After suffering concussions in high school and college, Dick struggled unknowingly with the onset of Chronic Traumatic Encephalopathy (CTE) dementia. For decades, he fought the demons trapping him in an ever-shrinking world: diminished short-term memory, limited executive functioning, interpersonal shortcomings, paranoia, and failed physical capabilities. As an athlete, he was revered, yet success turned traitor as getting his "bell rung" in football led to a world of confusion and confinement. Nobody will remember a backup college quarterback, but Dick's story bridges the glamour of NFL football--its high-profile athletes and the preliminary $765 million settlement for CTE dementia--with the harsh reality that millions of former amateur players may be suffering anonymously with the same concussion-induced devastation of CTE dementia.

History is the lens through which Robert A.M. Stern and his fifteen design partners envision an architecture for today.Robert A.M. Stern Architects: Buildings and Projects 2010–2014 is the seventh volume in a series that encompasses the breadth of the firm’s work since Stern’s earliest projects in the mid-1960s.

Emphasizing the output of the office over the past five years, this volume covers the most globalized period of practice so far. Featuring profiles of well over 100 designs built domestically and abroad,Robert A.M. Stern Architects: Buildings and Projects 2010–2014 includes significant projects in Asia, from China to India. In the United States the firm’s educational, cultural, commercial, religious, and residential work continues to broaden its exploration of traditional and contemporary architectural expression.

This volume presents the firm’s continued influence on campuses across the United States, reflecting the position that education holds in its ethic, with new additions to Drexel University in Philadelphia, Wake Forest University in Winston-Salem, North Carolina, and University of Colorado Boulder. The office also remains key to the ongoing development of its home in New York City, with new residential towers on the High Line and in Greenwich Village.

In Designs for Living, Roger H. Seifter, Randy L. Correll, Grant F. Marani, and Gary L. Brewer, who lead the residential practice at Robert A.M. Stern Architects, present fifteen houses the firm has completed over the past ten years. From contemporary interpretations of the shingle style to robust Mediterranean designs, the houses are stylistically diverse reflecting RAMSA’s deep knowledge of history and precedent. Each partner provides insight into the design process and his individual approach to working with clients.

Houses are located in dramatic settings from Napa and Sonoma to the spectacular coastline of the Hamptons and New England. Whether overlooking the ocean or nestled into the mountainside, these remarkable houses reveal the architects’ emphasis on the importance of context and their dedication to exploring the nature of place and environment. Each house invokes the vernacular architectural heritage particular to its region while gracefully reflecting its natural surroundings.

Connecting contemporary lifestyles to traditional American aesthetics, these residences are exceptional both for their timelessness and their ability to evoke a conversation with the past—a dialogue the RAMSA partners believe lies at the heart of architecture.

The architects Cross & Cross shaped the streetscape and skyline of New York City in the 1920s and 1930s with Upper East Side townhouses and apartment buildings, the RCA Victor Building, and Tiffany’s flagship store on 57th Street.

Working through a period of American history that saw dramatic change, from luxurious apartment buildings during the economic boom of the 1920s, to federal commissions during the Depression, the brothers John and Eliot Cross were masters of their craft. Well-connected society men who also showed remarkable foresight in business, Cross & Cross supported their practice with a partnered real estate firm and played a vital role in residential developments like Sutton Place along the East River.

Cross & Cross oversaw the development of handsome clubs and houses throughout New York City, including the Links Club and the Upper East Side houses of Lewis Spencer Morris and George Whitney. They designed country houses in exclusive residential pockets outside New York—the Southampton estate of Winterthur founder Henry Francis du Pont; houses on the North Shore of Long Island, and in Greenwich, Connecticut; the childhood home of Sister Parish in Far Hills, New Jersey; and the Shelburne, Vermont home of J. Watson and Electra Webb.

In this first book to collect the achievements of Cross & Cross, Peter Pennoyer and Anne Walker present a comprehensive monograph of the firm’s work, with more than 300 illustrations both historic and new and a catalogue raisonné of their projects.

