Ricco numero dedicato in gran parte al weird contemporaneo, con un'intervista esclusiva a Thomas Ligotti, i racconti 'Up from Slavery', di Victor LaValle, vincitore del Bram Stoker Award 2020, 'Sostituti', di Lisa Tuttle, tra i racconti più significativi dell'autrice e inserito nel monumentale 'The Weird' di Jeff VanderMeer, e 'Subotica', di Lucio Besana, racconto vincitore dell'ultima edizione del Premio Hypnos. Per la parte dei classici la ghost story 'Sulla strada per Brighton', di Richard Middleton, e un'introduzione all'autore di Arthur Machen.Completano il numero le recensioni librarie di Weird Library, articoli su Roald Dahl, Lisa Tuttle e Victor LaValle, e la terza puntata del viaggio nel museo weird di La strana storia dell'Arte, di Ivo Torello.

Il piccolo Apollo, figlio della New York di oggi, cresce con la madre, giovane single di origini ugandesi. Il padre, che è sparito nel nulla, gli ha lasciato solo una scatola di libri e uno strano incubo ricorrente. Da grande, Apollo diventa un commerciante di libri antichi e si innamora della bibliotecaria Emma, insieme alla quale ha presto un figlio. Ma il nuovo arrivato incrina l'idillio della coppia: lui rivive l'abbandono del padre e, alle prese con i propri fantasmi, fatica a comprendere che in lei qualcosa è cambiato. Emma si comporta in modo strano, è sempre più distante e insofferente fino a quando, un giorno, compie un gesto indicibile. Quanto possono essere oscuri i segreti delle persone che più amiamo? Inizia così l'avventura di Apollo alla ricerca della verità su quell'atto terribile: un viaggio che lo porterà su un'isola misteriosa nel cuore della metropoli dove accadono cose al di là di ogni immaginazione e dove la vita quotidiana in una modernissima New York si sospende per lasciare spazio al mito e alla leggenda.

New York, anni Venti. Charles Thomas Tester è un 'intrattenitore' nella Harlem del jazz. Lui sa come lanciare un incantesimo anche senza magia e come attirare la gente. Ma quando dovrà consegnare un pericoloso libro a una maga solitaria nel cuore del Queens e s'imbatterà in un ricco occultista di nome Robert Suydam a Flatbush, sulle cui tracce è l'investigatore Thomas Malone, il giovane nero di Harlem aprirà la porta a un regno di profonda e imperscrutabile magia, attirando l'attenzione di creature che sarebbe meglio lasciare dormienti. L'umanità sarà davvero spazzata via? Il globo tornerà di nuovo ad appartenere a... Loro? 'La ballata di Black Tom' riprende uno dei classici del fantastico, 'Orrore a Red Hook' di H.P. Lovecraft, immergendolo nella realtà degli afroamericani della New York degli anni Venti.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The New York Times Book Review • The Washington Post • Publishers Weekly

New Hyde Hospital’s psychiatric ward has a new resident. It also has a very, very old one.

Pepper is a rambunctious big man, minor-league troublemaker, working-class hero (in his own mind), and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He’s not mentally ill, but that doesn’t seem to matter. He is accused of a crime he can’t quite square with his memory. In the darkness of his room on his first night, he’s visited by a terrifying creature with the body of an old man and the head of a bison who nearly kills him before being hustled away by the hospital staff. It’s no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic who’s been on the ward for decades and knows all its secrets; Coffee, an African immigrant with severe OCD, who tries desperately to send alarms to the outside world; and Loochie, a bipolar teenage girl who acts as the group’s enforcer. Battling the pill-pushing staff, one another, and their own minds, they try to kill the monster that’s stalking them. But can the Devil die?

The Devil in Silver brilliantly brings together the compelling themes that spark all of Victor LaValle’s radiant fiction: faith, race, class, madness, and our relationship with the unseen and the uncanny. More than that, it’s a thrillingly suspenseful work of literary horror about friendship, love, and the courage to slay our own demons.

