HARLEM RENAISSANCE: Five Novels of the 1920s leads off with Jean Toomer's Cane (1923), a unique fusion of fiction, poetry, and drama rooted in Toomer's experiences as a teacher in Georgia. Toomer's masterpiece was followed within a few years by a cluster of novels exploring black experience and the dilemmas of black identity in a variety of modes and from different angles. Claude McKay's Home to Harlem (1928), whose freewheeling, impressionistic, bawdy kaleidoscope of Jazz Age nightlife made it a best seller, traces the picaresque adventures of Jake, a World War I veteran, within and beyond Harlem. Nella Larsen's Quicksand (1928), the poignant, nuanced psychological portrait of a woman caught between the two worlds of her mixed Scandinavian and African American heritage; Jessie Redmon Fauset's Plum Bun (1928), the richly detailed account of a young art student's struggles to advance her career in a society full of obstacles both overt and insidiously concealed; and Wallace Thurman's The Blacker the Berry (1929), with its anguished, provocative look at prejudice and exclusion as it tells of a new arrival in Harlem searching for love, each in its distinct way testifies to the enduring power of the Harlem ferment.

Jamaican-American poet Claude McKay (1889–1948) came to the U.S. in 1912 and became an important figure in the Harlem Renaissance. This inexpensive edition includes a representative sample of his Jamaican dialect verse, but concentrates on poems from Harlem Shadows (1922) and uncollected verse. Edited and with an introduction by Joan R. Sherman.