This new issue of Granta explores the aftermath of conflict. Patrick French writes of a great uncle whose death in the Second World War transformed the family line. A powerful new story by Thomas McGuane tells of fraternal rivalry and the truth of a mother’s past. A new essay by Aleksandar Hemon recounts a friend’s separation from his father during the Balkan Wars. Milton Hatoun describes returning to Beirut with his father from Brazil for the first time after the Civil War. Nations are made and destroyed, families are scattered, the boundaries of loyalty are redrawn. From the familial to the global, here is what follows war, brought to life in fiction, memoir, reportage, poetry, and photography.

?I can remember in detail being hit by my first story one January morning in 1958.” So begins literary legend Diana Athill in the preface to Midsummer Night in the Workhouse, a long-overdue collection of her short fiction, originally published in the 1950s to the 1970s. In unsentimental though often touching prose, Athill's young women anticipate, enjoy, or just miss out on brief sexual encounters with men met on trains, at parties ? just about anywhere they can. A cheating wife, back with her boring husband, is wracked with agonizing love for the unavailable partner of her brief fling; a writer seeks inspiration at a writers' retreat whilst avoiding the group seducer's invitation; a wife's party flirtations propel her possessive husband into another woman's bed; two fun-loving women face a sinister sexual assault during a Greek holiday; a teenager experiences enraptured detachment during her first kiss. Beautifully written, perceptive, touching, and funny, Midsummer Night in the Workhouse is Diana Athill at her best.

A fascinating volume which gives people the opportunity of read and learn from Reckord's work, and enjoy the sophistication and insight of his delivery, characterization, politics, plot. Includes: Della, Skyvers, and The White Witch.

Diana Athill's Stet is "a beautifully written, hardheaded, and generally insightful look back at the heyday of postwar London publishing by a woman who was at its center for nearly half a century" (The Washington Times). A founding editor of the prestigious publishing house Andre Deutsch, Ltd., Athill takes us on a guided tour through the corridors of literary London, offering a keenly observed, devilishly funny, and always compassionate portrait of the glories and pitfalls of making books. Stet is a must-read for the literarily curious, who will revel in Athill's portraits of such great literary figures as Jean Rhys, V. S. Naipaul, Norman Mailer, Philip Roth, Mordecai Richler, and others. Spiced with candid observations about the type of people who make brilliant writers and ingenious publishers (and the idiosyncrasies of both), Stet is an invaluable contribution to the literature of literature, and in the words of the Sunday Telegraph, "all would-be authors and editors should have a copy." "Wryly humorous ... notable for its extraordinary lucidity...." -- The New York Times Book Review "A beguiling tonic to book business sob stories... Stet can barely contain Athill's charm and great big heart." -- Newsday "In addition to telling a good story, Athill writes profoundly about how she is affected by the books she loves." -- The Boston Globe