In seguito alla morte del compagno Gretel Ehrlich, poetessa e regista, si reca in Wyoming per girare un documentario e presto si accorge di non volersene più andare. Concepito originariamente come diario personale, Il conforto della vastità descrive la bellezza mozzafiato dell'Ovest americano e la ruvidezza delle persone che lo popolano: rancher, allevatori e cowboy che chiamano casa questi ampi orizzonti su cui lo sguardo si perde. Con una prosa lirica e un'attenzione per il dettaglio che le sono valsi paragoni con autori del calibro di Annie Dillard e Henry David Thoreau, Ehrlich ci invita a rallentare il ritmo delle nostre vite e perderci, meravigliati, nella natura selvaggia. «Vivido, aspro ed esilarante. Il Wyoming ha trovato il proprio Whitman» - Annie Dillard

A passionate student of Japanese poetry, theater, and art for much of her life, Gretel Ehrlich felt compelled to return to the earthquake-and-tsunami-devastated Tohoku coast to bear witness, listen to survivors, and experience their terror and exhilaration in villages and towns where all shelter and hope seemed lost. In an eloquent narrative that blends strong reportage, poetic observation, and deeply felt reflection, she takes us into the upside-down world of northeastern Japan, where nothing is certain and where the boundaries between living and dying have been erased by water.

The stories of rice farmers, monks, and wanderers; of fishermen who drove their boats up the steep wall of the wave; and of an eighty-four-year-old geisha who survived the tsunami to hand down a song that only she still remembered are both harrowing and inspirational. Facing death, facing life, and coming to terms with impermanence are equally compelling in a landscape of surreal desolation, as the ghostly specter of Fukushima Daiichi, the nuclear power complex, spews radiation into the ocean and air. Facing the Wave is a testament to the buoyancy, spirit, humor, and strong-mindedness of those who must find their way in a suddenly shattered world.

In Cows Save the Planet, journalist Judith D. Schwartz looks at soil as a crucible for our many overlapping environmental, economic, and social crises. Schwartz reveals that for many of these problems—climate change, desertification, biodiversity loss, droughts, floods, wildfires, rural poverty, malnutrition, and obesity—there are positive, alternative scenarios to the degradation and devastation we face. In each case, our ability to turn these crises into opportunities depends on how we treat the soil.

Drawing on the work of thinkers and doers, renegade scientists and institutional whistleblowers from around the world, Schwartz challenges much of the conventional thinking about global warming and other problems. For example, land can suffer from undergrazing as well as overgrazing, since certain landscapes, such as grasslands, require the disturbance from livestock to thrive. Regarding climate, when we focus on carbon dioxide, we neglect the central role of water in soil—'green water'—in temperature regulation. And much of the carbon dioxide that burdens the atmosphere is not the result of fuel emissions, but from agriculture; returning carbon to the soil not only reduces carbon dioxide levels but also enhances soil fertility.

Cows Save the Planet is at once a primer on soil's pivotal role in our ecology and economy, a call to action, and an antidote to the despair that environmental news so often leaves us with.

From one of the preeminent and most admired observers of the natural world, a heartrending and inspirational portrait of Japan after the 2011 tsunami, when survivors found their world utterly transformed by loss, grief, destruction, and the urgent need to reconstruct their homes, their towns, and their lives.

A passionate student of Japanese poetry and art for much of her life, Gretel Ehrlich felt compelled to return to the earthquake- and tsunami-devastated Tohoku coast, to bear witness and listen to the survivors. In an eloquent narrative that blends reportage, poetic observation, and deeply felt reflection, she introduces us to fishermen, farmers, teachers, monks, outcasts, and an eighty-four-year-old geisha, who survived the wave to hand down a song that only she still remembered. Their harrowing and inspirational stories are set against a landscape both shattered and beautiful, with the ever-present specter of the nearby Fukushima Daiichi nuclear power complex that spews radiation into the fields and the fishing grounds. Facing the Wave is a testament to the resilience and humor of people who find strength in a suddenly shattered world.

In this gripping circumnavigation of the Arctic Circle, Gretel Ehrlich paints a vivid portrait of the indigenous cultures that inhabit the starkly beautiful boreal landscape surrounding the Arctic Ocean, an ice-bound wilderness that includes northern Siberia, northwestern Greenland, Canada's vast Nunavut, and northern Alaska. Ehrlich's expedition, supported by the National Geographic Society, documents what remains of these cultures, specifically the similarities and differences among them, including hunting traditions, shamanic and ceremonial practices, languages and legends?the ways in which they have survived, or have been assimilated, and how they are adapting to the impact of climate change on their ice-age cultures.

Ehrlich is fascinated by what she calls the ecology of culture?the ways in which the human presence of indigenous Arctic people is intricately interwoven with land, rock, river, sea, and ice. Depicting human-caused climate change as only the latest and most destructive of the ills and abuses first peoples have been suffering for 250 years, Ehrlich's haunting and lovely prose portrays ancient tribes and traditions on the edge of extinction and captures the austere beauty of their various lifeways in the frozen dreamscape of the world they have always known.

This book was written out of Gretel Ehrlich's love for winter–for remote and cold places, for the ways winter frees our imagination and invigorates our feet, mind, and soul–and also out of the fear that our “democracy of gratification” has irreparably altered the climate.

Over the course of a year, Ehrlich experiences firsthand the myriad expressions of cold, giving us marvelous histories of wind, water, snow, and ice, of ocean currents and weather cycles. From Tierra del Fuego in the south to Spitsbergen, east of Greenland, at the very top of the world, she explores how our very consciousness is animated and enlivened by the archaic rhythms and erupting oscillations of weather. We share Ehrlich's experience of the thrills of cold, but also her questions: What will happen to us if we are “deseasoned”? If winter ends, will we survive?

For the last decade, Gretel Ehrlich has been obsessed by an island, a terrain, a culture, and the treacherous beauty of a world that is defined by ice. In This Cold Heaven she combines the story of her travels with history and cultural anthropology to reveal a Greenland that few of us could otherwise imagine.

Ehrlich unlocks the secrets of this severe land and those who live there; a hardy people who still travel by dogsled and kayak and prefer the mystical four months a year of endless darkness to the gentler summers without night. She discovers the twenty-three words the Inuit have for ice, befriends a polar bear hunter, and comes to agree with the great Danish-Inuit explorer Knud Rasmussen that “all true wisdom is only to be found far from the dwellings of man, in great solitudes.” This Cold Heaven is at once a thrilling adventure story and a meditation on the clarity of life at the extreme edge of the world.

In the spring of 1869, John Muir was looking for means of support to fund his explorations of California's Central Valley region. A ranch owner offered him a job herding sheep in the Sierra Nevada. As he explored the region, he jotted down his keen observations of the scenic countryside, and he eventually became a guide for some of Yosemite's most famous visitors, including Ralph Waldo Emerson. Muir documented these experiences in The Yosemite, first published in 1912. It is at once a vivid, accurate description of the land and a passionate homage to nature.

This Modern Library Paperback Classic is a facsimile of the 1912 edition and includes the original illustrations.