'From the same team that produced the monumental five-volume architectural history of New York comes the definitive work on the development of the garden suburb, a phenomenon that first emerged in England in the 1830s and still dominates residential architecture today'--

Architect Le´on Krier asks, “Can a war criminal be a great artist?” Speer, Adolf Hitler's architect of choice, happens to be responsible for one of the boldest architectural and urban oeuvres of modern times.

First published in 1985 to an acute and critical reception, Albert Speer: Architecture 1932-1942 is a lucid, wide-ranging study of an important neoclassical architect. Yet is is simultaneously much more: a philosophical rumination on art and politics, good and evil. With aid from a new introduction by influential American architect Robert A. M. Stern, Krier candidly confronts the great difficulty of disentangling the architecture and urbanism of Albert Speer from its political intentions.

Krier bases his study on interviews with Speer just before his death. The projects presented center on his plan for Berlin, an unprecedented modernization of the city intended to be the capital of Europe.

At its best, the college campus is the representation of beliefs, of the specific character of a place, of a community, of an institution. It is the setting for the continually evolving interaction of people and ideas over time. 
—Robert A. M. Stern

Ss an architect, educator, and architectural historian, Robert A. M. Stern brings special knowledge and expertise to issues of campus master planning and the design of academic buildings. This unique volume collects more than fifty projects by the firm for the most prestigious institutions in America—Harvard, Yale, Dartmouth, Georgetown, Stanford, University of Virginia—and focuses on the importance of the historic character of the place in charting the future. 

In surveying the American campus, Stern begins with Thomas Jefferson's Academical Village at the University of Virginia and then considers its many heirs. He organizes campuses into three principal paradigms: the Embedded Campus, those closely connected with the fabric of the cities and towns in which they sit; the Citadel Campus, those perched above and removed from the surroundings; and the Garden Campus, those whose buildings sit in a more casual configuration in the landscape.

Each campus is described in detail, with historic photographs and campus plans illustrating its development. Projects by Robert A. M. Stern Architects are placed in their context, providing a complete view of these distinguished places of learning.

Peter Pennoyer Architects practices a refined architecture that imaginatively reinterprets classical pre-war American design for modern living. Drawing upon the examples of aesthetic mentors Delano & Aldrich, Warren & Wetmore, and Grosvenor Atterbury, PPA's projects strike a balance between comfort, luxury, and beauty. The work is characterized by a sophisticated use of detail and an insistence on meticulous craftsmanship and materials rarely found in contemporary architecture. This continuity with the past, both in concept and execution, lies at the very core of PPA's award-winning designs.

Combining an inventive spirit with an erudite grasp of architectural history, PPA has been designing elegant, classically based homes in both urban and country settings for two decades. Twenty of the firm's residential projects are featured in this sumptuously illustrated volume, ranging from a triplex on New York's Fifth Avenue to a Spanish Colonial Revival house in San Francisco, from a farmhouse in the Virginia countryside to a ranch in New Mexico. Culminating two decades of practice, the recently completed Drumlin Hall in Dutchess County, New York, is a modern-day version of a Palladian villa—a house that revels in perfect proportion, rigorous geometry, and the great flexibility of the classical idiom.

No matter how they differ in style, each project embodies the basic principles of the profession—beauty, utility, and fitness—that Vitruvius postulated in the first century B.C. The uniqueness of a Pennoyer project lies in the firm's solid grounding in—and fluency with—the classical idiom, which is not an end in itself but a point of departure. 'It's classicism with a twist,' says Peter Pennoyer. 'We never repeat any design or even any aspect of a design. Our client can count on his house being singular in its outward guise.' Anne Walker's discerning text for Peter Pennoyer Architects, illustrated with more than three hundred specially commissioned photographs, architectural drawings, and watercolors, offers a thoughtful approach to understanding PPA's impeccable implementation of classical traditions and skillful adaptation of timeless design to the exigencies of modern life.

