Da bambino, Bruce Springsteen ascoltava dalla voce della madre 'Brave Cowboy Bill', la storia di un piccolo cowboy puro di cuore. Era il suo primo contatto con il mondo del West, una passione che oggi lo porta ad amare i film di John Ford, la musica messicana e l'arte degli Indiani d'America. Da ciascuna di queste fonti, così come dalla vita e dal rock, che gli hanno insegnato a fondere fantasia e saggezza, nasce 'Outlaw Pete', leggenda moderna di un criminale che inizia a rapinare banche con il pannolino per poi conoscere tutte le asperità dell'età adulta. È una delle storie più ambiziose e originali mai scritte da Springsteen: in otto minuti, una meditazione sul destino epica e dura, piena di paradossi eppure mai farsesca. È un dramma musicale articolato, un arazzo in cui si intrecciano svariati stili rock e un'orchestrazione memore delle colonne sonore di Morricone. 'Outlaw Pete' è un libro per adulti realizzato con la collaborazione di Frank Caruso, che ne ha illustrato e dipinto le pagine. Ma Caruso non si limita a tradurre la canzone in immagini: impeccabilmente dettagliato, semplice dove è necessario, il suo stile asseconda il connubio springsteeniano di paradosso e riflessione.

The book gives a thorough overview of applications of the layer-by-layer (LbL) technique in the context of bioengineering and biomedical engineering where the last years have witnessed tremendous progress. The first part familiarizes the reader with the specifics of cell-film interactions that need to be taken into account for a successful application of the LbL method in biological environments. The second part focuses on LbL-derived small drug delivery systems and antibacterial agents, and the third part covers nano- and microcapsules as drug carriers and biosensors. The fourth and last part focuses on larger-scale biomedical applications of the LbL method such as engineered tissues and implant coatings.

When Bruce Springsteen was a little boy, he learned the story of Brave Cowboy Bill, about a pure-hearted little cowboy. It was the first of Bruce’s Western loves, which now range from John Ford movies to Mexican music to Native American art. Each of these inspirations, plus what he’s learned as a man and a rock ’n’ roller about how to combine whimsy and wisdom, were stations on the way to Outlaw Pete, a modern legend of a criminal who starts out in diapers and confronts the roughest edges of adulthood. It’s one of the most ambitious and original story songs Springsteen has written—rhapsodic and harsh, a meditation on destiny, filled with absurdities but not for one second of its eight minutes exactly a joke. It’s an elaborate musical drama, weaving into a single tapestry several styles of rock and an orchestration reminiscent of a Morricone soundtrack.

Outlaw Pete is an adult book, illustrated by Frank Caruso, who drew and painted its pages. Caruso does more than illustrate the song. His approach, immaculately detailed, simple when it needs to be, parallels Springsteen’s blend of absurdity and meditation. The questions about destiny remain unanswered, as they must be, but they’re also brought into a different kind of focus. Details that pass by almost unnoticed in the lyrics become central.

Reading and listening have rarely so superbly complemented each other. The result becomes the most intense kind of artistic collaboration, a vision shared.

But I’m not trying to start anything, so buy it, don’t steal it, OK? —Dave Marsh

After his parents are murdered, Sean is taken in by his grandfather, Pop, who teaches him how to stand up to the bullies who are humiliating him at school, in a text with a separate chapter on bullying.