Arelentlessly curious, endlessly sensitive, and unequivocally adventurous examiner of human existence, William T. Vollmann now takes to the rails. In the company of experienced fellow train-hopper Steve, Vollmann trawls the secretive waters of a unique underground lifestyle—subjecting both our national romance with and skepticism about the hobo life to his finely tuned, analytical eye. Carrying on in the footloose tradition of Huckleberry Finn, he offers a moving, strikingly modern vision of the American dream, brilliantly exploring both our deeply ingrained romanticizing of 'freedom' and the myriad ways we restrict the very freedoms we profess to admire.

That was the simple yet groundbreaking question William T. Vollmann asked in cities and villages around the globe. The result of Vollmann's fearless inquiry is a view of poverty unlike any previously offered.

Poor People struggles to confront poverty in all its hopelessness and brutality, its pride and abject fear, its fierce misery and quiet resignation, allowing the poor to explain the causes and consequences of their impoverishment in their own cultural, social, and religious terms. With intense compassion and a scrupulously unpatronizing eye, Vollmann invites his readers to recognize in our fellow human beings their full dignity, fallibility, pride, and pain, and the power of their hard-fought resilience.

A series of interconnected stories seeks to contrast the moral decisions made by famous and everyday individuals with regard to the warring authoritarian cultures of Germany and the USSR in the twentieth century.

Geoffrey Firmin, a former British consul, has come to Quauhnahuac, Mexico. His debilitating malaise is drinking, an activity that has overshadowed his life. On the most fateful day of the consul's life—the Day of the Dead, 1938—his wife, Yvonne, arrives in Quauhnahuac, inspired by a vision of life together away from Mexico and the circumstances that have driven their relationship to the brink of collapse. She is determined to rescue Firmin and their failing marriage, but her mission is further complicated by the presence of Hugh, the consul's half brother, and Jacques, a childhood friend. The events of this one significant day unfold against an unforgettable backdrop of a Mexico at once magical and diabolical.

Under the Volcano remains one of literature's most powerful and lyrical statements on the human condition, and a brilliant portrayal of one man's constant struggle against the elemental forces that threaten to destroy him.

In 1543, the Polish astronomer Nicolaus Copernicus lay on his deathbed, reportedly holding his just-published masterpiece, The Revolutions of the Heavenly Spheres, in his hands. Placing the sun at the center of the universe, Copernicus launched modern science, leading to a completely new understanding of the universe, and humanity's place within it.

But what did Copernicus really believe? Some argue that he anticipated the vast secularizing impact his ideas would have on history. Others contend that Copernicus was a man of his time and, on the whole, accepted its worldview. William T. Vollmann navigates this territory with the energetic prose and powerful intelligence for which he is known, providing a fresh and enlightening explication of Copernicus, his book, and his time, and the momentous clash between them.

In this magnificent work of fiction, William T. Vollmann turns his trenchant eye to the authoritarian cultures of Germany and the USSR in the twentieth century. Assembling a composite portrait of these two warring leviathans and the terrible age they defined, the narrative intertwines experiences both real and fictional—a young German who joins the SS to expose its crimes, two generals who collaborate with the enemy for different reasons, the Soviet composer Dmitri Shostakovich laboring under Stalinist oppression. Through these and other lives, Vollmann offers a daring and mesmerizing perspective on human actions during wartime.

Twenty-three years in the making, Rising Up and Rising Down (the original, published by McSweeney's in October 2003, spans seven volumes) is a rich amalgam of historical analysis, contemporary case studies, anecdotes, essays, theory, charts, graphs, photographs and drawings. Convinced that there is 'a finite number of excuses' for violence and that some excuses 'are more valid than others,' Vollmann spent two decades consulting hundreds of sources, scrutinizing the thinking of philosophers, theologians, tyrants, warlords, military strategists, activists and pacifists. He also visited more than a dozen countries and war zones to witness violence firsthand -- sometimes barely escaping with his life.

Vollmann makes deft use of these tools and experiences to create his Moral Calculus, a structured decision-making system designed to help the reader decide when violence is justifiable and when it is not.

Nineteen-year-old Frank Friedmaier lives in a country under occupation. Most people struggle to get by; Frank takes it easy in his mother's whorehouse, which caters to members of the occupying forces. But Frank is restless. He is a pimp, a thug, a petty thief, and, as Dirty Snow opens, he has just killed his first man.
Through the unrelenting darkness and cold of an endless winter, Frank will pursue abjection until at last there is nowhere to go.
Hans Koning has described Dirty Snow as 'one of the very few novels to come out of German occupied France that gets it exactly right.' In a study of the criminal mind that is comparable to Jim Thompson's The Killer Inside Me, Simenon maps a no man's land of the spirit in which human nature is driven to destruction - and redemption, perhaps, as well - by forces beyond its control.
Georges Simenon was one of the most popular and esteemed novelists of the 20th century. He wrote close to 200 novels, many devoted to the legendary Inspector Maigret. Dirty Snow is his masterpiece.

The invisible lives of prostitutes, pimps, pornographers, skinheads, and crack addicts are revealed in stories from the dark edge of contemporary life, combining elements of travel writing and reportage, autobiography and anecdotes, and told in a unique, searing voice. Original.