 

“Peter Pennoyer is on the top of my short list of great American architects. His extraordinary understanding of the nuances of architecture, and exemplary respect for historic precedents, allow me to do my job ever better. As can be seen on every page of this captivating book, he is a decorator's dream architect.” ~ Jeffrey Bilhuber

 

 

  “Peter Pennoyer is perhaps the rudest, rowdiest, most unruly, rambunctious, and revolutionary radical in all of contemporary architecture. He has dared rip out by the roots the cardinal rule of by-now-rusty, notoriously rule-ridden, nearly century-old Modernism: 'Thou shalt not render any design requiring more than a ruler and a protractor.' Pennoyer has readily run the forbidden risk of trying every form he can recall plus forms too radically recent to be recognized at first run-through. He is the ruler of Right Now in American architecture.” ~ Tom Wolfe

 

 

  “Like a summer's day, each of Peter Pennoyer's rooms invites and refreshes. His homes seem to have existed forever—perfectly proportioned, welcoming, and full of good times to come. A beautiful book to stroll through and linger in.” ~ Sigourney Weaver

 

 

  “Peter Pennoyer has a way of creating inspiring rooms that are incredibly beautiful yet still feel like homes meant for living in. His designs seamlessly mix color, pattern, texture, and proportion and have meticulous attention to historic details that stays true to the original architecture of the space.” ~ Tory Burch

John Ike, Thomas Kligerman, and Joel Barkley speak architectural languages of the past with a sure command of grammar and syntax and a rich vocabulary of form and detail. As designers they build upon what went before to extend the trajectory of architecture.
—Robert A. M. Stern

The signature residential works of Ike Kligerman Barkley Architects bring together historic precedent and contemporary taste with a considered approach to detail, material, and craft. Based in New York and San Francisco, the firm incorporates elements from the great eras and the great practitioners of architecture: the Arts and Crafts movement, Art Deco, Modernism, Colonial Revival, Shingle Style; Sir Edwin Lutyens, Harrie T. Lindeberg, George Howe, Bernard Maybeck, and McKim, Mead & White. Yet ever present is a keen awareness of the modern world, notably in an emphasis on natural light and open views and a responsiveness to the unique qualities of a site.

The twenty-one houses and apartments in this lavishly illustrated volume, the first published on Ike Kligerman Barkley, represent the remarkable breadth of the practice. A cottage in Michigan reveals a comprehensive investigation of craft traditions, while a Hawaiian beach retreat explores the vernacular Polynesian long-house. A sleek Manhattan loft evokes the industrial history of its neighborhood, while an oceanfront villa recalls Carlo Scarpa's interweaving of past and present. Unusual, even unlikely combinations—an English-influenced Shingle Style house the firm terms “Shinglish,” a Virginia horse farm that draws equally on classical formality and easy rusticity—embody the firm's sophisticated balance between historic model and modern refinement.

Just as novelists and filmmakers gravitate toward genres that suit the themes they choose to explore, we look for the historic style that represents the best vehicle for the architectural story we wish to tell.
—Ike Kligerman Barkley Architects

Phoebe Flower's impulsiveness energy frequently get her into trouble at school until her family discovers she has ADHD, and she must learn how to handle the challenges ahead as well as appreciate her warm and generous nature.

I think that all architecture comes from what went before. And how carefully one hews to precedent or how many liberties one takes, in my view, is part of a larger set of judgments as to what is, or could be called, “appropriate.” Appropriate from every point of view, especially from the site, the cultural expectations of a community and of the specific client.
—Robert A. M. Stern

Central to the work of Robert A. M. Stern is a commitment to an architecture that reinterprets the past to serve contemporary life. This monograph, the fifth volume since Stern opened his practice in 1969, explores the application of this principle to a wide range of building types, including libraries, university buildings, cultural centers, offices, towers, and private residences.

Focused on the years 2004 through 2009, an exceptionally productive period for Stern’s firm, this volume includes designs for the Miami Beach, Jacksonville, and Clearwater Public Libraries in Florida, the vast Zubiarte retail complex in Bilbao, Spain, two new residential colleges at Yale University, the widely acclaimed 15 Central Park West condominium in New York, Comcast, a crystalline addition to the Philadelphia skyline, and the George W. Bush Presidential Center in Dallas, Texas.

In a conversation with renowned architecture critic Paul Goldberger, Stern discusses the principles that have guided the firm since its inception, focusing on the collaborative nature of the work and the importance of precedent and context. He also describes his own role as an educator, as dean of the architecture school at Yale University, and his deep interest in the history of architecture, first awakened during his student days at Yale.

