FANTASTIC MR. FOX

Nobody outfoxes Fantastic Mr. Fox!

Someone's been stealing from the three meanest farmers around, and they know the identity of the thief?it's Fantastic Mr. Fox! Working alone they could never catch him; but now fat Boggis, squat Bunce, and skinny Bean have joined forces, and they have Mr. Fox and his family surrounded. What they don't know is that they're not dealing with just any fox?Mr. Fox would rather die than surrender. Only the most fantastic plan can save him now.


ESIO TROT

An ancient spell, 140 tortoises, and a little bit of magic?

Mr. Hoppy is in love with his neighbor, Mrs. Silver; but she is in love with someone else?Alfie, her pet tortoise. With all her attention focused on Alfie, Mrs. Silver doesn’t even know Mr. Hoppy is alive. And Mr. Hoppy is too shy to even ask Mrs. Silver over for tea. Then one day Mr. Hoppy comes up with a brilliant idea to get Mrs. Silver's attention. If Mr. Hoppy's plan works, Mrs. Silver will certainly fall in love with him. After all, everyone knows the way to a woman’s heart is through her tortoise.


THE ENORMOUS CROCODILE

The Enormous Crocodile is a horrid greedy grumptious brute who loves to guzzle up little boys and girls. But the other animals have had enough of his cunning tricks, so they scheme to get the better of this foul fiend, once and for all!


THE GIRAFFE AND THE PELLY AND ME

Who needs a ladder when you’ve got a giraffe with an extended neck?

The Ladderless Window-Cleaning Company certainly doesn't. They don’t need a pail, either, because they have a pelican with a bucket-sized beak. With a monkey to do the washing and Billy as their manager, this business is destined for success. Now they have their big break?a chance to clean all 677 windows of the Hampshire House, owned by the richest man in all of England! That’s exciting enough, but along the way there are surprises and adventures beyond their wildest window-washing dreams.

Wildlife and nature films are a hugely popular entertainment genre: networks such as Animal Planet and Discovery are stars in the cable television universe, viewers flock to IMAX theaters to see jaw-dropping footage from the wild, and the venerable BBC still scores triumphs with series such as Planet Earth. As cinematic technology brings ever more breathtaking images to the screen, and as our direct contact with nature diminishes, an ever-expanding audience craves the indirect experience of wild nature that these films provide.
But this success has a dark side, as Chris Palmer reveals in his authoritative and engrossing report on the wildlife film business. A veteran producer and film educator, Palmer looks past the headlines about TV host Steve Irwin's death by stingray and filmmaker Timothy Treadwell falling prey to his beloved grizzlies, to uncover a more pervasive and troubling trend toward sensationalism, extreme risk-taking, and even abuse in wildlife films. He tracks the roots of this trend to the early days of the genre, and he profiles a new breed of skilled, ethical filmmakers whose work enlightens as well as entertains, and who represent the future that Palmer envisions for the industry he loves.