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Trash Cuisine and Minsk 2011








Trash Cuisine and Minsk 2011
Author
Khalezin Nicolai, Kaliada Natalia, Belarus Free Theatre, Shcherban Vladimir (CON)
Trash Cuisine and Minsk 2011 su Unilibro.it
Publisher
Oberon Books Ltd
Isbn
1783190175
EAN
9781783190171
Pub. date
01 Apr 14
Collection
Oberon Books Ltd (Paperback)
Classification
DRAMA
Price
€ 12,20





Book (italiano):
<div>Two plays from Belarus Free Theatre, an underground company that performs uncensored work in Europe's last bastion of dictatorship. These two plays, which have been performed to acclaim around the world, mark the first publication in a partnership between Belarus Free Theatre and Oberon Books designed to raise the profile of one of the world's bravest and boldest theater companies.<BR><BR><B><I>Trash Cuisine</I></B>:<br>Written by Nicolai Khalezin and Natalia Kaliada, Devised by Belarus Free Theatre<BR>Winner of the Impatto Totale Award 2013 at the Edinburgh Fringe Festival, 2013.<BR><BR>Banned from performing in their own country, Belarus Free Theatre serve up food, music, dance and Shakespeare as they share true stories from inmates, executioners, human rights lawyers and families of the executed. This provocative and urgent play pierces the imagination with moments of the darkest humour as it challenges capital punishment in our contemporary world, where 95 countries still carry out the death penalty.<BR><BR><B><I>Minsk 2011 (A Reply to Kathy Acker)</B></I>:<BR>Devised and written by Belarus Free Theatre, Dramaturgy by Vladimir Shcherban<BR><BR>If scars are sexy, Minsk must be the sexiest city in the world...Strip clubs, underground raves and gay pride parades pulse beneath the surface of a city, where sexuality is twisted by oppression. A love letter to a home that exiles those willing to fight for it, Minsk, 2011 celebrates and mourns a land that has lost its way.<BR><BR>"Polemic, however, is not the method of Belarus Free Theatre. As anyone who saw <I>Being Harold Pinter</I> will know, they make their points through an exuberant inventiveness? remarkable." <I>Guardian</I><BR><BR>"Beautiful and brutal... Like many of the richest moments in theater, this one involves very simple elements: black ink, a long roll of brown paper and a naked woman." <I>New York Times</I><BR><BR>"Compelling, horrific and, in its delicate balance of the sweet and distastefully sour, quite wonderful." <I>Londonist</I><BR><BR>"A truly stunning and engaging piece of powerful, emotive political theatre that fires the soul." <I>One Stop Arts</I><BR><BR></DIV>


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