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The sequel to Thomas Wolfe's remarkable first novel, Look Homeward, Angel, Of Time and the River is one of the great classics of American literature. The book chronicles the maturing of Wolfe's autobiographical character, Eugene Gant, in his desperate search for fulfillment, making his way from small-town North Carolina to the wider world of Harvard University, New York City, and Europe. In a massive, ambitious, and boldly passionate novel, Wolfe examines the passing of time and the nature of the creative process, as Gant slowly but ecstatically embraces the urban life, recognizing it as a necessary ordeal for the birth of his creative genius as a writer.

The work of an exceptionally expressive writer of fertile imagination and startling emotional intensity, Of Time and the River illuminates universal truths about art and life, city and country, past and present. It is a novel that is majestic and enduring. As P. M. Jack observed in The New York Times, 'It is a triumphant demonstration that Thomas Wolfe has the stamina to produce a magnificent epic of American life.'

This edition, published in celebration of Wolfe's centennial anniversary, contains a new introduction by Pat Conroy.

George Webber has written a successful novel about his family and hometown. When he returns to that town he is shaken by the force of the outrage and hatred that greets him. Family and friends feel naked and exposed by the truths they have seen in his book, and their fury drives him from his home. He begins a search for his own identity that takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow. At last Webber returns to America and rediscovers it with love, sorrow, and hope.

'If there stills lingers and doubt as to Wolfe's right to a place among the immortals of American letters, this work should dispel it.'
--Cleveland News

'Wolfe wrote as one inspired. No one of his generation had his command of language, his passion, his energy.'
--The New Yorker

'You Can't Go Home Again will stand apart from everything else that he wrote because this is the book of a man who had come to terms with himself, who has something profoundly important to say.'
--New York Times Book Review

The classic first novel from one of America's greatest men of letters

'I don't know yet what I am capable of doing,' wrote Thomas Wolfe at the age of twenty-three, 'but, by God, I have genius -- I know it too well to blush behind it.' Six years later, with the publication of Look Homeward, Angel, Wolfe gave the world proof of his genius, and he would continue to do so throughout his tumultuous life.

Look Homeward, Angel is the coming-of-age story of Eugene Gant, whose restlessness and yearning to experience life to the fullest take him from his rural home in North Carolina to Harvard. Through his rich, ornate prose and meticulous attention to detail, Wolfe evokes the peculiarities of small-town life and the pain and upheaval of leaving home. Heavily autobiographical, Look Homeward, Angel is Wolfe's most turbulent and passionate work, and a brilliant novel of lasting impact.

In the summer of 1937, Thomas Wolfe was in the North Carolina mountains revising a piece about a party and subsequent fire at the Park Avenue penthouse apartment of the fictional Esther and Frederick Jack. He wrote to his agent, Elizabeth Nowell, 'I think it is now a single thing, as much a single thing as anything I've ever written.' Abridged and edited versions of the story were published twice, as a novella in Scribner's Monthly (May 1939) and as part of You Can't Go Home Again (1940). Now Suzanne Stutman and John Idol have worked from manuscript sources at Harvard University to reconstruct The Party at Jack's as outlined by Wolfe before his death. Here, in its untruncated state, Wolfe's novella affords a significant glimpse of a Depression-era New York inhabited by Wall Street wheelers and dealers and the theatrical and artistic elite. Wolfe describes the Jacks and their social circle with lavish attention to mannerisms and to clothing, furnishings, and other trappings of wealth and privilege. The sharply drawn contrast between the decadence of the party-goers and the struggles of the working classes in the streets below reveals Wolfe's gifts as both a writer and a sharp social critic.

Thomas Wolfe's The Lost Boy is a captivating and poignant retelling of an episode from Wolfe's childhood. The story of Wolfe's brother Grover and his trip to the 1904 St. Louis World's Fair is told from four perspectives, each articulating the sentiments of a different family member. The Lost Boy also captures beautifully the experiences of growing up at the turn of the century and the exhilaration and loss of childhood.

For this illustrated edition, James Clark unearthed Wolfe's original manuscript, which was first published in the 1930s in a heavily abridged form.