Theatre
Book (italiano):
<DIV><P>If theatre were a religion, explains David Mamet in his opening chapter, “many of the observations and suggestions in this book might be heretical.” As always, Mamet delivers on his promise: in <I>Theatre</I>, the acclaimed author of <I>Glengarry Glen Ross</I> and <I>Speed the Plow </I>calls for nothing less than the death of the director and the end of acting theory. For Mamet, either actors are good or they are non-actors, and good actors generally work best without the interference of a director, however well-intentioned. Issue plays, political correctness, method actors, impossible directions, Stanislavksy, and elitists all fall under Mamet's critical gaze. To students, teachers, and directors who crave a blast of fresh air in a world that can be insular and fearful of change, <I>Theatre</I> throws down a gauntlet that challenges everyone to do better, including Mamet himself.</P></DIV>
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