Throughout his life, César Vallejo (1892–1938) focused on human suffering and the isolation of people victimized by inexplicable forces. One of the great Spanish language poets, he merged radical politics and language consciousness, resulting in the first examples of a truly new world poetry.

The Black Heralds is Vallejo’s first book and contains a wide range of poems, from love sonnets in which he struggles to free his erotic life from the bounds of Spanish Catholicism to the linguistically inventive sequence, 'Imperial Nostalgias,' where he parodies with considerable savagery the pastoral romanticism of Indian and rural life.

In this bilingual volume, translator Rebecca Seiferle attempts to undo the 'colonization' of Vallejo in other translations. As Seiferle writes in her introduction: 'Reading and translating Vallejo has been a long process of trying to meet him on his own terms, to discover what those terms were within the contexts of his particular time and, finally, taking his word for it.'

from 'Our Bread'

And in this frigid hour, when the earth
smells of human dust and is so sad,
I want to knock on every door
and beg forgiveness of I don’t know whom,
and bake bits of fresh bread for him,
here, in the oven of my heart...!

César Vallejo (1892–1938) was born in Peru to a family of mixed Spanish and native descent. He wrote two books of poetry, the second of which was partly composed during a short prison term. Disappointed by the reception of his poetry in his own country, Vallejo moved to Paris, where he became active in Marxist politics and the antifascist campaign in Spain, while publishing essays, political -articles, a play, and short stories. Vallejo died in Paris, in utter poverty, on the day Franco’s armies entered Madrid.

As the translator writes in his introduction: 'These are not aphorisms in the classical sense of philosophic gemstones cut and polished to epigrammatic perfection. They are more like thoughts-in-progress from the notebooks of a radical modernist poet trying to regain his bearings after a consciousness-shaking encounter with Soviet socialism. Vallejo, one of the most distinctive and challenging individual voices in a period of great creative ferment throughout Europe and especially poets writing in Spanish, appears to have experienced in 1928 an almost religious conversion to Marxism. From Paris, where he had been self-exiled from his native Peru since 1924, he traveled to both Russia and Spain toward the end of that decade, and the dynamic tension between his own subjective, visionary poetics and a desire for solidarity with the masses energizes and haunts these writings.'

Born in 1892 in a small Andean town, César Vallejo published Los heraldos negros in 1919 and his masterpiece, Trilce, in 1922. He died in Paris in 1938.