Questo libro espone brevemente le ragioni per convertirsi alla Chiesa Cattolica, a partire dall'apologetica e dall'esposizione degli argomenti classici che portano all'adesione alla fede cattolica. Tale impegno consiste nella necessità di provare: l'esistenza di Dio; la divinità di Cristo; il fatto che Cristo ha fondato una Chiesa il fatto che la Chiesa Cattolica sia la Chiesa fondata da Cristo. Uno scrittore, alla domanda che gli venne rivolta «Perché essere cattolici», rispose: «La domanda indica un desiderio del Logos, con il quale si intende la parola, la ragione, la razionalità, l'ordine dell'universo, il linguaggio, che è ciò che ci rende diversi dagli altri animali. Solo la Chiesa Cattolica possiede nella sua pienezza il Logos che stai cercando. Questo è il motivo per cui dovresti diventare cattolico». Ciascuna delle quattro parti del libro è introdotta da John Beaumont, ma il contenuto dettagliato di ogni parte è costituito da citazioni particolarmente espressive, prese da testi pubblicati da singoli autori, alcuni dei quali, ma non tutti, erano dei convertiti.

Nearly 60 years after Lewis Carroll's literally masterpiece Alice in Wonderland was first published, a new filmmaker named Walt Disney created a silent film about a little girl named Alice and her adventures in Cartoonland. The pilot launched a 56-episode series and led Disney down a rabbit hole to form company that would go on to become synonymous with fairy tales-including making further versions of the Alice story with the beloved 1951 animated film, the more-recent live-action versions, and several iconic Disney Park experiences. Walt Disney's Alice in Wonderland: An Illustrated History delves behind-the-scenes of those whimsical worlds.

After being falsely accused of murder and imprisoned, Chris escapes and searches for the real killer, all while being hunted by the police.

After being falsely accused of murder and imprisoned, Chris escapes and searches for the real killer, all while being hunted by the police.

Australia’s most exciting and innovative artists are showcased in the Macquarie Group’s offices in more than 30 cities around the world, and a stunning selection of these works is featured in this book. From one of Australia's most vibrant and respected art collections, the Macquarie Group, masterpieces from the likes of Sally Gabori, Shaun Gladwell, Mirdidingkingathi Juwarnda, Janet Laurence, and Ben Quilty are included. As it profiles each piece of contemporary art, this record illustrates the diversity and beauty of the Australian landscape as seen through the eyes of its artists.

Toward a Spiritual Psychotherapy collects a series of lectures presented by psychologist Hunter Beaumont over a 10-year period. Covering such themes as relationships, family, healing, grief, mourning, and death, the book features case stories that demonstrate clients' healing experiences.
 
Practicing in Germany for the past 30 years, Hunter Beaumont has had the unique experience of working with World War II and Holocaust survivors and their descendants. Through this work he discovered that healing requires attending to the soul, a process he describes as an “inner 'felt sense' and common, everyday dimension of experience.” Demonstrating how therapists can integrate this more spiritual approach into their practices, Beaumont highlights the particular successes of the innovative family constellations therapy. Developed by German psychologist Bert Hellinger and expanded by Beaumont and others, this therapy takes place in a group setting, with group members standing in for family members or others involved in the client's problem. A crucial part of Beaumont's spiritual psychotherapy practice, this method has helped many of his clients release and resolve profound tensions, and offers hope to readers recovering from trauma or PTSD, or simply trying to navigate life's difficulties.

This is a ten volume definitive edition of critical, old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles and published under the general editorship of Fredson Bowers. Each play is introduced by a discussion of the text and its authorship, and is accompanied by detailed textual notes, a list of press variants, emendations of accidentals and an historical collation. The plays of Beaumont alone are published first, followed by those by Beaumont and Fletcher together, Beaumont and Fletcher revised by Massinger, Fletcher alone and finally Fletcher with his numerous collaborators.