Praise for The Devil in Silver

“A fearless exploration of America’s heart of darkness . . . a dizzying high-wire act.”—The Washington Post

“LaValle never writes the same book and his recent is a stunner. . . . Fantastical, hellish and hilarious.”—Porochista Khakpour, Los Angeles Times

“It’s simply too bighearted, too gentle, too kind, too culturally observant and too idiosyncratic to squash into the small cupboard of any one genre, or even two.”—The New York Times Book Review

“The Devil in Silver . . . embeds a sophisticated critique of contemporary America’s inhumane treatment of madness in a fast-paced story that is by turns horrifying, suspenseful, and comic.”—The Boston Globe

“LaValle uses the thrills of horror to draw attention to timely matters. And he does so without sucking the joy out of the genre. . . . A striking and original American novelist.”—The New Republic


From the Hardcover edition.

New Hyde Hospital's psychiatric ward has a new resident. It also has a very, very old one.
 
Pepper is a rambunctious big man, minor-league troublemaker, working-class hero (in his own mind), and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He's not mentally ill, but that doesn't seem to matter. He is accused of a crime he can't quite square with his memory. In the darkness of his room on his first night, he's visited by a terrifying creature with the body of an old man and the head of a bison who nearly kills him before being hustled away by the hospital staff. It's no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic who's been on the ward for decades and knows all its secrets; Coffee, an African immigrant with severe OCD, who tries desperately to send alarms to the outside world; and Loochie, a bipolar teenage girl who acts as the group's enforcer. Battling the pill-pushing staff, one another, and their own minds, they try to kill the monster that's stalking them. But can the Devil die?
 
The Devil in Silver brilliantly brings together the compelling themes that spark all of Victor LaValle's radiant fiction: faith, race, class, madness, and our relationship with the unseen and the uncanny. More than that, it's a thrillingly suspenseful work of literary horror about friendship, love, and the courage to slay our own demons.

Advance praise for The Devil in Silver
 
“Literary horror just found a new master. Profound, and profoundly terrifying, Victor LaValle's The Devil in Silver is a page-turning delight.”—Gary Shteyngart
 
“The Devil in Silver is the rare work that takes seemingly disparate parts and brings them together seamlessly into something entirely original. There is madness here, and it is infused with brilliance, and the result is a story that is as illuminating as it is entertaining.”—Mat Johnson, author of Pym

A fiendishly imaginative comic novel about doubt, faith, and the monsters we carry within us


Ricky Rice was as good as invisible: a middling hustler, recovering dope fiend, and traumatized suicide cult survivor running out the string of his life as a porter at a bus depot in Utica, New York. Until one day a letter appears, summoning him to the frozen woods of Vermont. There, Ricky is inducted into a band of paranormal investigators comprised of former addicts and petty criminals, all of whom had at some point in their wasted lives heard The Voice: a mysterious murmur on the wind, a disembodied shout, or a whisper in an empty room that may or may not be from God.

Evoking the disorienting wonder of writers like Haruki Murakami and Kevin Brockmeier, but driven by Victor LaValle's perfectly pitched comic sensibility BIG MACHINE is a mind-rattling literary adventure about sex, race, and the eternal struggle between faith and doubt.


From the Hardcover edition.

Anthony James weighs 315 pounds, is possibly schizophrenic, and he's just been kicked out of college. He's rescued by his mother, sister, and grandmother, but they may not be altogether sane themselves. Living in the basement of their home in Queens, New York, Anthony is armed with nothing but wicked sarcasm and a few well-cut suits. He intends to make horror movies but takes the jobs he can handle, cleaning homes and factories, and keeps crossing paths with a Japanese political prisoner, a mysterious loan shark named Ishkabibble, and packs of feral dogs. When his invincible 13-year old sister enters yet another beauty pageant—this one for virgins—the combustible Jameses pile into their car and head South for the competition. Will Anthony's family stick together or explode? With electrifying prose, LaValle ushers us into four troubled but very funny lives.

Twelve original and interconnected stories in the traditions of Junot Díaz and Sherman Alexie. Victor D. LaValle's astonishing, violent, and funny debut offers harrowing glimpses at the vulnerable lives of young people who struggle not only to come of age, but to survive the city streets.

In 'ancient history,' two best friends graduating from high school fight to be the one to leave first for a better world; each one wants to be the fortunate son. In 'pops,' an African-American boy meets his father, a white cop from Connecticut, and tries not to care. And in 'kids on colden street,' a boy is momentarily uplifted by the arrival of a younger sister only to discover that brutality leads only to brutality in the natural order of things.

Written with raw candor, grit, and a cautious heart, slapboxing with jesus introduces an exciting and bold new craftsman of contemporary fiction. LaValle's voices echo long after their stories are told.