La guerra è un'esperienza di distruzione e violenza che infligge ferite invisibili che causano sofferenza e menomazioni come quelle fisiche. I veterani che portano questa ferita sono più di quanti immaginiamo, ma per molti motivi la loro condizione rimane nascosta agli occhi dei più. Per la loro cura Tick propone una strategia olistica che cerca di integrare i trattamenti clinici con interventi umanistici, dedicati al conforto e alla restaurazione dello spirito ferito. La narrazione è una chiave centrale di questa strategia, perché 'le storie restituiscono la verità agli individui e alla società.' Da millenni, infatti, il raccontare è un passo necessario del ritorno del guerriero praticato nelle culture di tutto il mondo. Perché le storie dei reduci non cadano nel vuoto, la società civile deve ascoltare e condividere il bagaglio di esperienza dolorosa, accettando la responsabilità dei conflitti che si preferisce ignorare, magari chiamandoli 'missioni di pace'. Il libro indica una via e un metodo per costruire attorno al racconto dell'esperienza un processo olistico di condivisione, espiazione e riconciliazione che può essere una potente medicina per l'anima ferita dalla guerra.

A History of the Harpsichord brings together for the first time more than 200 photographs, illustrations, and drawings of harpsichords in public museums and private collections throughout Europe the United States. Edward L. Kottick draws on his extensive technical knowledge and experience as a harpsichord builder to detail the changing design, structure, and acoustics of the instrument over six centuries.

A Historical Perspective on Evidence-Based Immunology focuses on the results of hypothesis-driven, controlled scientific experiments that have led to current understanding of immunological principles. This book helps beginning students in biomedical disciplines to understand the basis of immunologic knowledge and more advanced students to gain further insight. It also serves as a crucial reference for researchers studying the evolution of ideas and scientific methods.

Among the fundamental insights covered in the book are:

• Immunologic tolerance
• Interactions of lymphocytes with antigen - TCR and BCR
• Generation of diversity and mechanism of tolerance of T cells and B cells
• The first cytokines
• The concept of autoimmunity
• Identification of NK cells as a unique cell type
• The structure of antibody molecules and identification of Fab and Fc regions
• Dendritic cells

• A complete review of the hypothesis-driven, controlled scientific experiments that have led to our current understanding of immunological principles
• Explains the types of experiments that were performed and how the interpretation of the experiments altered the understanding of immunology
• Presents concepts such as the division of lymphocytes into functionally different populations in their historical context

Everyone agrees that our troops deserve a return to productive and creative lives after service. Yet in spite of billions spent on psychological care and reintegration programs, we face an epidemic of combat-related conditions like PTSD. What’s the solution?

With Warrior’s Return, Dr. Edward Tick reveals what’s missing in our approach to bringing our veterans back from war. While most trauma treatment programs focus on symptom reduction or temporary relief, Dr. Tick presents a comprehensive vision for healing the soul-level wounds of war. Here he offers proven strategies drawn from cross-cultural wisdom, mythical archetypes, and his 35 years of experience helping veterans, families, and caregivers cope with the life-changing effects of combat.

“No society is healthy without a healthy, functioning elder warrior class,” states Dr. Tick. Warrior’s Return offers step-by-step guidance for initiating our veterans back into the community—an essential map for the hero’s journey home.

'Whether you are a professional who treats veterans and their loved ones, or a person at risk for military PTSD, or anyone who cares, you will be profoundly moved by this eloquent memoir.'
—Frank Ochberg, MD, award-winning mental health expert who helped define the term 'post-traumatic stress disorder'

'An incredible memoir . . . an important part of the still unhealed wounds of war. Christal has given as much of her heart to this story as her father gave to his country.'
—Nikki Giovanni, world-renowned poet, writer, activist, and educator

'Thirty Days with My Father is an important addition to the literature of trauma psychology, shining a beacon of hope for transformation and healing.'
—From the Foreword by Edward Tick, PhD, author, War and the Soul and founding co-director, Soldier's Heart

'To me, post-traumatic stress disorder was just a bunch of words. All I knew was that it had something to do with my father's brain, and he seemed to be going crazy. And I knew it was bad because my mom told me that if anyone found out how sick he was, they'd come and take him away forever, and they'd take me away too, and she couldn't live like that. If he had to be that sick, I wanted him to have something everybody could understand. So I picked brain cancer.'
—From Thirty Days with My Father

When Christal Presley's father was eighteen, he was drafted to Vietnam. Like many men of that era who returned home with post-traumatic stress disorder (PTSD), he was never the same. Christal's father spent much of her childhood locked in his room, gravitating between the deepest depression and unspeakable rage, unable to participate in holidays or birthdays. At a very young age, Christal learned to walk on eggshells, doing anything and everything not to provoke him, but this dance caused her to become a profoundly disturbed little girl. She acted out at school, engaged in self-mutilation, and couldn't make friends. At the age of eighteen, Christal left home and didn't look back. She barely spoke to her father for the next thirteen years.

To any outsider, Christal appeared to be doing well: she earned a BA and a master's, got married, and traveled to India. But despite all these accomplishments, Christal still hadn't faced her biggest challenge—her relationship with her father. In 2009, something changed. Christal decided it was time to begin the healing process, and she extended an olive branch. She came up with what she called 'The Thirty Day Project,' a month's worth of conversations during which she would finally ask her father difficult questions about Vietnam. Thirty Days with My Father is a gritty yet heartwarming story of those thirty days of a daughter and father reconnecting in a way that will inspire us all to seek the truth, even from life's most difficult relationships. This beautifully realized memoir shares how one woman and her father discovered profound lessons about their own strength and will to survive, shedding an inspiring light on generational PTSD.

