Vorticism was a brief but pivotal avant-garde art movement that emerged in London on the eve of WWI and came to an end in 1919. Led by the dynamic and controversial British artist Wyndham Lewis and named by American poet and critic Ezra Pound, Vorticism swiftly forged its own identity, helped by Lewis's radical magazine Blast, which was widely influential in both London and New York. Artists who were associated with the movement included Jacob Epstein, Alvin Langdon Coburn, Henri Gaudier-Brzeska, David Bomberg, Edward Wadsworth, Frederick Etchells, and Dorothy Shakespear. This book provides a thorough examination of Vorticism, its origins, and its impact on both sides of the Atlantic.

While it has often been recognised that the development of Christian orthodoxy was stimulated by the speculations of those who are now called heretics, it is still widely assumed that their contribution was merely catalytic, that they called forth the exposition of what the main church already believed but had not yet been required to formulate. This book maintains that scholars have underrated the constructive role of these "heretical" speculations in the evolution of dogma, showing that salient elements in the doctrines of the fall, the Trinity and the union of God and man in Christ derive from teachings that were initially rejected by the main church. Mark Edwards also reveals how authors who epitomised orthodoxy in their own day sometimes favoured teachings which were later considered heterodox, and that their doctrines underwent radical revision before they became a fixed element of orthodoxy. The first half of the volume discusses the role of Gnostic theologians in the formation of catholic thought; the second half will offer an unfashionable view of the controversies which gave rise to the councils of Nicaea, Ephesus and Chalcedon . Many of the theories advanced here have not been broached elsewhere, and no synthesis on this scale had been attempted by other scholars. While this book proposes a revision in the scholarly perception of early Christendom, it also demonstrates the essential unity of the tradition.

The resurrection changed everything. "But for the resurrection," writes Mark J. Edwards, "there would have been no reason to argue for a union of two natures in the person of Christ, let alone for a dyad or triad in the Godhead. All that he had said and done in the course of his earthly ministry would have sat well enough with the character of a prophet who excelled such predecessors as Isaiah and John the Baptist only in power and closeness to God."That is the story that unfolds as Edwards gathers together the most salient comments from the early church on the latter half of the second article of the Nicene Creed on God the Son as the crucified and risen Lord. The deliberations of ancient Christian writers on these matters are regarded now as the nucleus of Christology. The work of Christ is customarily considered, in Western Christendom at least, as the principal object of his coming. That Christ died for our sins was an axiom of all apostolic preaching.In these pages we see that the doctrines of the Trinity and the incarnation were not the second thoughts of Christendom after its encounter with Greek philosophy. Rather they were forced on the church by its refusal to adopt the polytheism of the Greeks as a means of reconciling the sovereignty of God with the exaltation of Christ as Lord.It is ultimately in the work of Christ that the essentials of his Person are revealed. The church's early teachers ultimately combine to denounce the critical maneuvers that would persuade us that the Scriptures do not mean what they plainly say. Here, as throughout the Creed, we see how the early church rooted all its claims in Scripture.

Primo libro di Nobu Matsuhisa a essere scritto, concepito e fotografato (a Londra) per un pubblico occidentale, Nobu West comprende tutte le più recenti ricette elaborate da Nobu e Mark Edwards, premiato executive chef di Nobu Londra.

At last, it's the ultimate history of the spectacular Star Wars saga, lavishly illustrated and in full color for the first time.

With the completion of Episodes I, II, and III, the epic story that's captivated millions can now be told in its entirety, from the time of the primordial Knights of the Old Republic and the Clone Wars to the birth of the Empire, from the destruction of the Death Star to the adventures of the New Jedi Order.

Beautifully illustrated by Mark Chiarello, Tommy Lee Edwards, and John Van Fleet, Star Wars: The New Essential Chronology offers the comprehensive and official chronicle of that extraordinary galaxy so far, far away. Herein you'll find

• the most exciting and climactic events from all epochs of Star Wars–those explosive turning points in the shaping of the galaxy
• a gripping account of the controversial Clone Wars–the treachery that fueled them and the terrifying aftermath
• profiles of the key players in the history of the Star Wars galaxy, along with all the most popular heroes and villains from every movie, book, comic, TV special, game, and cartoon

Follow Anakin Solo's perilous journey as he wrestles with the dark side; behold the black soul of each Dark Lord of the Sith, from Darth Sidious to Darth Vader; experience the fiery space battles that decided the fates of entire planets; and witness the ferocious invasion of the seemingly invincible Yuuzhon Vong.

The training of Obi-Wan Kenobi, the invasion of Naboo, the capture of Princess Leia, the Battle of Yavin, the lightsaber death duel between Organa Solo and Beldorion the Hutt–all of the key events are captured and preserved for all time in this drama-filled Stars Wars chronicle.

A study of Protestant and Catholic pamphlets published in Strasbourg during the early years of the Reformation looks at Martin Luther's use of the recently invented printing press and his dominance of the new medium.

La guida propone descrizioni dettagliate dei principali luoghi d'interesse: San Francisco e la sua baia, il Golden Gate e il Museum of Modern Art, l'isola di Alcatraz e i dintorni di Berkeley, Sonoma e Marin; segnalazioni aggiornate di alloggi e ristoranti di ogni categoria, con suggerimenti sui locali più interessanti e vivaci; notizie approfondite sulla storia della città, dall'epoca della corsa all'oro fino all'esplosione della Silicon Valley; cartine a colori e mappe di riferimento di San Francisco e della sua baia, con indicazioni di vie, strade e monumenti principali.

The noted philosopher describes the beautiful earth and living things as part of his views on the relationship between nature and the human condition.

This book is the first to tackle the origins and purpose of literary religious apologetic in the first centuries of the Christian era by discussing, on their own terms, texts composed by pagan and Jewish authors as well as by Christians.
Previous studies of apologetic have focused primarily on the Christian apologists of the second century. These, and other Christian authors, are also represented in this volume but, in addition, experts in the religious history of the pagan world, in Judaism, and late antique philosophy examine very different literary traditions to see to what extent techniques and motifs were shared across the religious divide.
These studies, ranging in time from the New Testament to the early fourth century, and including novel contributions by specialists in ancient history, Jewish history, ancient philosophy, the New Testament, and patristics, will put the study of ancient religious apologetic on to a new footing and make the book of value to scholars in each of these various disciplines.

This is Volume Five of the major six-volume Commentary on Homer's Iliad now being prepared under the general editorship of Professor G.S. Kirk. Volumes I and II, published in 1985 and 1990 respectively, were edited by Professor Kirk himself. Like its predecessors, the present volume (the first to be edited by one of Professor Kirk's four collaborators) consists of four introductory essays (including discussions of similes and other features of narrative style) followed by the commentary. The Greek text is not included. This project is the first large-scale commentary on the Iliad for nearly one hundred years, and takes special account of language, style, and thematic structure as well as of the complex social and cultural background to the work.