![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
Plays One
Book (italiano): <DIV><P>Contained within <I>The Innocent Child of La Guardia</I> are two radically different plays: a simple devotional play that pits good against evil ans another play full of black humor, cynical observation and reversals of expectation. <I>The Jewess of Toledo</I> is not only a reflection of Toledo itself but also of Lope’s own character, which alternated between erotic obsessions and bouts of religiosity.</P></DIV>
|