The books reprinted in this volume--Low City, High City and Tokyo Rising-- together make up one of the best social and cultural histories of modern Tokyo in the English language. With a great eye for detail, Seidensticker follows the development of Tokyo from the years of great social and technological change that followed the end of the Shogun Era, through the disruptions resulting from the great earthquake and fire of 1923 and the Second World War, up to the boom years of the 1980s. Exceedingly well written and full of interesting stories, this book is a must for anyone interested in Japan and its history. Includes numerous illustrations, including 16 pages in full color. Annotation ©2011 Book News, Inc., Portland, OR (booknews.com)

With a restraint that barely conceals the ferocity of his characters' passions, one of Japan's great postwar novelists tells the luminous story of Kikuji and the tea party he attends with Mrs. Ota, the rival of his dead father's mistress. A tale of desire, regret, and sensual nostalgia, every gesture has a meaning, and even the most fleeting touch or casual utterance has the power to illuminate entire lives--sometimes in the same moment that it destroys them. Translated from the Japanese by Edward G. Seidensticker.



"A novel of exquisite artistry...rich suggestibility...and a story that is human, vivid and moving."--New York Herald Tribune


Kawabata is a poet of the gentlest shades, of the evanescent, the imperceptible. This is a tragedy in soft focus, but its passions are fierce."--Commonweal

Records the struggles of the Master as he attempts to defend his title and ideals while playing a young challenger in the Japanese game of go

By day Ogata Shingo is troubled by small failures of memory. At night he hears a distant rumble from the nearby mountain, a sound he associates with death. In between are the relationships that were once the foundation of Shingo's life: with his disappointing wife, his philandering son, and his daughter-in-law Kikuko, who instills in him both pity and uneasy stirrings of sexual desire. Out of this translucent web of attachments - and the tiny shifts of loyalty and affection that threaten to sever it irreparably - Kawabata creates a novel that is at once serenely observed and enormously affecting.

With the brushstroke suggestiveness and astonishing grasp of motive that won him the Nobel Prize for Literature, Yasunari Kawabata tells a story of wasted love set amid the desolate beauty of western Japan, the snowiest region on earth. It is there, at an isolated mountain hotspring, that the wealthy sophisticate Shimamura meets the geisha Komako, who gives herself to him without regrets, knowing that their passion cannot last.
Shimamura is a dilettante of the feelings; Komako has staked her life on them. Their affair can have only one outcome. Yet, in chronicling its doomed course, one of Japan's greatest modern writers creates a novel dense in implication and exalting in its sadness.

In Osaka in the years immediately before World War II, four aristocratic women try to preserve a way of life that is vanishing. As told by Junichiro Tanizaki, the story of the Makioka sisters forms what is arguably the greatest Japanese novel of the twentieth century, a poignant yet unsparing portrait of a family–and an entire society–sliding into the abyss of modernity.

Tsuruko, the eldest sister, clings obstinately to the prestige of her family name even as her husband prepares to move their household to Tokyo, where that name means nothing. Sachiko compromises valiantly to secure the future of her younger sisters. The unmarried Yukiko is a hostage to her family's exacting standards, while the spirited Taeko rebels by flinging herself into scandalous romantic alliances. Filled with vignettes of upper-class Japanese life and capturing both the decorum and the heartache of its protagonist, The Makioka Sisters is a classic of international literature.


From the Hardcover edition.

In Osaka in the years immediately before World War II, four aristocratic women try to preserve a way of life that is vanishing. As told by Junichiro Tanizaki, the story of the Makioka sisters forms what is arguably the greatest Japanese novel of the twentieth century, a poignant yet unsparing portrait of a family–and an entire society–sliding into the abyss of modernity.

Tsuruko, the eldest sister, clings obstinately to the prestige of her family name even as her husband prepares to move their household to Tokyo, where that name means nothing. Sachiko compromises valiantly to secure the future of her younger sisters. The unmarried Yukiko is a hostage to her family's exacting standards, while the spirited Taeko rebels by flinging herself into scandalous romantic alliances. Filled with vignettes of upper-class Japanese life and capturing both the decorum and the heartache of its protagonist, The Makioka Sisters is a classic of international literature.

(Book Jacket Status: Jacketed)

In the early eleventh century Murasaki Shikibu, a lady in the Heian court of Japan, wrote what many consider to be the world's first novel, more than three centuries before Chaucer. The Heian era (794—1185) is recognized as one of the very greatest periods in Japanese literature, and The Tale of Genji is not only the unquestioned prose masterpiece of that period but also the most lively and absorbing account we have of the intricate, exquisite, highly ordered court culture that made such a masterpiece possible.

Genji is the favorite son of the emperor but also a man of dangerously passionate impulses. In his highly refined world, where every dalliance is an act of political consequence, his shifting alliances and secret love affairs create great turmoil and very nearly destroy him.

Edward Seidensticker's translation of Lady Murasaki's splendid romance has been honored throughout the English-speaking world for its fluency, scholarly depth, and deep literary tact and sensitivity.

Kottick presents technical information in an accessible, but entertaining, way: the forms and styles of harpsichords, advice on purchasing decisions, maintenance techniques (such as voicing, regulating, and changing strings, tongues, plectra, springs, and dampers), aids in troubleshooting common problems, and detailed instructions on tuning and temperment. As builder of some thirty keyboard instruments, Kottick is well qualified to speak on the subject.

The dramatic climax of the SEA OF FERTILITY, bringing together the dominant themes of the three previous novels; the decay of Japan's courtly tradition and samurai ideal, and the essence and value of Buddhist philosophy.