When therapist Jill Davent moved to the village of Carsely, Agatha Raisin was not a fan. Not only was this therapist romancing Agatha's ex-husband but she dug up details of Agatha's not-too-glamorous origins. Jill also counsels a woman, Gwen Simple, that Agatha firmly believes assisted her son in some grisly murders, although there is no proof. Not one to keep her feelings to herself, Agatha tells anyone that would listen that Jill is a charlatan and better off dead. Agatha could only sigh with relief when the therapist took an office in Mircester.

When Agatha learns that Jill had hired a private detective to investigate her background, she barges into Jill's office and gives her a piece of her mind, yelling "I could kill you!" So when Jill is found strangled to death in her office two days later, Agatha becomes the prime suspect. But Agatha, along with her team of private detectives, is determined to prove her innocence and find the real culprit. This time Agatha must use her skills to save her own skin.

With Dishing the Dirt, MC Beaton proves that "once you meet Agatha Raisin, you'll keep coming back."(New York Journal of Books)

"Fee, fie, fo, fum. I smell the blood of an Englishman..."Even though Agatha Raisin loathes amateur dramatics, her friend Mrs. Bloxby, the vicar's wife, has persuaded her to support the local pantomime. Stifling a yawn at the production of "Babes in the Woods," Agatha watches the baker playing an ogre strut and threaten on the stage, until a trapdoor opens and the Ogre disappears in an impressive puff of smoke. Only he doesn't re-appear at final curtain.

Surely this isn't the way the scene was rehearsed? When it turns out the popular baker has been murdered, Agatha puts her team of private detectives on the case. They soon discover more feuds and temperamental behavior in amateur theatrics than in a professional stage show--and face more and more danger as the team gets too close to the killer.The Blood of an Englishman is Agatha's 25th adventure, and you'd think she would have learned by now not to keep making the same mistakes. Alas, no--yet Agatha's flaws only make her more endearing. In this sparkling new entry in M. C. Beaton's New York Times bestselling series of modern cozies, Agatha Raisin once again "manages to infuriate, amuse, and solicit our deepest sympathies as we watch her blunder her way boldly through another murder mystery" (Bookreporter.com).