Writings on Architecture collects in one volume nineteen essays, lectures, and interviews by architect Paul Rudolph, Chairman of Yale's Department of Architecture from 1958 to 1965 and designer of Yale's Art and Architecture Building, now renamed Paul Rudolph Hall. These texts are as important today as when they were first articulated, extending across the full sweep of Rudolph's career from his beginning years as a residential architect practicing in Sarasota, Florida, through his time at Yale when he was at the peak of his worldwide influence, to the last years of his career.

Seaside, Florida, is a town designed as an 'ideal' community, where houses have front porches and verandas, picket fences, sleeping porches, where streets are carved and paved with brick, and sidewalks are made of pebbles and seashells. This resort town on Florida's panhandle coast has had an extraordinary impact on the thinking of architects, developers, planners, traffic engineers, sociologists, environmentalists, and even political thinkers. As the first, the most widely published, and now at twenty-five by far the most esteemed and well-known example of the revival of traditional neighborhood design, Seaside has become the icon of the New Urbanism movement, and has been emulated extensively.

Central to the work of Robert A. M. Stern is a commitment to architecture that reinterprets the past to serve contemporary life. Buildings and Towns explores the application of that principle to a wide range of building types, including libraries, university buildings, cultural centers, offices, health care facilities, courthouses, and recreational complexes completed throughout the world over the past twenty years. The sequel to the highly successful Robert A. M. Stern: Buildings (1996), this volume also incorporates master plans for towns and campuses.
 
Among the sixty-five featured projects are the Miami Beach Public Library, the new campus for the Darden School of Business at the University of Virginia, multiple projects for Disney including the Ambassador Hotel in Japan, and a range of apartment towers culminating with 15 Central Park West, the largest residential structure in New York City, opening in fall 2007.

New York 2000 is the culmination of an award-winning series documenting the history of architecture and urbanism in New York City from the Civil War to the present. The previous books, New York 1880, New York 1900, New York 1930, and New York 1960, provide comprehensive coverage on the architects and urban planners who defined New York since the mid-nineteenth century. This volume chronicles milestones in the city's history over the past thirty years, with more than 1,800 color illustrations to complement the text.
Featuring insightful discussions on the development of Battery Park City, the rebirth of Harlem and Times Square, the creation of the cultural precinct around the new MoMA, and the reclaiming of the waterfront along the East and Hudson Rivers as recreational parkland, New York 2000 documents ongoing commitments to innovation and renovation and celebrates the achievements of internationally recognized architects, including Sir Norman Foster, Cesar Pelli, Richard Meier, and Renzo Piano.
The survey of organized geographically, beginning in Lower Manhattan and moving north through Harlem and to the outer boroughs including the Bronx, Queens, Brooklyn, and Staten Island. Woven throughout is commentary on the repercussions of September 11, 2001, New York 2000 is a thorough study of how a world-class metropolis preserves, showcases, and constructs an architectural heritage that endures over the course of two centuries.

Robert A. M. Stern is dedicated to the synthesis of tradition and innovation. In more than thirty-five years of practice, he has produced a wide range of building types with a variety of stylistic influences, all inspired by the great legacy of American architecture. His firm, Robert A. M. Stern Architects, was first recognized for its distinguished houses, and residential design remains the cornerstone of the practice. This beautifully illustrated monograph—a companion to the best-selling Robert A. M. Stern: Houses—presents twenty-six of the firm's most memorable houses.

Located in diverse settings across North America—from a valley in Colorado with sweeping views of the Aspen mountains to a bluff overlooking Long Island Sound to an island off the coast of British Columbia—these remarkable houses reveal the architect's emphasis on the importance of context and his dedication to exploring the nature of space. Each house invokes the vernacular architectural heritage particular to its region while gracefully reflecting its unique natural surroundings. Whether they are Shingle Style 'cottages' by the sea, colonial Georgian country estates, or elegant Regency designs, Stern's houses are unique both for their timelessness and their ability to evoke a conversation with the past—a dialogue he believes lies at the heart of architecture.

Pilar Viladas is the design editor of the New York Times Magazine.