, from the distinctive beauty of the Royal parks to the formal splendor of Whitehall, and from the London Eye and the Houses of Parliament to charming Fenchurch and streetscapes unchanged for centuries. In the tradition of New York New York, Los Angeles, and Atlantic, this deluxe volume showcases breathtaking panoramic photographs—including ten stunning gatefolds that open to present six feet of cityscape. The edition will be limited to 5,000 numbered copies, each including a signed print. With an introduction by Peter Ackroyd, the most distinctive and authoritative biographer of the city to date, London is a unique and definitive tribute to one of the most amazing cities in the world.

From the incomparable Peter Ackroyd: a brilliant re-imagination of the classic tale that has enthralled readers for nearly two centuries.
 
Victor Frankenstein, a researcher, and the poet Percy Bysshe Shelley form an unlikely friendship as first-years at Oxford. Shelley challenges the conventionally religious Frankenstein to consider his atheistic notions of creation and life—concepts that become an obsession for the young scientist. As Victor begins conducting anatomical experiments to reanimate the dead, he at first uses corpses supplied by the coroner. But these specimens prove imperfect for Victor's purposes…
 
Filled with the literary lights of the day, including Percy Shelley, Godwin, Lord Byron, and Mary Shelley herself, and penned in period-perfect voice, The Casebook of Victor Frankenstein is sure to become a classic of the twenty-first century.

In this perfect companion to London: The Biography, Peter Ackroyd once again delves into the hidden byways of history, describing the river's endless allure in a journey overflowing with characters, incidents, and wry observations.

Thames: The Biography meanders gloriously, rather like the river itself. In short, lively chapters Ackroyd writes about connections between the Thames and such historical figures as Julius Caesar and Henry the VIII, and offers memorable portraits of the ordinary men and women who depend upon the river for their livelihoods. He visits all the towns and villages along the river from Oxfordshire to London and describes the magnificent royal residences, as well as the bridges and docks, locks and weirs, found along its 215-mile run. The Thames as a source of artistic inspiration comes brilliantly to life as Ackroyd invokes Chaucer, Shakespeare, Turner, Shelley, and other writers, poets, and painters who have been enchanted by its many moods and colors.

In his signature entertaining and informative manner, Ackroyd allows the reader to dip into chapters in his own spirit, or to follow the Thames from source to sea.
Illustrated with maps and photographs, THAMES is a vivid, highly original mosaic of life by and on the water.

When two nineteenth-century Oxford students—Victor Frankenstein, a serious researcher, and the poet Percy Bysshe Shelley—form an unlikely friendship, the result is a tour de force that could only come from one of the world's most accomplished and prolific authors.  
This haunting and atmospheric novel opens with a heated discussion, as Shelley challenges the conventionally religious Frankenstein to consider his atheistic notions of creation and life. Afterward, these concepts become an obsession for the young scientist. As Victor begins conducting anatomical experiments to reanimate the dead, he at first uses corpses supplied by the coroner. But these specimens prove imperfect for Victor's purposes. Moving his makeshift laboratory to a deserted pottery factory in Limehouse, he makes contact with the Doomsday men—the resurrectionists—whose grisly methods put Frankenstein in great danger as he works feverishly to bring life to the terrifying creature that will bear his name for eternity.
 
Filled with literary lights of the day such as Bysshe Shelley, Godwin, Lord Byron, and Mary Shelley herself, and penned in period-perfect prose, The Casebook of Victor Frankenstein is sure to become a classic of the twenty-first century.

A fresh, modern prose retelling captures the vigorous and bawdy spirit of Chaucer's classic

Renowned critic, historian, and biographer Peter Ackroyd takes on what is arguably the greatest poem in the English language and presents the work in a prose vernacular that makes it accessible to modern readers while preserving the spirit of the original.

A mirror for medieval society, Chaucer's Canterbury Tales concerns a motley group of pilgrims who meet in a London inn on their way to Canterbury and agree to take part in a storytelling competition. Ranging from comedy to tragedy, pious sermon to ribald farce, heroic adventure to passionate romance, the tales serve not only as a summation of the sensibility of the Middle Ages but as a representation of the drama of the human condition.

Ackroyd's contemporary prose emphasizes the humanity of these characters-as well as explicitly rendering the naughty good humor of the writer whose comedy influenced Fielding and Dickens-yet still masterfully evokes the euphonies and harmonies of Chaucer's verse. This retelling is sure to delight modern readers and bring a new appreciation to those already familiar with the classic tales.

Peter Ackroyd's life of Edgar Allan Poe (1809-49) opens with his end, his final days. No one knows what happened between the moment when friends saw him off on the steamboat to Baltimore and his discovery, raving in a tavern, six days later, by which time he was already dying. This mystery sets the scene for a short life packed with drama and tragedy (drink and poverty) combined with extraordinary brilliance. Tennyson described him as 'the most original genius that America has produced'.
Poe served as a soldier and began his literary career composing verses modelled on Byron. Soon he was trying out his 'prose tales' - often horror melodramas such as 'The Fall of the House of Usher'. He wrote for and edited a number of literary magazines, and was influential among critics and writers of the American South. His versatile writings - including for example 'The Murders in the Rue Morgue' and 'The Raven' -continue to resonate down the centuries.
Poe has been claimed as the forerunner of modern fantasy, and credited with the invention of psychological dramas (before Freud), science fiction (before H. G. Wells and Jules Verne) and the detective story (before Arthur Conan Doyle). He influenced European romanticism and was the harbinger of both Symbolism and Surrealism. Peter Ackroyd, who places significance on Poe's childhood (his travelling actor parents were miserably poor, his mother had TB and he was orphaned), claims that Poe found his family among writers - writers not only of his time bur of the future generations who were influenced by the power of his imagination. Poe's life was Gothic, theatrical, fatally flawed, dark, dazzling, destructive, satirical and inventive.

Charles Dickens penned this sketch in December, 1835 as his conception of an ideal Yuletide gathering. Dickens, who may have invented the modern notion of Christmas, had lively ideas about what a family Christmas should be---down to how preparations should be shared, what dainties might be served and what should be part of a Christmas Day Feast.This book is enriched with the Christmas menus devised and recipes (some from the Dickens household) adapted for contemporary cooks by distinguished culinary historian, Alice Ross, as well as with an introduction by Dickens' most important living biographer and prize-winning novelist, Peter Ackroyd. Also included are 16 original and historically accurate paintings by the talented young artist, Sharon Stein.

From the author of Chatterton and Shakespeare: A Biography comes a gripping novel set in London that re-imagines an infamous 19th-century Shakespeare forgery. Charles and Mary Lamb, who will in time achieve lasting fame as the authors of Tales from Shakespeare for Children, are still living at home, caring for their dotty and maddening parents. Reading Shakespeare is the siblings' favorite reprieve, and they are delighted when an ambitious young bookseller comes into their lives claiming to possess a 'lost' Shakespearea play. Soon all of London is eagerly anticipating opening night of a star-studded production of the play not knowing that they have all been duped by charlatan and a fraud.

The third brilliant short biography in Peter Ackroyd's }Brief Lives{. 'Written in splendidly elastic prose, each sentence a springboard for the next, it provides a concise, fair and highly readable biography of a single genius' }Times{