Una delle opere più iconiche di tutta la storia dell'arte occidentale è senz'altro 'La nascita di Venere' di Botticelli, superbo omaggio alla divinità nata dalla spuma del mare che incarna gli ideali rinascimentali di spiritualità, moralità e purezza. Eppure, benché questa sia l'immagine rappresentativa della dea dell'amore nella modernità, a ben guardare Venere cela origini ambigue e a tratti oscure. Ripercorrendo seimila anni di storia e passando in rassegna archeologia, arte, mito, letteratura e filosofia, la storica inglese Bettany Hughes porta alla luce la stirpe ibrida di questa divinità multiforme e sorprendente. Il suo culto primordiale risale infatti tanto alla dea della fertilità onorata a Cipro nell'età del rame quanto alle divinità guerriere del sesso e della violenza - Ishtar, Inanna e Astarte -, venerate nel 3000 a.C. nel Vicino Oriente. Fin dagli albori delle civiltà mediterranee, Venere - o Afrodite come fu chiamata dai Greci - fu connessa agli istinti più potenti e vitali, finendo per essere adorata da Atene a Siracusa, da Corinto a Pompei come patrona dell'incontro carnale, culturale ed emozionale di uomini e donne. A poco a poco, però, le società patriarcali trasformarono la devozione ad Afrodite nell'attrazione carnale per il suo corpo, mentre l'emergere del cristianesimo operò un'efficace sovrapposizione tra la dea e la Vergine Maria. Fu così che, all'incrocio tra sacro e profano, Venere divenne la principale ispiratrice del canone occidentale della «femminilità», celebrato per secoli da scrittori come Shakespeare e artisti come Tintoretto, Rubens e Vel

From the celebrated British author and historian: a brilliant new book combining historical inquiry and storytelling élan to paint an unprecedentedly vivid portrait of Socrates and the Golden Age of classical Athens.
 
We think the way we do because Socrates thought the way he did; in his unwavering commitment to truth and in the example of his own life, he set the standard for all subsequent Western philosophy. And yet, for twenty-five centuries, he has remained an enigma: a man who left no written legacy and about whom everything we know is hearsay. His life spanned “seventy of the busiest, most wonderful and tragic years in Athenian history.” Athens in the fifth century B.C. was a city devastated by war, but, at the same time, transformed by the burgeoning process of democracy. Drawing on the latest sources—archaeological, topographical, and textual—Hughes re-creates the streets where Socrates walked, to place him there, and to illuminate for us the world as he experienced it.

She takes us through the great, teeming Agora—the massive marketplace, the heart of ancient Athens—where Socrates engaged in philosophical dialogue and where he would be condemned to death. We visit the battlefields where he fought, the red-light district and gymnasia he frequented and the religious festivals he attended. We meet the men and the few women—including his wife, Xanthippe, and his “inspiration” and confidante, Aspasia—who were central to his life. We travel to where he was born and where he died. And we come to understand the profound influences of time and place in the evolution of his eternally provocative philosophy.

For 3,000 years, the woman known as Helen of Troy has been both the ideal symbol of beauty and a reminder of the terrible power beauty can wield.

In her search for the identity behind this mythic figure, acclaimed historian Bettany Hughes uses Homer’s account of Helen’s life to frame her own investigation. Tracing the cultural impact that Helen has had on both the ancient world and Western civilization, Hughes explores Helen’s role and representations in literature and in art throughout the ages. This is a masterly work of historical inquiry about one of the world’s most famous women.